The Octopus by Frank Norris (best e reader for academics TXT) 📖

he thought of the hurt he had given her the previous evening. He should have managed differently. How, he did not know, but the sense of the outrage he had put upon her abruptly recoiled against him with cruel force. Now, he was sorry for it, infinitely sorry, passionately sorry. He had hurt her. He had brought the tears to her eyes. He had so flagrantly insulted her that she could no longer bear to breathe the same air with him. She had told her parents all. She had left Quien Sabe—had left him for good, at the very moment when he believed he had won her. Brute, beast that he was, he had driven her away.

An hour went by; then two, then four, then six. Annixter still sat in his place, groping and battling in a confusion of spirit, the like of which he had never felt before. He did not know what was the matter with him. He could not find his way out of the dark and out of the turmoil that wheeled around him. He had had no experience with women. There was no precedent to guide him. How was he to get out of this? What was the clew that would set everything straight again?

That he would give Hilma up, never once entered his head. Have her he would. She had given herself to him. Everything should have been easy after that, and instead, here he was alone in the night, wrestling with himself, in deeper trouble than ever, and Hilma farther than ever away from him.

It was true, he might have Hilma, even now, if he was willing to marry her. But marriage, to his mind, had been always a vague, most remote possibility, almost as vague and as remote as his death,—a thing that happened to some men, but that would surely never occur to him, or, if it did, it would be after long years had passed, when he was older, more settled, more mature—an event that belonged to the period of his middle life, distant as yet.

He had never faced the question of his marriage. He had kept it at an immense distance from him. It had never been a part of his order of things. He was not a marrying man.

But Hilma was an ever-present reality, as near to him as his right hand. Marriage was a formless, far distant abstraction. Hilma a tangible, imminent fact. Before he could think of the two as one; before he could consider the idea of marriage, side by side with the idea of Hilma, measureless distances had to be traversed, things as disassociated in his mind as fire and water, had to be fused together; and between the two he was torn as if upon a rack.

Slowly, by imperceptible degrees, the imagination, unused, unwilling machine, began to work. The brain’s activity lapsed proportionately. He began to think less, and feel more. In that rugged composition, confused, dark, harsh, a furrow had been driven deep, a little seed planted, a little seed at first weak, forgotten, lost in the lower dark places of his character.

But as the intellect moved slower, its functions growing numb, the idea of self dwindled. Annixter no longer considered himself; no longer considered the notion of marriage from the point of view of his own comfort, his own wishes, his own advantage. He realised that in his newfound desire to make her happy, he was sincere. There was something in that idea, after all. To make some one happy—how about that now? It was worth thinking of.

Far away, low down in the east, a dim belt, a grey light began to whiten over the horizon. The tower of the Mission stood black against it. The dawn was coming. The baffling obscurity of the night was passing. Hidden things were coming into view.

Annixter, his eyes half-closed, his chin upon his fist, allowed his imagination full play. How would it be if he should take Hilma into his life, this beautiful young girl, pure as he now knew her to be; innocent, noble with the inborn nobility of dawning womanhood? An overwhelming sense of his own unworthiness suddenly bore down upon him with crushing force, as he thought of this. He had gone about the whole affair wrongly. He had been mistaken from the very first. She was infinitely above him. He did not want—he should not desire to be the master. It was she, his servant, poor, simple, lowly even, who should condescend to him.

Abruptly there was presented to his mind’s eye a picture of the years to come, if he now should follow his best, his highest, his most unselfish impulse. He saw Hilma, his own, for better or for worse, for richer or for poorer, all barriers down between them, he giving himself to her as freely, as nobly, as she had given herself to him. By a supreme effort, not of the will, but of the emotion, he fought his way across that vast gulf that for a time had gaped between Hilma and the idea of his marriage. Instantly, like the swift blending of beautiful colours, like the harmony of beautiful chords of music, the two ideas melted into one, and in that moment into his harsh, unlovely world a new idea was born. Annixter stood suddenly upright, a mighty tenderness, a gentleness of spirit, such as he had never conceived of, in his heart strained, swelled, and in a moment seemed to burst. Out of the dark furrows of his soul, up from the deep rugged recesses of his being, something rose, expanding. He opened his arms wide. An immense happiness overpowered him. Actual tears came to his eyes. Without knowing why, he was not ashamed of it. This poor, crude fellow, harsh, hard, narrow, with his unlovely nature, his fierce truculency, his selfishness, his obstinacy, abruptly knew that all the sweetness of life, all the great vivifying eternal force of humanity had burst into life within him.

The little seed, long since planted, gathering strength quietly, had at last germinated.

