The Man in the Brown Suit by Agatha Christie (romantic story to read .TXT) đ
- Author: Agatha Christie
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Things that one would shrink from attempting normally are easily tackled in a flush of anger. Without giving myself time to reflect, I walked straight to the house of Lord Nasby.
Lord Nasby was the millionaire owner of the Daily Budget. He owned other papersâseveral of them, but the Daily Budget was his special child. It was as the owner of the Daily Budget that he was known to every householder in the United Kingdom. Owing to the fact that an itinerary of the great manâs daily proceedings had just been published, I knew exactly where to find him at this moment. It was his hour for dictating to his secretary in his own house.
I did not, of course, suppose that any young woman who chose to come and ask for him would be at once admitted to the august presence. But I had attended to that side of the matter. In the card-tray in the hall of the Flemmingsâ house I had observed the card of the Marquis of Loamsley, Englandâs most famous sporting peer. I had removed the card, cleaned it carefully with bread-crumbs, and pencilled upon it the words: âPlease give Miss Beddingfeld a few moments of your time.â Adventuresses must not be too scrupulous in their methods.
The thing worked. A powdered footman received the card and bore it away. Presently a pale secretary appeared. I fenced with him successfully. He retired defeated. He again reappeared and begged me to follow him. I did so. I entered a large room, a frightened-looking shorthand-typist fled past me like a visitant from the spirit-world. Then the door shut and I was face to face with Lord Nasby.
A big man. Big head. Big face. Big moustache. Big stomach. I pulled myself together. I had not come here to comment on Lord Nasbyâs stomach. He was already roaring at me.
âWell, what is it? What does Loamsley want? You his secretary? Whatâs it all about?â
âTo begin with,â I said with as great an appearance of coolness as I could manage, âI donât know Lord Loamsley, and he certainly knows nothing about me. I took his card from the tray in the house of the people Iâm staying with, and I wrote those words on it myself. It was important that I should see you.â
For a moment it appeared to be a toss up as to whether Lord Nasby had apoplexy or not. In the end, he swallowed twice and got over it.
âI admire your coolness, young woman. Well, you see me! If you interest me, you will continue to see me for exactly two minutes longer.â
âThat will be ample,â I replied. âAnd I shall interest you. Itâs the Mill House Mystery.â
âIf youâve found âThe Man in the Brown Suit,â write to the Editor,â he interrupted hastily.
âIf you will interrupt, I shall be more than two minutes,â I said sternly. âI havenât found âThe Man in the Brown Suit,â but Iâm quite likely to do so.â
In as few words as possible I put the facts of the Tube accident and the conclusions I had drawn from them before him. When I had finished he said unexpectedly:
âWhat do you know of brachycephalic heads?â
I mentioned Papa.
âThe Monkey man? Eh? Well, you seem to have a head of some kind upon your own shoulders, young woman. But itâs all pretty thin, you know. Not much to go upon. And no use to usâas it stands.â
âIâm perfectly aware of that.â
âWhat dâyou want, then?â
âI want a job on your paper to investigate this matter.â
âCanât do that. Weâve got our own special man on it.â
âAnd Iâve got my own special knowledge.â
âWhat youâve just told me, eh?â
âOh, no, Lord Nasby. Iâve still got something up my sleeve.â
âOh, you have, have you? You seem a bright sort of girl. Well, what is it?â
âWhen this so-called doctor got into the lift, he dropped a piece of paper. I picked it up. It smelt of moth balls. So did the dead man. The doctor didnât. So I saw at once that the doctor must have taken it off the body. It had two words written on it and some figures.â
âLetâs see it.â
Lord Nasby stretched out a careless hand.
âI think not,â I said, smiling. âItâs my find, you see.â
âIâm right. You are a bright girl. Quite right to hang on to it. No scruples about not handing it over to the police?â
âI went there to do so this morning. They persisted in regarding the whole thing as having nothing to do with the Marlow affair, so I thought that in the circumstances I was justified in retaining the paper. Besides, the inspector put my back up.â
âShort-sighted man. Well, my dear girl, hereâs all I can do for you. Go on working on this line of yours. If you get anythingâanything thatâs publishableâsend it along and you shall have your chance. Thereâs always room for real talent on the Daily Budget. But youâve got to make good first. See?â
I thanked him, and apologized for my methods.
âDonât mention it. I rather like cheekâfrom a pretty girl. By the way, you said two minutes and youâve been three, allowing for interruptions. For a woman, thatâs quite remarkable! Must be your scientific training.â
I was in the street again, breathing hard as though I had been running. I found Lord Nasby rather wearing as a new acquaintance.
I went home with a feeling of exultation. My scheme had succeeded far better than I could possibly have hoped. Lord Nasby had been positively genial. It only now remained for me to âMake good,â as he expressed it. Once locked in my own room, I took out my precious piece of paper and studied it attentively. Here was the clue to the mystery.
To begin with, what did the figures represent? There were five of them, and a dot after the first two. âSeventeenâone hundred and twenty-two,â I murmured.
That did not seem to lead to anything.
Next I added them up. That is often done in works of fiction and leads to surprising deductions.
âOne and seven make eight and one is nine and two are eleven and two are thirteen.â
Thirteen! Fateful number! Was this a warning to me to leave the whole thing alone? Very possibly. Anyway, except as a warning, it seemed to be singularly useless. I declined to believe that any conspirator would take that way of writing thirteen in real life. If he meant thirteen, he would write thirteen. â13ââlike that.
