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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » The Lost Girl by D. H. Lawrence (top 10 novels to read txt) 📖

Book online «The Lost Girl by D. H. Lawrence (top 10 novels to read txt) 📖». Author D. H. Lawrence



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there, and Gemma his wife, and two of the children, besides three other Italian friends of Ciccio. They all crowded up the platform. Giuseppe had insisted that Ciccio should take second-class tickets. They were very early. Alvina and Ciccio were installed in a second-class compartment, with all their packages, Ciccio was pale, yellowish under his tawny skin, and nervous. He stood excitedly on the platform talking in Italian—or rather, in his own dialect—whilst Alvina sat quite still in her corner. Sometimes one of the women or one of the children came to say a few words to her, or Giuseppe hurried to her with illustrated papers. They treated her as if she were some sort of invalid or angel, now she was leaving. But most of their attention they gave to Ciccio, talking at him rapidly all at once, whilst he answered, and glanced in this way and that, under his fine lashes, and smiled his old, nervous, meaningless smile. He was curiously upset.

Time came to shut the doors. The women and children kissed Alvina, saying:

"You'll be all right, eh? Going to Italy—!" And then profound and meaningful nods, which she could not interpret, but which were fraught surely with good-fellowship.

Then they all kissed Ciccio. The men took him in their arms and kissed him on either cheek, the children lifted their faces in eager anticipation of the double kiss. Strange, how eager they were for this embrace—how they all kept taking Ciccio's hand, one after the other, whilst he smiled constrainedly and nervously.

CHAPTER XIV THE JOURNEY ACROSS

The train began to move. Giuseppe ran alongside, holding Ciccio's hand still; the women and children were crying and waving their handkerchiefs, the other men were shouting messages, making strange, eager gestures. And Alvina sat quite still, wonderingly. And so the big, heavy train drew out, leaving the others small and dim on the platform. It was foggy, the river was a sea of yellow beneath the ponderous iron bridge. The morning was dim and dank.

The train was very full. Next to Alvina sat a trim Frenchwoman reading L'Aiglon. There was a terrible encumbrance of packages and luggage everywhere. Opposite her sat Ciccio, his black overcoat open over his pale-grey suit, his black hat a little over his left eye. He glanced at her from time to time, smiling constrainedly. She remained very still. They ran through Bromley and out into the open country. It was grey, with shivers of grey sunshine. On the downs there was thin snow. The air in the train was hot, heavy with the crowd and tense with excitement and uneasiness. The train seemed to rush ponderously, massively, across the Weald.

And so, through Folkestone to the sea. There was sun in the sky now, and white clouds, in the sort of hollow sky-dome above the grey earth with its horizon walls of fog. The air was still. The sea heaved with a sucking noise inside the dock. Alvina and Ciccio sat aft on the second-class deck, their bags near them. He put a white muffler round himself, Alvina hugged herself in her beaver scarf and muff. She looked tender and beautiful in her still vagueness, and Ciccio, hovering about her, was beautiful too, his estrangement gave him a certain wistful nobility which for the moment put him beyond all class inferiority. The passengers glanced at them across the magic of estrangement.

The sea was very still. The sun was fairly high in the open sky, where white cloud-tops showed against the pale, wintry blue. Across the sea came a silver sun-track. And Alvina and Ciccio looked at the sun, which stood a little to the right of the ship's course.

"The sun!" said Ciccio, nodding towards the orb and smiling to her.

"I love it," she said.

He smiled again, silently. He was strangely moved: she did not know why.

The wind was cold over the wintry sea, though the sun's beams were warm. They rose, walked round the cabins. Other ships were at sea—destroyers and battleships, grey, low, and sinister on the water. Then a tall bright schooner glimmered far down the channel. Some brown fishing smacks kept together. All was very still in the wintry sunshine of the Channel.

So they turned to walk to the stern of the boat. And Alvina's heart suddenly contracted. She caught Ciccio's arm, as the boat rolled gently. For there behind, behind all the sunshine, was England. England, beyond the water, rising with ash-grey, corpse-grey cliffs, and streaks of snow on the downs above. England, like a long, ash-grey coffin slowly submerging. She watched it, fascinated and terrified. It seemed to repudiate the sunshine, to remain unilluminated, long and ash-grey and dead, with streaks of snow like cerements. That was England! Her thoughts flew to Woodhouse, the grey centre of it all. Home!

Her heart died within her. Never had she felt so utterly strange and far-off. Ciccio at her side was as nothing, as spell-bound she watched, away off, behind all the sunshine and the sea, the grey, snow-streaked substance of England slowly receding and sinking, submerging. She felt she could not believe it. It was like looking at something else. What? It was like a long, ash-grey coffin, winter, slowly submerging in the sea. England?

She turned again to the sun. But clouds and veils were already weaving in the sky. The cold was beginning to soak in, moreover. She sat very still for a long time, almost an eternity. And when she looked round again there was only a bank of mist behind, beyond the sea: a bank of mist, and a few grey, stalking ships. She must watch for the coast of France.

And there it was already, looming up grey and amorphous, patched with snow. It had a grey, heaped, sordid look in the November light. She had imagined Boulogne gay and brilliant. Whereas it was more grey and dismal than England. But not that magical, mystic, phantom look.

