The Parisians — Volume 02 by Baron Edward Bulwer Lytton Lytton (read along books .TXT) 📖

on the chance of having another look at the pearl-coloured angel; and you, Rochebriant, can't deny that you were going into the Bois for the same object."

"One may pardon an enfant terrible," said the Englishman, laughing, "but an ami terrible should be sent to the galleys. Come, Marquis, let us walk back and submit to our fate. Even were the lady once more visible, we have no chance of being observed by the side of a Lovelace so accomplished and so audacious!"

"Adieu, then, recreants: I go alone. Victory or death." The Parisian beckoned his coachman, entered his carriage, and with a mocking grimace kissed his hand to the companions thus deserting or deserted.

Rochebriant touched the Englishman's arm, and said, "Do you think that
Lemercier could be impertinent enough to accost that lady?"

"In the first place," returned the Englishman, "Lemercier himself tells me that the lady has for several weeks relinquished her walks in the Bois, and the probability is, therefore, that he will not have the opportunity to accost her. In the next place, it appears that when she did take her solitary walk, she did not stray far from her carriage, and was in reach of the protection of her laquais and coachman. But to speak honestly, do you, who know Lemercier better than I, take him to be a man who would commit an impertinence to a woman unless there were viveurs of his own sex to see him do it?"

Alain smiled. "No. Frederic's real nature is an admirable one, and if he ever do anything that he ought to be ashamed of, 'twill be from the pride of showing how finely he can do it. Such was his character at college, and such it still seems at Paris. But it is true that the lady has forsaken her former walk; at least I—I have not seen her since the day I first beheld her in company with Frederic. Yet—yet, pardon me, you were going to the Bois on the chance of seeing her. Perhaps she has changed the direction of her walk, and—and—"

The Marquis stopped short, stammering and confused.

The Englishman scanned his countenance with the rapid glance of a practised observer of men and things, and after a short pause said: "If the lady has selected some other spot for her promenade, I am ignorant of it; nor have I ever volunteered the chance of meeting with her, since I learned—first from Lemercier, and afterwards from others—that her destination is the stage. Let us talk frankly, Marquis. I am accustomed to take much exercise on foot, and the Bois is my favourite resort: one day I there found myself in the allee which the lady we speak of used to select for her promenade, and there saw her. Something in her face impressed me; how shall I describe the impression? Did you ever open a poem, a romance, in some style wholly new to you, and before you were quite certain whether or not its merits justified the interest which the novelty inspired, you were summoned away, or the book was taken out of your hands? If so, did you not feel an intellectual longing to have another glimpse of the book? That illustration describes my impression, and I own that I twice again went to the same allee. The last time I only caught sight of the young lady as she was getting into her carriage. As she was then borne away, I perceived one of the custodians of the Bois; and learned, on questioning him, that the lady was in the habit of walking always alone in the same allee at the same hour on most fine days, but that he did not know her name or address. A motive of curiosity—perhaps an idle one—then made me ask Lemercier, who boasts of knowing his Paris so intimately, if he could inform me who the lady was. He undertook to ascertain."

"But," interposed the Marquis, "he did not ascertain who she was; he only ascertained where she lived, and that she and an elder companion were Italians;—whom he suspected, without sufficient ground, to be professional singers."

"True; but since then I ascertained more detailed particulars from two acquaintances of mine who happen to know her,—M. Savarin, the distinguished writer, and Mrs. Morley, an accomplished and beautiful American lady, who is more than an acquaintance. I may boast the honour of ranking among her friends. As Savarin's villa is at A———, I asked him incidentally if he knew the fair neighbour whose face had so attracted me; and Mrs. Morley being present, and overhearing me, I learned from both what I now repeat to you.

"The young lady is a Signorina Cicogna,—at Paris, exchanging (except among particular friends), as is not unusual, the outlandish designation of Signorina for the more conventional one of Mademoiselle. Her father was a member of the noble Milanese family of the same name, therefore the young lady is well born. Her father has been long dead; his widow married again an English gentleman settled in Italy, a scholar and antiquarian; his name was Selby. This gentleman, also dead, bequeathed the Signorina a small but sufficient competence. She is now an orphan, and residing with a companion, a Signora Venosta, who was once a singer of some repute at the Neapolitan Theatre, in the orchestra of which her husband was principal performer; but she relinquished the stage several years ago on becoming a widow, and gave lessons as a teacher. She has the character of being a scientific musician, and of unblemished private respectability. Subsequently she was induced to give up general teaching, and undertake the musical education and the social charge of the young lady with her. This girl is said to have early given promise of extraordinary excellence as a singer, and excited great interest among a coterie of literary critics and musical cognoscenti. She was to have come out at the Theatre of Milan a year or two ago, but her career has been suspended in consequence of ill-health, for which she is now at Paris under the care of an English physician, who has made remarkable cures in all complaints of the respiratory organs. ———, the great composer, who knows her, says that in expression and feeling she has no living superior, perhaps no equal since Malibran."