There was a space between the one and the two. I accordingly subtracted twenty-two from a hundred and seventy-one. The result was a hundred and fifty-nine. I did it again and made it a hundred and forty-nine. These arithmetical exercises were doubtless excellent practice, but as regarded the solution of the mystery, they seemed totally ineffectual. I left arithmetic alone, not attempting fancy division or multiplication, and went on to the words.
Kilmorden Castle. That was something definite. A place. Probably the cradle of an aristocratic family. (Missing heir? Claimant to title?) Or possibly a picturesque ruin. (Buried treasure?)
Yes, on the whole I inclined to the theory of buried treasure. Figures always go with buried treasure. One pace to the right, seven paces to the left, dig one foot, descend twenty-two steps. That sort of idea. I could work out that later. The thing was to get to Kilmorden Castle as quickly as possible.
I made a strategic sally from my room and returned laden with books of reference. Whoâs Who, Whitaker, a Gazetteer, a History of Scotch Ancestral Homes, and Somebody or otherâs British Isles.
Time passed. I searched diligently, but with growing annoyance. Finally, I shut the last book with a bang. There appeared to be no such place as Kilmorden Castle. Here was an unexpected check. There must be such a place. Why should any one invent a name like that and write it down on a piece of paper? Absurd!
Another idea occurred to me. Possibly it was a castellated abomination in the suburbs with a high-sounding name invented by its owner. But if so, it was going to be extraordinarily hard to find. I sat back gloomily on my heels (I always sit on the floor to do anything really important) and wondered how on earth I was to set about it.
Was there any other line I could follow? I reflected earnestly and then sprang to my feet delightedly. Of course! I must visit the âscene of the crime.â Always done by the best sleuths! And no matter how long afterwards it may be, they always find something that the police have overlooked. My course was clear. I must go to Marlow.
But how was I to get into the house? I discarded several adventurous methods, and plumped for stern simplicity. The house had been to letâpresumably was still to let. I would be a prospective tenant.
I also decided on attacking the local house-agents, as having fewer houses on their books.
Here, however, I reckoned without my host. A pleasant clerk produced particulars of about half a dozen desirable properties. It took all my ingenuity to find objections to them. In the end I feared I had drawn a blank.
âAnd youâve really nothing else?â I asked, gazing pathetically into the clerkâs eyes. âSomething right on the river, and with a fair amount of garden and a small lodge,â I added, summing up the main points of the Mill House, as I had gathered them from the papers.
âWell, of course thereâs Sir Eustace Pedlerâs place,â said the man doubtfully. âThe Mill House, you know.â
âNotânot whereâââ I faltered. (Really, faltering is getting to be my strong point.)
âThatâs it! Where the murder took place. But perhaps you wouldnât likeâââ
âOh, I donât think I should mind,â I said with an appearance of rallying. I felt my bona fides was now quite established. âAnd perhaps I might get it cheapâin the circumstances.â
A master touch that, I thought.
âWell, itâs possible. Thereâs no pretending that it will be easy to let nowâservants and all that, you know. If you like the place after youâve seen it, I should advise you to make an offer. Shall I write you out an order?â
âIf you please.â
A quarter of an hour later I was at the lodge of the Mill House. In answer to my knock, the door flew open and a tall middle-aged woman literally bounced out.
âNobody can go into the house, do you hear that? Fairly sick of you reporters, I am. Sir Eustaceâs orders areâââ
âI understood the house was to let,â I said freezingly, holding out my order. âOf course, if itâs already takenâââ
âOh, Iâm sure I beg your pardon, miss. Iâve been fairly pestered with these newspaper people. Not a minuteâs peace. No, the house isnât letânor likely to be now.â
âAre the drains wrong?â I asked in an anxious whisper.
âOh, Lord, miss, the drains is all right! But surely youâve heard about that foreign lady as was done to death here?â
âI believe I did read something about it in the papers,â I said carelessly.
My indifference piqued the good woman. If I had betrayed any interest, she would probably have closed up like an oyster. As it was, she positively bridled.
âI should say you did, miss! Itâs been in all the newspapers. The Daily Budgetâs out still to catch the man who did it. It seems, according to them, as our police are no good at all. Well, I hope theyâll get himâalthough a nice-looking young fellow he was and no mistake. A kind of soldierly look about himâah, well, I dare say heâd been wounded in the war, and sometimes they go a bit queer afterwards, my sisterâs boy did. Perhaps sheâd used him badâtheyâre a bad lot, those foreigners. Though she was a fine-looking woman. Stood there where youâre standing now.â
âWas she dark or fair?â I ventured. âYou canât tell from these newspaper portraits.â
âDark hair, and a very white faceâtoo white for nature, I thought, and her lips reddened something cruel. I donât like to see itâa little powder now and then is quite another thing.â
We were conversing like old friends now. I put another question.
âDid she seem nervous or upset at all?â
âNot a bit. She was smiling to herself, quiet like, as though she was amused at something. Thatâs why you could have knocked me down with a feather when, the next afternoon, those people came running out calling for the police and saying thereâd been murder done. I shall never get over it, and as for setting foot in that house after dark I wouldnât do it, not if it was ever so. Why, I wouldnât even stay here at the lodge, if Sir Eustace hadnât been down on his bended knees to me.â
âI thought Sir Eustace Pedler was at Cannes?â
âSo he was, miss. He come back to England when he heard the news, and, as to the bended knees, that
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