The ship slowly put about, and backed into the harbour. She watched the quay approach. Ciccio was gathering up the luggage. Then came the first cry one ever hears: "Porteur! Porteur! Want a porteur?" A porter in a blouse strung the luggage on his strap, and Ciccio and Alvina entered the crush for the exit and the passport inspection. There was a tense, eager, frightened crowd, and officials shouting directions in French and English. Alvina found herself at last before a table where bearded men in uniforms were splashing open the big pink sheets of the English passports: she felt strange and uneasy, that her passport was unimpressive and Italian. The official scrutinized her, and asked questions of Ciccio. Nobody asked her anything—she might have been Ciccio's shadow. So they went through to the vast, crowded cavern of a Customs house, where they found their porter waving to them in the mob. Ciccio fought in the mob while the porter whisked off Alvina to get seats in the big train. And at last she was planted once more in a seat, with Ciccio's place reserved beside her. And there she sat, looking across the railway lines at the harbour, in the last burst of grey sunshine. Men looked at her, officials stared at her, soldiers made remarks about her. And at last, after an eternity, Ciccio came along the platform, the porter trotting behind.

They sat and ate the food they had brought, and drank wine and tea. And after weary hours the train set off through snow-patched country to Paris. Everywhere was crowded, the train was stuffy without being warm. Next to Alvina sat a large, fat, youngish Frenchman who overflowed over her in a hot fashion. Darkness began to fall. The train was very late. There were strange and frightening delays. Strange lights appeared in the sky, everybody seemed to be listening for strange noises. It was all such a whirl and confusion that Alvina lost count, relapsed into a sort of stupidity. Gleams, flashes, noises and then at last the frenzy of Paris.

It was night, a black city, and snow falling, and no train that night across to the Gare de Lyon. In a state of semi-stupefaction after all the questionings and examinings and blusterings, they were finally allowed to go straight across Paris. But this meant another wild tussle with a Paris taxi-driver, in the filtering snow. So they were deposited in the Gare de Lyon.

And the first person who rushed upon them was Geoffrey, in a rather grimy private's uniform. He had already seen some hard service, and had a wild, bewildered look. He kissed Ciccio and burst into tears on his shoulder, there in the great turmoil of the entrance hall of the Gare de Lyon. People looked, but nobody seemed surprised. Geoffrey sobbed, and the tears came silently down Ciccio's cheeks.

"I've waited for you since five o'clock, and I've got to go back now. Ciccio! Ciccio! I wanted so badly to see you. I shall never see thee again, brother, my brother!" cried Gigi, and a sob shook him.

"Gigi! Mon Gigi. Tu as done regu ma lettre?"

"Yesterday. O Ciccio, Ciccio, I shall die without thee!"

"But no, Gigi, frère. You won't die."

"Yes, Ciccio, I shall. I know I shall."

"I say no, brother," said Ciccio. But a spasm suddenly took him, he pulled off his hat and put it over his face and sobbed into it.

"Adieu, ami! Adieu!" cried Gigi, clutching the other man's arm. Ciccio took his hat from his tear-stained face and put it on his head. Then the two men embraced.

"Toujours à toi!" said Geoffrey, with a strange, solemn salute in front of Ciccio and Alvina. Then he turned on his heel and marched rapidly out of the station, his soiled soldier's overcoat flapping in the wind at the door. Ciccio watched him go. Then he turned and looked with haunted eyes into the eyes of Alvina. And then they hurried down the desolate platform in the darkness. Many people, Italians, largely, were camped waiting there, while bits of snow wavered down. Ciccio bought food and hired cushions. The train backed in. There was a horrible fight for seats, men scrambling through windows. Alvina got a place—but Ciccio had to stay in the corridor.

Then the long night journey through France, slow and blind. The train was now so hot that the iron plate on the floor burnt Alvina's feet. Outside she saw glimpses of snow. A fat Italian hotel-keeper put on a smoking cap, covered the light, and spread himself before Alvina. In the next carriage a child was screaming. It screamed all the night—all the way from Paris to Chambéry it screamed. The train came to sudden halts, and stood still in the snow. The hotel-keeper snored. Alvina became almost comatose, in the burning heat of the carriage. And again the train rumbled on. And again she saw glimpses of stations, glimpses of snow, through the chinks in the curtained windows. And again there was a jerk and a sudden halt, a drowsy mutter from the sleepers, somebody uncovering the light, and somebody covering it again, somebody looking out, somebody tramping down the corridor, the child screaming.

The child belonged to two poor Italians—Milanese—a shred of a thin little man, and a rather loose woman. They had five tiny children, all boys: and the four who could stand on their feet all wore scarlet caps. The fifth was a baby. Alvina had seen a French official yelling at the poor shred of a young father on the platform.

When morning came, and the bleary people pulled the curtains, it was a clear dawn, and they were in the south of France. There was no sign of snow. The landscape was half southern, half Alpine. White houses with brownish tiles stood among almond trees and cactus. It was beautiful, and Alvina felt she had known it all before, in a happier life. The morning was graceful almost as spring. She went out in the corridor to talk to Ciccio.

He was on his feet with his back to the inner window, rolling slightly to the motion of the train. His face was pale, he had that sombre, haunted, unhappy look. Alvina, thrilled by the southern country, was smiling excitedly.

"This is my first morning abroad," she said.

"Yes," he answered.

"I love it here," she said. "Isn't this like Italy?"

He looked darkly out of the window, and shook his head.

But the sombre look remained on his face. She watched him. And her heart sank as she had never known it sink before.

"Are you thinking of Gigi?" she said.

He looked at her, with a faint, unhappy, bitter smile, but he said nothing. He seemed far off from her. A wild unhappiness beat inside her breast. She went down the corridor, away from him, to avoid this new

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