Somehow Good by William Frend De Morgan (free ebook reader for iphone .txt) 📖

she says to herself. Then Sally also becomes aware of the sound in the traffic, and goes to _her_ window in the front room.

"You see I'm right," she says. "The people are letting their fires out, and the fog's giving. Now I'm going to take you home, Jeremiah." For the understanding is that these two shall return to Krakatoa Villa, leaving Rosalind to watch with the nurse. She will get a chop in half an hour's time. She can sleep on the sofa in the front room if she feels inclined. All which is duty carried out or arranged for.

After her supper Rosalind sat on by herself before the fire in the front room. She did not want to be unsociable with the nurse; but she wanted to think, alone. A weight was on her mind; the thought that the dear old friend, who had been her father and refuge, should never know that she again possessed her recovered husband on terms almost as good as if that deadly passage in her early life had never blasted the happiness of both. He would die, and it would have made him so happy to know it. Was she right in keeping it back now? Had she ever been right?

But if she told him now, the shock of the news might hasten his collapse. Sudden news need not be bad to cause sudden death. And, maybe the story would be too strange for him to grasp. Better be silent. But oh! if he might have shared her happiness!

Drowsiness was upon her before she knew it. Better perhaps sleep a little now, while he was sleeping. She looked in at him, and spoke to the nurse. He lay there like a lifeless waxwork--blown through, like an apparatus out of order, to simulate breath, and doing it badly. How could he sleep when now and then it jerked him so? He could, and she left him and lay down, and went suddenly to sleep. After a time that was a journey through a desert, without landmarks, she was as suddenly waked.

"What?... I thought you spoke...." And so some one had spoken, but not to her. She started up, and went to where the nurse was conversing through the open window with an inarticulate person in the street below, behind the thick window-curtain she had kept overlapped, to check the freezing air.

"What is it?"

"It's a boy. I can't make out what he says."

"Let me come!" But Rosalind gets no nearer his meaning. She ends up with, "I'll come down," and goes. The nurse closes the window and goes back to the bedroom.

The street door opens easily, the Chubb lock being the only fastening. The moment Rosalind sees the boy near she recognises him. There is no doubt about the presumptuous expression, or the cause of it. Also the ostentatious absence of the front tooth, clearly accounting for inaudibility at a distance.

"What do you want?" asks Rosalind.

"Nothin' at all for myself. I come gratis, I did. There's a many wouldn't." He is not too audible, even now; but he would be better if he did not suck the cross-rail of the area paling.

"Why did you come?"

"To bring you the nooze. The old bloke's a friend of yours, missis. Or p'r'aps he ain't! I can mizzle, you know, and no harm done."

"Oh no, don't mizzle on any account. Tell me about the old bloke. Do you mean Major Roper?"

"Supposin' I do, why shouldn't I?" This singular boy seems to have no way of communicating with his species except through defiances and refutations. Rosalind accepts his question as an ordinary assent, and does not make the mistake of entering into argument.

"Is he ill?" The boy nods. "Is he worse?" Another nod. "Has he gone home to his club?" The boy evidently has a revelation to make, but would consider it undignified to make it except as a denial of something to the contrary. He sees his way after a brief reflection.

"He ain't gone. He's been took."

"He's been taken? How has he been taken?"

"On a perambulance. Goin' easy! But he didn't say nothin'. Not harf a word!"

"Had he fainted?" But this boy has another characteristic--when he cannot understand he will not admit it. He keeps silence, and goes on absorbing the railing. Rosalind asks further: "Was he dead?"

"It'd take a lawyer to tell that, missis."

"I can't stand here in the cold, my boy. Come in, and come up and tell us." So he comes up, and Rosalind speaks to the nurse in the other room, who comes; and then they turn seriously to getting the boy's story.

He is all the easier for examination from the fact that he is impressed, if not awed, by his surroundings. All the bounce is knocked out of him, now that his foot is no longer on his native heath, the street. Witness that the subject of his narrative, who would certainly have been the old bloke where there was a paling to suck, has become a simple pronoun, and no more!

"I see him afore, missis," he says. "That time wot I lighted him round for twopence. And he says to come again in three-quarters of an hour. And I says yes, I says. And he says not to be late. Nor yet I shouldn't, only the water run so slow off the main, and I was kep.... Yes, missis--a drorin' of it off in their own pails at the balkny house by the mooze, where the supply is froze...."

"I see, you got a job to carry up pails of water from that thing that sticks up in the road?"

"Yes, missis; by means of the turncock. Sim'lar I got wet. But I didn't go to be late. It warn't much, in the manner of speakin'. I was on his 'eels, clost."

"You caught him?"

