The Mystery of Edwin Drood by Charles Dickens (best english novels to read TXT) đ
- Author: Charles Dickens
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The two youthful figures, side by side, but not now arm-in-arm, wander discontentedly about the old Close; and each sometimes stops and slowly imprints a deeper footstep in the fallen leaves.
âWell!â says Edwin, after a lengthy silence. âAccording to custom. We canât get on, Rosa.â
Rosa tosses her head, and says she donât want to get on.
âThatâs a pretty sentiment, Rosa, considering.â
âConsidering what?â
âIf I say what, youâll go wrong again.â
âYouâll go wrong, you mean, Eddy. Donât be ungenerous.â
âUngenerous! I like that!â
âThen I donât like that, and so I tell you plainly,â Rosa pouts.
âNow, Rosa, I put it to you. Who disparaged my profession, my destinationââ
âYou are not going to be buried in the Pyramids, I hope?â she interrupts, arching her delicate eyebrows. âYou never said you were. If you are, why havenât you mentioned it to me? I canât find out your plans by instinct.â
âNow, Rosa, you know very well what I mean, my dear.â
âWell then, why did you begin with your detestable red-nosed giantesses? And she would, she would, she would, she would, she WOULD powder it!â cries Rosa, in a little burst of comical contradictory spleen.
âSomehow or other, I never can come right in these discussions,â says Edwin, sighing and becoming resigned.
âHow is it possible, sir, that you ever can come right when youâre always wrong? And as to Belzoni, I suppose heâs dead;âIâm sure I hope he isâand how can his legs or his chokes concern you?â
âIt is nearly time for your return, Rosa. We have not had a very happy walk, have we?â
âA happy walk? A detestably unhappy walk, sir. If I go up-stairs the moment I get in and cry till I canât take my dancing lesson, you are responsible, mind!â
âLet us be friends, Rosa.â
âAh!â cries Rosa, shaking her head and bursting into real tears, âI wish we could be friends! Itâs because we canât be friends, that we try one another so. I am a young little thing, Eddy, to have an old heartache; but I really, really have, sometimes. Donât be angry. I know you have one yourself too often. We should both of us have done better, if What is to be had been left What might have been. I am quite a little serious thing now, and not teasing you. Let each of us forbear, this one time, on our own account, and on the otherâs!â
Disarmed by this glimpse of a womanâs nature in the spoilt child, though for an instant disposed to resent it as seeming to involve the enforced infliction of himself upon her, Edwin Drood stands watching her as she childishly cries and sobs, with both hands to the handkerchief at her eyes, and thenâshe becoming more composed, and indeed beginning in her young inconstancy to laugh at herself for having been so movedâleads her to a seat hard by, under the elm-trees.
Under the trees
âOne clear word of understanding, Pussy dear. I am not clever out of my own lineânow I come to think of it, I donât know that I am particularly clever in itâbut I want to do right. There is notâthere may beâI really donât see my way to what I want to say, but I must say it before we partâthere is not any other youngââ
âO no, Eddy! Itâs generous of you to ask me; but no, no, no!â
They have come very near to the Cathedral windows, and at this moment the organ and the choir sound out sublimely. As they sit listening to the solemn swell, the confidence of last night rises in young Edwin Droodâs mind, and he thinks how unlike this music is to that discordance.
âI fancy I can distinguish Jackâs voice,â is his remark in a low tone in connection with the train of thought.
âTake me back at once, please,â urges his Affianced, quickly laying her light hand upon his wrist. âThey will all be coming out directly; let us get away. O, what a resounding chord! But donât let us stop to listen to it; let us get away!â
Her hurry is over as soon as they have passed out of the Close. They go arm-in-arm now, gravely and deliberately enough, along the old High-street, to the Nunsâ House. At the gate, the street being within sight empty, Edwin bends down his face to Rosebudâs.
She remonstrates, laughing, and is a childish schoolgirl again.
âEddy, no! Iâm too sticky to be kissed. But give me your hand, and Iâll blow a kiss into that.â
He does so. She breathes a light breath into it and asks, retaining it and looking into it:â
âNow say, what do you see?â
âSee, Rosa?â
âWhy, I thought you Egyptian boys could look into a hand and see all sorts of phantoms. Canât you see a happy Future?â
For certain, neither of them sees a happy Present, as the gate opens and closes, and one goes in, and the other goes away.
MR. SAPSEA
Accepting the Jackass as the type of self-sufficient stupidity and conceitâa custom, perhaps, like some few other customs, more conventional than fairâthen the purest jackass in Cloisterham is Mr. Thomas Sapsea, Auctioneer.
Mr. Sapsea âdresses atâ the Dean; has been bowed to for the Dean, in mistake; has even been spoken to in the street as My Lord, under the impression that he was the Bishop come down unexpectedly, without his chaplain. Mr. Sapsea is very proud of this, and of his voice, and of his style. He has even (in selling landed property) tried the experiment of slightly intoning in his pulpit, to make himself more like what he takes to be the genuine ecclesiastical article. So, in ending a Sale by Public Auction, Mr. Sapsea finishes off with an air of bestowing a benediction on the assembled brokers, which leaves the real Deanâa modest and worthy gentlemanâfar behind.