Then as the realisation of this hardened into certainty, in the growing light of the new day that had just dawned for him, Annixter uttered a cry. Now at length, he knew the meaning of it all.

“Why—I—I, I LOVE her,” he cried. Never until then had it occurred to him. Never until then, in all his thoughts of Hilma, had that great word passed his lips.

It was a Memnonian cry, the greeting of the hard, harsh image of man, rough-hewn, flinty, granitic, uttering a note of joy, acclaiming the new risen sun.

By now it was almost day. The east glowed opalescent. All about him Annixter saw the land inundated with light. But there was a change. Overnight something had occurred. In his perturbation the change seemed to him, at first, elusive, almost fanciful, unreal. But now as the light spread, he looked again at the gigantic scroll of ranch lands unrolled before him from edge to edge of the horizon. The change was not fanciful. The change was real. The earth was no longer bare. The land was no longer barren,—no longer empty, no longer dull brown. All at once Annixter shouted aloud.

There it was, the Wheat, the Wheat! The little seed long planted, germinating in the deep, dark furrows of the soil, straining, swelling, suddenly in one night had burst upward to the light. The wheat had come up. It was there before him, around him, everywhere, illimitable, immeasurable. The winter brownness of the ground was overlaid with a little shimmer of green. The promise of the sowing was being fulfilled. The earth, the loyal mother, who never failed, who never disappointed, was keeping her faith again. Once more the strength of nations was renewed. Once more the force of the world was revivified. Once more the Titan, benignant, calm, stirred and woke, and the morning abruptly blazed into glory upon the spectacle of a man whose heart leaped exuberant with the love of a woman, and an exulting earth gleaming transcendent with the radiant magnificence of an inviolable pledge.

 

III

 

Presley’s room in the ranch house of Los Muertos was in the second story of the building. It was a corner room; one of its windows facing the south, the other the east. Its appointments were of the simplest. In one angle was the small white painted iron bed, covered with a white counterpane. The walls were hung with a white paper figured with knots of pale green leaves, very gay and bright. There was a straw matting on the floor. White muslin half-curtains hung in the windows, upon the sills of which certain plants bearing pink waxen flowers of which Presley did not know the name, grew in oblong green boxes. The walls were unadorned, save by two pictures, one a reproduction of the “Reading from Homer,” the other a charcoal drawing of the Mission of San Juan de Guadalajara, which Presley had made himself. By the east window stood the plainest of deal tables, innocent of any cloth or covering, such as might have been used in a kitchen. It was Presley’s work table, and was invariably littered with papers, half-finished manuscripts, drafts of poems, notebooks, pens, half-smoked cigarettes, and the like. Near at hand, upon a shelf, were his books. There were but two chairs in the room— the straight backed wooden chair, that stood in front of the table, angular, upright, and in which it was impossible to take one’s ease, and the long comfortable wicker steamer chair, stretching its length in front of the south window. Presley was immensely fond of this room. It amused and interested him to maintain its air of rigorous simplicity and freshness. He abhorred cluttered bric-a-brac and meaningless objets d’art. Once in so often he submitted his room to a vigorous inspection; setting it to rights, removing everything but the essentials, the few ornaments which, in a way, were part of his life.

His writing had by this time undergone a complete change. The notes for his great Song of the West, the epic poem he once had hoped to write he had flung aside, together with all the abortive attempts at its beginning. Also he had torn up a great quantity of “fugitive” verses, preserving only a certain half-finished poem, that he called “The Toilers.” This poem was a comment upon the social fabric, and had been inspired by the sight of a painting he had seen in Cedarquist’s art gallery. He had written all but the last verse.

On the day that he had overheard the conversation between Dyke and Caraher, in the latter’s saloon, which had acquainted him with the monstrous injustice of the increased tariff, Presley had returned to Los Muertos, white and trembling, roused to a pitch of exaltation, the like of which he had never known in all his life. His wrath was little short of even Caraher’s. He too “saw red”; a mighty spirit of revolt heaved tumultuous within him. It did not seem possible that this outrage could go on much longer. The oppression was incredible; the plain story of it set down in truthful statement of fact would not be believed by the outside world.

He went up to his little room and paced the floor with clenched fists and burning face, till at last, the repression of his contending thoughts all but suffocated him, and he flung himself before his table and began to write. For a time, his pen seemed to travel of itself; words came to him without searching, shaping themselves into phrases,—the phrases building themselves up to great, forcible sentences, full of eloquence, of fire, of passion. As his prose grew more exalted, it passed easily into the domain of poetry. Soon the cadence of his paragraphs settled to an ordered beat and