Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Uarda : a Romance of Ancient Egypt — Complete by Georg Ebers (best classic literature .txt) 📖
- Author: Georg Ebers
Book online «Uarda : a Romance of Ancient Egypt — Complete by Georg Ebers (best classic literature .txt) 📖». Author Georg Ebers
“I stood by the Nile,” said Paaker, casting down his eyes and drawing lines with his whip through the wool of the cabin rug. “The water was still, and I saw Nefert standing on the farther bank, and beckoning to me. I called to her, and she stepped on the water, which bore her up as if it were this carpet. She went over the water dry-foot as if it were the stony wilderness. A wonderful sight! She came nearer to me, and nearer, and already I had tried to take her hand, when she ducked under like a swan. I went into the water to seize her, and when she came up again I clasped her in my arms; but then the strangest thing happened—she flowed away, she dissolved like the snow on the Syrian hills, when you take it in your hand, and yet it was not the same, for her hair turned to water-lilies, and her eyes to blue fishes that swam away merrily, and her lips to twigs of coral that sank at once, and from her body grew a crocodile, with a head like Mena, that laughed and gnashed its teeth at me. Then I was seized with blind fury; I threw myself upon him with a drawn sword, he fastened his teeth in my flesh, I pierced his throat with my weapon; the Nile was dark with our streaming blood, and so we fought and fought—it lasted an eternity—till I awoke.”
Paaker drew a deep breath as he ceased speaking; as if his wild dream tormented him again.
The dwarf had listened with eager attention, but several minutes passed before he spoke.
“A strange dream,” he said, “but the interpretation as to the future is not hard to find. Nefert is striving to reach thee, she longs to be thine, but if thou dost fancy that she is already in thy grasp she will elude thee; thy hopes will melt like ice, slip away like sand, if thou dost not know how to put the crocodile out of the way.”
At this moment the boat struck the landing-place. The pioneer started up, and cried, “We have reached the end!”
“We have reached the end,” echoed the little man with meaning. “There is only a narrow bridge to step over.”
When they both stood on the shore, the dwarf said,
“I have to thank thee for thy hospitality, and when I can serve thee command me.”
“Come here,” cried the pioneer, and drew Nemu away with him under the shade of a sycamore veiled in the half light of the departing sun.
“What do you mean by a bridge which we must step over? I do not understand the flowers of speech, and desire plain language.”
The dwarf reflected for a moment; and then asked, “Shall I say nakedly and openly what I mean, and will you not be angry?”
“Speak!”
“Mena is the crocodile. Put him out of the world, and you will have passed the bridge; then Nefert will be thine—if thou wilt listen to me.”
“What shall I do?”
“Put the charioteer out of the world.”
Paaker’s gesture seemed to convey that that was a thing that had long been decided on, and he turned his face, for a good omen, so that the rising moon should be on his right hand.
The dwarf went on.
“Secure Nefert, so that she may not vanish like her image in the dream, before you reach the goal; that is to say, ransom the honor of your future mother and wife, for how could you take an outcast into your house?”
Paaker looked thoughtfully at the ground.
“May I inform my mistress that thou wilt save her?” asked Nemu. “I may?—Then all will be well, for he who will devote a fortune to love will not hesitate to devote a reed lance with a brass point to it to his love and his hatred together.”
CHAPTER XVI.
The sun had set, and darkness covered the City of the Dead, but the moon shone above the valley of the kings’ tombs, and the projecting masses of the rocky walls of the chasm threw sharply-defined shadows. A weird silence lay upon the desert, where yet far more life was stirring than in the noonday hour, for now bats darted like black silken threads through the night air, owls hovered aloft on wide-spread wings, small troops of jackals slipped by, one following the other up the mountain slopes. From time to time their hideous yell, or the whining laugh of the hyena, broke the stillness of the night.
Nor was human life yet at rest in the valley of tombs. A faint light glimmered in the cave of the sorceress Hekt, and in front of the paraschites’ but a fire was burning, which the grandmother of the sick Uarda now and then fed with pieces of dry manure. Two men were seated in front of the hut, and gazed in silence on the thin flame, whose impure light was almost quenched by the clearer glow of the moon; whilst the third, Uarda’s father, disembowelled a large ram, whose head he had already cut off.
“How the jackals howl!” said the old paraschites, drawing as he spoke the torn brown cotton cloth, which he had put on as a protection against the night air and the dew, closer round his bare shoulders.
“They scent the fresh meat,” answered the physician, Nebsecht. “Throw them the entrails, when you have done; the legs and back you can roast. Be careful how you cut out the heart—the heart, soldier. There it is! What a great beast.”
Nebsecht took the ram’s heart in his hand, and gazed at it with the deepest attention, whilst the old paraschites watched him anxiously. At length:
“I promised,” he said, “to do for you what you wish, if you restore the little one to health; but you ask for what is impossible.”
“Impossible?” said the physician, “why, impossible? You open the corpses, you go in and out of the house of the embalmer. Get possession of one of the canopi,
[Vases of clay, limestone, or alabaster, which were used for the preservation of the intestines of the embalmed Egyptians, and represented the four genii of death, Amset, Hapi, Tuamutef, and Khebsennuf. Instead of the cover, the head of the genius to which it was dedicated, was placed on each kanopus. Amset (tinder the protection of Isis) has a human head, Hapi (protected by Nephthys) an ape’s head, Tuamutef (protected by Neith) a jackal’s head, and Khebsennuf (protected by Selk) a sparrow-hawk’s head. In one of the Christian Coptic Manuscripts, the four archangels are invoked in the place of these genii.]lay this heart in it, and take out in its stead the heart of a human being. No one—no one will notice it. Nor need you do it to-morrow, or the day after tomorrow even. Your son can buy a ram to kill every day with my money till the right moment comes. Your granddaughter will soon grow strong on a
Comments (0)