"You seem, dear Monsieur, to have taken much pains to acquire this information."

"No great pains were necessary; but had they been I might have taken them, for, as I have owned to you, Mademoiselle Cicogna, while she was yet a mystery to me, strangely interested my thoughts or my fancies. That interest has now ceased. The world of actresses and singers lies apart from mine."

"Yet," said Alain, in a tone of voice that implied doubt, "if I understand Lemercier aright, you were going with him to the Bois on the chance of seeing again the lady in whom your interest has ceased."

"Lemercier's account was not strictly accurate. He stopped his carriage to speak to me on quite another subject, on which I have consulted him, and then proposed to take me on to the Bois. I assented; and it was not till we were in the carriage that he suggested the idea of seeing whether the pearly-robed lady had resumed her walk in the allee. You may judge how indifferent I was to that chance when I preferred turning back with you to going on with him. Between you and me, Marquis, to men of our age, who have the business of life before them, and feel that if there be aught in which noblesse oblige it is a severe devotion to noble objects, there is nothing more fatal to such devotion than allowing the heart to be blown hither and thither at every breeze of mere fancy, and dreaming ourselves into love with some fair creature whom we never could marry consistently with the career we have set before our ambition. I could not marry an actress,—neither, I presume, could the Marquis de Rochebriant; and the thought of a courtship which excluded the idea of marriage to a young orphan of name unblemished, of virtue unsuspected, would certainly not be compatible with 'devotion to noble objects.'"

Alain involuntarily bowed his head in assent to the proposition, and, it may be, in submission to an implied rebuke.

The two men walked in silence for some minutes, and Graham first spoke, changing altogether the subject of conversation. "Lemercier tells me you decline going much into this world of Paris, the capital of capitals, which appears so irresistibly attractive to us foreigners."

"Possibly; but, to borrow your words, I have the business of life before me."

"Business is a good safeguard against the temptations to excess in pleasure, in which Paris abounds. But there is no business which does not admit of some holiday, and all business necessitates commerce with mankind. A propos, I was the other evening at the Duchese de Tarascon's,—a brilliant assembly, filled with ministers, senators, and courtiers. I heard your name mentioned."

"Mine?"

"Yes; Duplessis, the rising financier—who rather to my surprise was not only present among these official and decorated celebrities, but apparently quite at home among them—asked the Duchess if she had not seen you since your arrival at Paris. She replied, 'No; that though you were among her nearest connections, you had not called on her;' and bade Duplessis tell you that you were a monstre for not doing so. Whether or not Duplessis will take that liberty I know not; but you must pardon me if I do. She is a very charming woman, full of talent; and that stream of the world which reflects the stars, with all their mythical influences on fortune, flows through her salons."

"I am not born under those stars. I am a Legitimist."

"I did not forget your political creed; but in England the leaders of opposition attend the salons of the Prime Minister. A man is not supposed to compromise his opinions because he exchanges social courtesies with those to whom his opinions are hostile. Pray excuse me if I am indiscreet, I speak as a traveller who asks for information: but do the Legitimists really believe that they best serve their cause by declining any mode of competing with its opponents? Would there not be a fairer chance of the ultimate victory of their principles if they made their talents and energies individually prominent; if they were known as skilful generals, practical statesmen, eminent diplomatists, brilliant writers? Could they combine,—not to sulk and exclude themselves from the great battle-field of the world, but in their several ways to render themselves of such use to their country that some day or other, in one of those revolutionary crises to which France, alas! must long be subjected, they would find themselves able to turn the scale of undecided councils and conflicting jealousies."

"Monsieur, we hope for the day when the Divine Disposer of events will strike into the hearts of our fickle and erring countrymen the conviction that there will be no settled repose for France save under the sceptre of her rightful kings. But meanwhile we are,—I see it more clearly since I have quitted Bretagne,—we are a hopeless minority."

"Does not history tell us that the great changes of the world have been wrought by minorities,—but on the one condition that the minorities shall not be hopeless? It is almost the other day that the Bonapartists were in a minority that their adversaries called hopeless, and the majority for the Emperor is now so preponderant that I tremble for his safety. When a majority becomes so vast that intellect disappears in the crowd, the date of its destruction commences; for by the law of reaction the minority is installed against it. It is the nature of things that minorities are always more intellectual than multitudes, and intellect is ever at work in sapping numerical force. What your party want is hope; because without hope there is no energy. I remember hearing my father say that when he met the Count de Chambord at Ems, that illustrious personage delivered himself of a belle phrase much admired by his partisans. The Emperor was then President of the Republic, in a very doubtful and dangerous position. France seemed on the verge of another convulsion. A certain distinguished politician recommended the Count de Chambord to hold himself ready to enter at once as a candidate for the throne. And the