The Vicomte de Bragelonne; Or, Ten Years Later<br />Being the completion of "The Three Musketeers" a by Alexandre Dumas (read the beginning after the end novel .TXT) 📖

At this moment Raoul turned toward the door, against which Miss Grafton was leaning, pale and sorrow-stricken; her other arm was passed through the arm of the duke.

"You do not reply," pursued Charles; "the proverb is plain enough, that 'Silence gives consent.' Very good. Monsieur de Bragelonne: I am now in a position to satisfy you: whenever you please, therefore, you can leave for Paris, for which you have my authority."

"Sire!" exclaimed Raoul, while Mary stifled an exclamation of grief which rose to her lips, unconsciously pressing Buckingham's arm.

"You can be at Dover this evening," continued the king; "the tide serves at two o'clock in the morning."

Raoul, astounded, stammered out a few broken sentences, which equally answered the purpose both of thanks and of excuse.

"I therefore bid you adieu, Monsieur de Bragelonne, and wish you every sort of prosperity," said the king, rising; "you will confer a pleasure on me by keeping this diamond in remembrance of me; I had intended it as a marriage gift."

Miss Grafton felt her limbs almost giving way; and, as Raoul received the diamond from the king's hand, he, too, felt his strength and courage failing him. He addressed a few respectful words to the king, a passing compliment to Miss Stewart, and looked for Buckingham to bid him adieu. The king profited by this moment to disappear. Raoul found the duke engaged in endeavoring to encourage Miss Grafton.

"Tell him to remain, I implore you!" said Buckingham to Mary.

"No; I will tell him to go," replied Miss Grafton, with returning animation; "I am not one of those women who have more pride than heart; if she whom he loves is in France, let him return there and bless me for having advised him to go and seek his happiness there. If, on the contrary, she shall have ceased to love him, let him come back here again, I shall still love him, and his unhappiness will not have lessened him in my regard. In the arms of my house you will find that which Heaven has engraven on my heart—Habenti parum, egenti cuncta. 'To the rich is accorded little, to the poor everything.'"

"I do not believe, Bragelonne, that you will find yonder the equivalent of what you leave behind you here."

"I think, or at least I hope," said Raoul, with a gloomy air, "that she whom I love is worthy of my affection; but if it be true she is unworthy of me, as you have endeavored to make me believe, I will tear her image from my heart, duke, even were my heart broken in the attempt."

Mary Grafton gazed upon him with an expression of the most indefinable pity, and Raoul returned her look with a sad, sorrowful smile, saying, "Mademoiselle, the diamond which the king has given me was destined for you—give me leave to offer it for your acceptance; if I marry in France, you will send it me back; if I do not marry, keep it." And he bowed and left her.

"What does he mean?" thought Buckingham, while Raoul pressed Mary's icy hand with marks of the most reverential respect.

Mary understood the look that Buckingham fixed upon her.

"If it were a wedding-ring, I would not accept it," she said.

"And yet you were willing to ask him to return to you."

"Oh! duke," cried the young girl in heartbroken accents, "a woman such as I am is never accepted as a consolation by a man like him."

"You do not think he will return, then?"

"Never," said Miss Grafton, in a choking voice.

"And I grieve to tell you, Mary, that he will find yonder his happiness destroyed, his mistress lost to him. His honor even has not escaped. What will be left him, then, Mary, equal to your affection? Do you answer, Mary, you who know yourself so well."

Miss Grafton placed her white hand on Buckingham's arm, and, while Raoul was hurrying away with headlong speed, she sang in dying accents the line from "Romeo and Juliet": "I must begone and live, or stay and die."

As she finished the last word, Raoul had disappeared. Miss Grafton returned to her own apartment, paler than death itself. Buckingham availed himself of the arrival of the courier, who had brought the letter to the king, to write to Madame and to the Comte de Guiche. The king had not been mistaken, for at two in the morning the tide was at full flood, and Raoul had embarked for France.

The king most assiduously followed the progress which was made in La Valliere's[Pg 186] portrait; and did so with a care and attention arising as much from a desire that it should resemble her as from the wish that the painter should prolong the period of its completion as much as possible. It was amusing to observe him following the artist's brush, awaiting the completion of a particular plan, or the result of a combination of colors, and suggesting various modifications to the painter, which the latter consented to adopt with the most respectful docility of disposition. And again, when the artist, following Malicorne's advice, was a little late in arriving, and when Saint-Aignan had been obliged to be absent for some time, it was interesting to observe, though no one witnessed them, those moments of silence full of deep expression, which united in one sigh two souls most disposed to understand each other, and who by no means objected to the quiet and meditation they enjoyed together.

The minutes fled rapidly by, as if on wings: and as the king drew closer to Louise and bent his burning gaze upon her, a noise was suddenly heard in the anteroom. It was the artist, who had just arrived: Saint-Aignan, too, had returned, full of apologies: and the king began to talk, and La Valliere to answer him very hurriedly, their eyes revealing to Saint-Aignan that they had enjoyed a century of happiness during his absence. In a word, Malicorne, philosopher that he was, though he knew it not, had learned how to inspire the king with an appetite in the midst of plenty, and with desire in the assurance of possession. La Valliere's fears of interruption had never been realized, and no one imagined she was absent from her apartment two or three hours every day. She pretended that her health was very uncertain: those who went to her room always knocked before entering, and Malicorne, the man of so many ingenious inventions, had constructed an acoustic piece of mechanism, by means of which La Valliere, when in Saint-Aignan's apartment, was always forewarned of any visits which were paid to the room she usually inhabited. In this manner, therefore, without leaving[Pg 187] her own room, and having no confidante, she was able to return to her apartment, thus removing by her appearance, a little tardy perhaps, the suspicions of the most determined skeptics. Malicorne having asked Saint-Aignan the next morning what news he had to report, the latter had been obliged to confess that the quarter of an hour's liberty had made the king in most excellent humor.

