Taras Bulba by Nikolai Vasilevich Gogol (fun to read .txt) 📖

A THRONG of carriages and other vehicles stood at the entrance of a house in which an auction was going on of the effects of one of those wealthy art-lovers who have innocently passed for Maecenases, and in a simple-minded fashion expended, to that end, the millions amassed by their thrifty fathers, and frequently even by their own early labours. The long saloon was filled with the most motley throng of visitors, collected like birds of prey swooping down upon an unburied corpse. There was a whole squadron of Russian shopkeepers from the Gostinnui Dvor, and from the old-clothes mart, in blue coats of foreign make. Their faces and expressions were a little more natural here, and did not display that fictitious desire to be subservient which is so marked in the Russian shopkeeper when he stands before a customer in his shop. Here they stood upon no ceremony, although the saloons were full of those very aristocrats before whom, in any other place, they would have been ready to sweep, with reverence, the dust brought in by their feet. They were quite at their ease, handling pictures and books without ceremony, when desirous of ascertaining the value of the goods, and boldly upsetting bargains mentally secured in advance by noble connoisseurs. There were many of those infallible attendants of auctions who make it a point to go to one every day as regularly as to take their breakfast; aristocratic connoisseurs who look upon it as their duty not to miss any opportunity of adding to their collections, and who have no other occupation between twelve o’clock and one; and noble gentlemen, with garments very threadbare, who make their daily appearance without any selfish object in view, but merely to see how it all goes off.

A quantity of pictures were lying about in disorder: with them were mingled furniture, and books with the cipher of the former owner, who never was moved by any laudable desire to glance into them. Chinese vases, marble slabs for tables, old and new furniture with curving lines, with griffins, sphinxes, and lions’ paws, gilded and ungilded, chandeliers, sconces, all were heaped together in a perfect chaos of art.

The auction appeared to be at its height.

The surging throng was competing for a portrait which could not but arrest the attention of all who possessed any knowledge of art. The skilled hand of an artist was plainly visible in it. The portrait, which had apparently been several times restored and renovated, represented the dark features of an Asiatic in flowing garments, and with a strange and remarkable expression of countenance; but what struck the buyers more than anything else was the peculiar liveliness of the eyes. The more they were looked at, the more did they seem to penetrate into the gazer’s heart. This peculiarity, this strange illusion achieved by the artist, attracted the attention of nearly all. Many who had been bidding gradually withdrew, for the price offered had risen to an incredible sum. There remained only two well-known aristocrats, amateurs of painting, who were unwilling to forego such an acquisition. They grew warm, and would probably have run the bidding up to an impossible sum, had not one of the onlookers suddenly exclaimed, “Permit me to interrupt your competition for a while: I, perhaps, more than any other, have a right to this portrait.”

These words at once drew the attention of all to him. He was a tall man of thirty-five, with long black curls. His pleasant face, full of a certain bright nonchalance, indicated a mind free from all wearisome, worldly excitement; his garments had no pretence to fashion: all about him indicated the artist. He was, in fact, B. the painter, a man personally well known to many of those present.

“However strange my words may seem to you,” he continued, perceiving that the general attention was directed to him, “if you will listen to a short story, you may possibly see that I was right in uttering them. Everything assures me that this is the portrait which I am looking for.”

A natural curiosity illuminated the faces of nearly all present; and even the auctioneer paused as he was opening his mouth, and with hammer uplifted in the air, prepared to listen. At the beginning of the story, many glanced involuntarily towards the portrait; but later on, all bent their attention solely on the narrator, as his tale grew gradually more absorbing.

“You know that portion of the city which is called Kolomna,” he began. “There everything is unlike anything else in St. Petersburg. Retired officials remove thither to live; widows; people not very well off, who have acquaintances in the senate, and therefore condemn themselves to this for nearly the whole of their lives; and, in short, that whole list of people who can be described by the words ash-coloured—people whose garments, faces, hair, eyes, have a sort of ashy surface, like a day when there is in the sky neither cloud nor sun. Among them may be retired actors, retired titular councillors, retired sons of Mars, with ruined eyes and swollen lips.