Mr. Sapsea has many admirers; indeed, the proposition is carried by a large local majority, even including non-believers in his wisdom, that he is a credit to Cloisterham. He possesses the great qualities of being portentous and dull, and of having a roll in his speech, and another roll in his gait; not to mention a certain gravely flowing action with his hands, as if he were presently going to Confirm the individual with whom he holds discourse. Much nearer sixty years of age than fifty, with a flowing outline of stomach, and horizontal creases in his waistcoat; reputed to be rich; voting at elections in the strictly respectable interest; morally satisfied that nothing but he himself has grown since he was a baby; how can dunder-headed Mr. Sapsea be otherwise than a credit to Cloisterham, and society?
Mr. Sapseaâs premises are in the High-street, over against the Nunsâ House. They are of about the period of the Nunsâ House, irregularly modernised here and there, as steadily deteriorating generations found, more and more, that they preferred air and light to Fever and the Plague. Over the doorway is a wooden effigy, about half life-size, representing Mr. Sapseaâs father, in a curly wig and toga, in the act of selling. The chastity of the idea, and the natural appearance of the little finger, hammer, and pulpit, have been much admired.
Mr. Sapsea sits in his dull ground-floor sitting-room, giving first on his paved back yard; and then on his railed-off garden. Mr. Sapsea has a bottle of port wine on a table before the fireâthe fire is an early luxury, but pleasant on the cool, chilly autumn eveningâand is characteristically attended by his portrait, his eight-day clock, and his weather-glass. Characteristically, because he would uphold himself against mankind, his weather-glass against weather, and his clock against time.
By Mr. Sapseaâs side on the table are a writing-desk and writing materials. Glancing at a scrap of manuscript, Mr. Sapsea reads it to himself with a lofty air, and then, slowly pacing the room with his thumbs in the arm-holes of his waistcoat, repeats it from memory: so internally, though with much dignity, that the word âEthelindaâ is alone audible.
There are three clean wineglasses in a tray on the table. His serving-maid entering, and announcing âMr. Jasper is come, sir,â Mr. Sapsea waves âAdmit him,â and draws two wineglasses from the rank, as being claimed.
âGlad to see you, sir. I congratulate myself on having the honour of receiving you here for the first time.â Mr. Sapsea does the honours of his house in this wise.
âYou are very good. The honour is mine and the self-congratulation is mine.â
âYou are pleased to say so, sir. But I do assure you that it is a satisfaction to me to receive you in my humble home. And that is what I would not say to everybody.â Ineffable loftiness on Mr. Sapseaâs part accompanies these words, as leaving the sentence to be understood: âYou will not easily believe that your society can be a satisfaction to a man like myself; nevertheless, it is.â
âI have for some time desired to know you, Mr. Sapsea.â
âAnd I, sir, have long known you by reputation as a man of taste. Let me fill your glass. I will give you, sir,â says Mr. Sapsea, filling his own:
âWhen the French come over,
May we meet them at Dover!â
This was a patriotic toast in Mr. Sapseaâs infancy, and he is therefore fully convinced of its being appropriate to any subsequent era.
âYou can scarcely be ignorant, Mr. Sapsea,â observes Jasper, watching the auctioneer with a smile as the latter stretches out his legs before the fire, âthat you know the world.â
âWell, sir,â is the chuckling reply, âI think I know something of it; something of it.â
âYour reputation for that knowledge has always interested and surprised me, and made me wish to know you. For Cloisterham is a little place. Cooped up in it myself, I know nothing beyond it, and feel it to be a very little place.â
âIf I have not gone to foreign countries, young man,â Mr. Sapsea begins, and then stops:ââYou will excuse me calling you young man, Mr. Jasper? You are much my junior.â
âBy all means.â
âIf I have not gone to foreign countries, young man, foreign countries have come to me. They have come to me in the way of business, and I have improved upon my opportunities. Put it that I take an inventory, or make a catalogue. I see a French clock. I never saw him before, in my life, but I instantly lay my finger on him and say âParis!â I see some cups and saucers of Chinese make, equally strangers to me personally: I put my finger on them, then and there, and I say âPekin, Nankin, and Canton.â It is the same with Japan, with Egypt, and with bamboo and sandalwood from the East Indies; I put my finger on them all. I have put my finger on the North Pole before now, and said âSpear of Esquimaux make, for half a pint of pale sherry!ââ
âReally? A very remarkable way, Mr. Sapsea, of acquiring a knowledge of men and things.â
âI mention it, sir,â Mr. Sapsea rejoins, with unspeakable complacency, âbecause, as I say, it donât do to boast of what you are; but show how you came to be it, and then you prove it.â
âMost interesting. We were to speak of the late Mrs. Sapsea.â
âWe were, sir.â Mr. Sapsea fills both glasses, and takes the decanter into safe keeping again. âBefore I consult your opinion as a man of taste on this little trifleââholding it upââwhich is but a trifle, and still has required some thought, sir, some little fever of the brow, I ought perhaps to describe the character of the late Mrs. Sapsea, now dead three quarters of a year.â
Mr. Jasper, in the act of yawning behind his wineglass, puts down that screen and calls up a look of interest. It is a little impaired in its expressiveness by his having a shut-up gape still to dispose of, with watering eyes.
âHalf a dozen years ago, or so,â Mr. Sapsea proceeds, âwhen I had enlarged my mind up toâI will not say to what it now is, for that might seem to aim at too much, but up to the pitch of wanting another mind to be absorbed in itâI cast my eye about me for a nuptial partner. Because, as I say, it is not good for man to be alone.â
Mr. Jasper appears to commit this original idea to memory.
âMiss Brobity at that time kept, I will not call it
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