"We must double the dose," replied Malicorne, "but insensibly so; wait until they seem to wish it."

They were so desirous for it, however, that on the evening of the fourth day, at the moment when the painter was packing up his painting implements, during Saint-Aignan's continued absence, Saint-Aignan on his return noticed upon La Valliere's face a shade of disappointment and vexation, which she could not conceal. The king was less reserved, and exhibited his annoyance by a very significant shrug of the shoulders, at which La Valliere could not help blushing.

"Very good!" thought Saint-Aignan to himself; "M. Malicorne will be delighted this evening;" as he, in fact, was when it was reported to him.

"It is very evident," he remarked to the comte, "that Mademoiselle de la Valliere hoped that you would be at least ten minutes later."

"And the king that I should be half an hour later, dear Monsieur Malicorne."

"You will be but very indifferently devoted to the king," replied the latter, "if you were to refuse his majesty that half hour's satisfaction."

"But the painter?" objected Saint-Aignan.

"I will take care of him," said Malicorne, "only I must study faces and circumstances a little before I act; those are my magical inventions and contrivances: and while sorcerers are enabled by means of their astrolabe to take the altitude of the sun, moon, and stars, I am satisfied merely by looking into people's faces, in order to see if their eyes are encircled with dark lines, and if the mouth describes a convex or concave arc."

And the cunning Malicorne had every opportunity of watching narrowly and closely, for the very same evening the king accompanied the queen to Madame's apartments, and made himself so remarked by his serious face and his deep sighs, and looked at La Valliere with such a languishing expression, that Malicorne said to Montalais during the evening: "To-morrow." And he went off to the painter's house in the street of the Jardins Saint-Paul to beg him to postpone the next sitting for a couple of days. Saint-Aignan was not within, when La Valliere, who was now quite familiar with the lower story, lifted up the trap-door and descended. The king, as usual, was waiting for her on the staircase, and held a bouquet in his hand; as soon as he saw her, he clasped her tenderly in his arms. La Valliere, much moved at the action, looked around the room, but as she saw the king was alone, she did not complain of it. They sat down, the king reclining near the cushions on which Louise was seated, with his head supported by her knees, placed there as in an asylum whence no one could banish him; he gazed ardently upon her, and as if the moment had arrived when nothing could interpose between their two hearts; she, too, gazed with similar passion upon him, and from her eyes, so soft and pure, there emanated a flame, whose rays first kindled and then inflamed the heart of the king, who, trembling with happiness as Louise's hand rested on his head, grew giddy from excess of joy, and momentarily awaited either the painter's or Saint-Aignan's return to break the sweet illusion. But the door remained closed, and neither Saint-Aignan nor the painter appeared, nor did the hangings even move. A deep mysterious silence reigned in the room—a silence which seemed to influence even the birds in their gilded prison. The king, completely overcome, turned round his head and buried his burning lips in La Valliere's hands, who, herself, faint with excess of emotion, pressed her trembling hands against her lover's lips. Louis threw himself upon his knees, and as La Valliere did not move her head, the king's forehead being within reach of her lips, she furtively passed her lips across the perfumed locks which caressed her cheeks. The king seized her in his arms, and, unable to resist the temptation, they exchanged their first kiss—that burning kiss, which changes love into a delirium. Suddenly, a noise upon the upper floor was heard, which had, in fact, continued, though it had remained unnoticed, for some time; it had at last aroused La Valliere's attention, though but slowly so. As the noise, however, continued, as it forced itself upon the attention, and recalled the poor girl from her dreams of happiness to the sad reality of life, she arose in a state of utter bewilderment, though beautiful in her disorder, saying: "Some one is waiting, for above—Louis, Louis, do you not hear?"

"Well! and am I not waiting for you, also?" said the king, with infinite tenderness of tone. "Let others henceforth wait for you."

But she gently shook her head, as she replied, "Concealed happiness ... concealed power ... my pride should be silent as my heart."

The noise was again resumed.

"I hear Montalais's voice," she said, and she hurried up the staircase; the king followed her, unable to let her leave his sight, and covering her hand with his kisses. "Yes, yes," repeated La Valliere, who had passed half-way through the opening, "Yes, it is Montalais who is calling me; something important must have happened."

"Go, then, dearest love," said the king, "but return quickly."

"No, no, not to-day, sire! Adieu, adieu!" she said, as she stooped down once more to embrace her lover, and then escaped. Montalais was, in fact, waiting for her, very pale and agitated.

"Quick, quick! he is coming!" she said.

"Who—who is coming?"

"Raoul," murmured Montalais.

"It is I—I," said a joyous voice upon the last steps of the grand staircase.

La Valliere uttered a terrible shriek, and threw herself back.

"I am here, dear Louise," said Raoul, running toward her. "I knew but too[Pg 188] well that you had not ceased to love; me."

La Valliere, with a gesture,