“Life in Kolomna is terribly dull: rarely does a carriage appear, except, perhaps, one containing an actor, which disturbs the universal stillness by its rumble, noise, and jingling. You can get lodgings for five rubles a month, coffee in the morning included. Widows with pensions are the most aristocratic families there; they conduct themselves well, sweep their rooms often, chatter with their friends about the dearness of beef and cabbage, and frequently have a young daughter, a taciturn, quiet, sometimes pretty creature; an ugly dog, and wall-clocks which strike in a melancholy fashion. Then come the actors whose salaries do not permit them to desert Kolomna, an independent folk, living, like all artists, for pleasure. They sit in their dressing-gowns, cleaning their pistols, gluing together all sorts of things out of cardboard, playing draughts and cards with any friend who chances to drop in, and so pass away the morning, doing pretty nearly the same in the evening, with the addition of punch now and then. After these great people and aristocracy of Kolomna, come the rank and file. It is as difficult to put a name to them as to remember the multitude of insects which breed in stale vinegar. There are old women who get drunk, who make a living by incomprehensible means, like ants, dragging old clothes and rags from the Kalinkin Bridge to the old clothes-mart, in order to sell them for fifteen kopeks—in short, the very dregs of mankind, whose conditions no beneficent, political economist has devised any means of ameliorating.

“I have mentioned them in order to point out how often such people find themselves under the necessity of seeking immediate temporary assistance and having recourse to borrowing. Hence there settles among them a peculiar race of money-lenders who lend small sums on security at an enormous percentage. Among these usurers was a certain … but I must not omit to mention that the occurrence which I have undertaken to relate occurred the last century, in the reign of our late Empress Catherine the Second. So, among the usurers, at that epoch, was a certain person—an extraordinary being in every respect, who had settled in that quarter of the city long before. He went about in flowing Asiatic garb; his dark complexion indicated a Southern origin, but to what particular nation he belonged, India, Greece, or Persia, no one could say with certainty. Of tall, almost colossal stature, with dark, thin, ardent face, heavy overhanging brows, and an indescribably strange colour in his large eyes of unwonted fire, he differed sharply and strongly from all the ash-coloured denizens of the capital.

“His very dwelling was unlike the other little wooden houses. It was of stone, in the style of those formerly much affected by Genoese merchants, with irregular windows of various sizes, secured with iron shutters and bars. This usurer differed from other usurers also in that he could furnish any required sum, from that desired by the poor old beggar-woman to that demanded by the extravagant grandee of the court. The most gorgeous equipages often halted in front of his house, and from their windows sometimes peeped forth the head of an elegant high-born lady. Rumour, as usual, reported that his iron coffers were full of untold gold, treasures, diamonds, and all sorts of pledges, but that, nevertheless, he was not the slave of that avarice which is characteristic of other usurers. He lent money willingly, and on very favourable terms of payment apparently, but, by some curious method of reckoning, made them mount to an incredible percentage. So said rumour, at any rate. But what was strangest of all was the peculiar fate of those who received money from him: they all ended their lives in some unhappy way. Whether this was simply the popular superstition, or the result of reports circulated with an object, is not known. But several instances which happened within a brief space of time before the eyes of every one were vivid and striking.

“Among the aristocracy of that day, one who speedily drew attention to himself was a young man of one of the best families who had made a figure in his early years in court circles, a warm admirer of everything true and noble, zealous in his love for art, and giving promise of becoming a Maecenas. He was soon deservedly distinguished by the Empress, who conferred upon him an important post, fully proportioned to his deserts—a post in which he could accomplish much for science and the general welfare. The youthful dignitary surrounded himself with artists, poets, and learned men. He wished to give work to all, to encourage all. He undertook, at his own expense, a number of useful publications; gave numerous orders to artists; offered prizes for the encouragement of different arts; spent a great deal of money, and finally ruined himself. But, full of noble impulses, he did not wish to relinquish his work, sought to raise a loan, and finally betook himself to the well-known usurer. Having borrowed a considerable sum from him, the man in a short time changed completely. He became a persecutor and oppressor of budding talent and intellect. He saw the bad side in everything produced, and every word he uttered was false.

“Then, unfortunately, came the French Revolution. This furnished him with an excuse for every kind of suspicion. He began to discover a revolutionary tendency in everything; to concoct terrible and unjust accusations, which made scores