"Heard him hoarckin' in the fog, and I says to my mate--boy by the name of 'Ucklebridge, only chiefly called Slimy, to distinguish him--I says--I says that was my guv'nor, safe and square, by the token of the sound of it. And then I catches him up in the fog, follerin' by the sound. My word, missis, he _was_ bad! Wanted to holler me over the coals, he did, for behind my time. I could hear him wantin' to do it. But he couldn't come by the breath."

Poor Old Jack! The two women look at each other, and then say to the boy: "Go on."

"Holdin' by the palins, he was, and goin' slow. Then he choked it off like, and got a chanst for a word, and he says: 'Now, you young see-saw'--that's what he said, missis, 'see-saw'--'just you stir your stumps and cut along to the clubbus: and tell that dam red-faced fool Mulberry to look sharp and send one of the young fellers to lend an arm, and not to come hisself.' And then he got out a little flat bottle of something short, and went for a nip; but the cough took him, and it sprouted over his wropper and was wasted."

The women look at each other again. The nurse sees well into the story, and says quickly under her breath to Rosalind: "He'd been told what to do if he felt it coming. A drop of brandy might have made the difference." The boy goes on as soon as he is waited for.

"Mr. Mulberry he comes runnin' hisself, and a couple more on 'em! And then they all calls me a young varmint by reason of the guv'nor having got lost. But a gentleman what comes up, he says all go opposite ways, he says, and you'll hear him in the fog. So I runs up a parsage, and in the middle of the parsage I tumbles over the guv'nor lyin' acrost the parsage. Then I hollers, and then they come."

"Oh dear!" says Rosalind; for this boy had that terrible power of vivid description which flinches at no realism--_seems_ to enjoy the horror of it; does not really. Probably it was only his intense anxiety to communicate _all_, struggling with his sense of his lack of language--a privilege enjoyed by guv'nors. But Rosalind feels the earnestness of his brief epic. He winds it up:

"But the guv'nor, he'd done hoarckin'. Nor he never spoke. The gentleman I told you, he says leave him lyin' a minute, he says, and he runs. Then back he comes with the apoarthecary--him with the red light--and they rips the guv'nor's sleeves up, spilin' his coat. And they prokes into his arm with a packin'-needle. Much use it done! And then they says, it warn't the fog, and I called 'em a liar. 'Cos it's a clearin' off, they says. It warn't, not much. I see the perambulance come, and they shoved him in, and I hooked it off, and heard 'em saying where's that young shaver, they says; he'll be wanted for his testament. So I hooked it off."

"And where did you go?"

"To a wisit on a friend, I did. Me and Slimy--him I mentioned afore. And he says, he says, to come on here--on'y later. So then I come on here."

Rosalind finds herself, in the face of what she feels must mean Old Jack's sudden death, thinking how sorry she is she can command no pair of trousers of a reasonable size to replace this boy's drenched ones--a pair that would need no string. A crude brew of hot toddy, and most of the cake that had appealed to Major Roper in vain, and never gone back to the cellaret, were the only consolations possible. They seemed welcome, but under protest.

"Shan't I carry of 'em outside, missis?"

"On the stairs, then." This assent is really because both women believe he will be comfortabler there than in the room. "Where are you going to sleep?" Rosalind asks, as he takes the cake and tumbler away to the stairs. She puts a gas-jet on half-cock.

"Twopenny doss in Spur Street, off of 'Orseferry Road, Westminster." This identification is to help Rosalind, as she may not be able to spot this particular doss-house among all she knows.

"Do you always sleep there?"

"No, missis! Weather permitting, in our mooze--on the 'eap. The 'orse-keeper gives a sack in return for a bit of cleanin', early, before comin' away."

"What are you?" says Rosalind. She is thinking aloud more than asking a question. But the boy answers:

"I'm a wife, I am. Never learned no tride, ye see!... Oh yes; I've been to school--board-school scollard. But they don't learn you no tride. You parses your standards and chucks 'em." This incredible boy, who deliberately called himself a waif (that was his meaning), was it possible that he had passed through a board-school? Well, perhaps he was the highest type of competitive examinee, who can learn everything and forget everything.

"But you have a father?"

"I could show him you. But he don't hold with teachin' his sons trides, by reason of their gettin' some of his wiges. He's in the sanitary engineering himself, but he don't do no work." Rosalind looks puzzled. "That's his tride--sanitary engineering, lavatries, plumbin', and fittin'. Been out of work better than three years. He can jint you off puppies' tails, though, at a shillin'. But he don't only get a light job now and again, 'cos the tride ain't wot it was. They've been shearin' of 'em off of late years. Thank you, missis." The refreshments have vanished as by magic, and Rosalind gives the boy the rest