The Lock and Key Library: Classic Mystery and Detective Stories: Old Time English by - (reading rainbow books .TXT) 📖

her own servants rather than to me; "and besides," I added, glancing round, "I am distinctly a gainer by the change."

"You know, of course," she said, lightly, "that this is the haunted room of the house, and that you have no right to be here?"

"I know it is the haunted room," I answered; "but why have I no right to be here?"

"Oh, I don't know," she said. "There is one of those tiresome Mervyn traditions against allowing unmarried girls to sleep in this room. I believe two girls died in it a hundred and fifty years ago, or something of that sort."

"But I should think that people, married or unmarried, must have died in nearly every room in the house," I objected.

"Oh, yes, of course they have," said Lucy; "but once you come across a bit of superstition in this family, it is of no use to ask for reasons. However, this particular bit is too ridiculous even for George. Owing to Mr. Leslie having come to-day, we must use every room in the house: it is intolerable having a stranger here, and you are the only relation staying with us. I pointed all that out to George, and he agreed that, under the circumstances, it would be absurd not to put you here."

"I am quite agreeable," I answered; "and, indeed, I think I am rather favored in having a room where the last recorded death appears to have taken place a hundred and fifty years ago, particularly as I should think that there can be scarcely anything now left in it which was here then, except, of course, the cabinet."

The room had, in fact, been entirely done up and refurnished by my uncle, and was as bright and modern-looking an apartment as you could wish to see. It was large, and the walls were covered with one of those white and gold papers which were fashionable thirty years ago. Opposite us, as we stood warming our backs before the fire, was the bed—a large double one, hung with a pretty shade of pale blue. Material of the same color covered the comfortable modern furniture, and hung from gilded cornices before the two windows which pierced the side of the room on our left. Between them stood the toilet-table, all muslin, blue ribbons, and silver. The carpet was a gray and blue Brussels one. The whole effect was cheerful, though I fear inartistic, and sadly out of keeping with the character of the house. The exception to these remarks was, as I had observed, the famous closed cabinet, to which I have more than once alluded. It stood against the same wall of the room as that in which the fireplace was, and on our right—that is, on that side of the fireplace which was farthest from the windows. As I spoke, I turned to go and look at it, and Lucy followed me. Many an hour as a child had I passed in front of it, fingering the seven carved brass handles, or rather buttons, which were ranged down its center. They all slid, twisted, or screwed with the greatest ease, and apparently like many another ingeniously contrived lock; but neither I nor any one else had ever yet succeeded in sliding, twisting, or screwing them after such a fashion as to open the closed doors of the cabinet. No one yet had robbed them of their secret since first it was placed there three hundred years ago by the old lady and her faithful Italian. It was a beautiful piece of workmanship, was this tantalizing cabinet. Carved out of some dark foreign wood, the doors and panels were richly inlaid with lapis- lazuli, ivory, and mother-of-pearl, among which were twisted delicately chased threads of gold and silver. Above the doors, between them and the cornice, lay another mystery, fully as tormenting as was the first. In a smooth strip of wood about an inch wide, and extending along the whole breadth of the cabinet, was inlaid a fine pattern in gold wire. This at first sight seemed to consist of a legend or motto. On looking closer, however, though the pattern still looked as if it was formed out of characters of the alphabet curiously entwined together, you found yourself unable to fix upon any definite word, or even letter. You looked again and again, and the longer that you looked the more certain became your belief that you were on the verge of discovery. If you could approach the mysterious legend from a slightly different point of view, or look at it from another distance, the clew to the puzzle would be seized, and the words would stand forth clear and legible in your sight. But the clew never had been discovered, and the motto, if there was one, remained unread.

For a few minutes we stood looking at the cabinet in silence, and then Lucy gave a discontented little sigh. "There's another tiresome piece of superstition," she exclaimed; "by far the handsomest piece of furniture in the house stuck away here in a bedroom which is hardly ever used. Again and again have I asked George to let me have it moved downstairs, but he won't hear of it."

"Was it not placed here by Dame Alice herself?" I inquired a little reproachfully, for I felt that Lucy was not treating the cabinet with the respect which it really deserved.

"Yes, so they say," she answered; and the tone of light contempt in which she spoke was now pierced by a not unnatural pride in the romantic mysteries of her husband's family. "She placed it here, and it is said, you know, that when the closed cabinet is opened, and the mysterious motto is read, the curse will depart from the Mervyn family."

"But why don't they break it open?" I asked, impatiently. "I am sure that I would never have remained all my life in a house with a thing like that, and not found out in some way or another what was inside it."

"Oh, but that would be quite fatal," answered she. "The curse can only be removed when the cabinet is opened as Dame Alice intended it to be, in an orthodox fashion. If you were to force it open, that could never happen, and the curse would therefore remain for ever."

"And what is the curse?" I asked, with very different feelings to those with which I had timidly approached the same subject with Alan. Lucy was not a Mervyn, and not a person to inspire awe under any circumstances. My instincts were right again, for she turned away with a slight shrug of her shoulders.

"I have no idea," she said. "George and Alan always look portentously solemn and gloomy whenever one mentions the subject, so I don't. If you ask me for the truth, I believe it to be a pure invention, devised by the Mervyns for the purpose of delicately accounting for some of the disreputable actions of their ancestors. For you know, Evie," she added, with a little laugh, "the less said about the character of the family into which your aunt and I have married the better."

The remark made me angry, I don't know why, and I answered stiffly, that as far as I was acquainted with them, I at least saw nothing to complain of.

"Oh, as regards the present generation, no,—except for that poor, wretched Jack," acquiesced Lucy, with her usual imperturbable good- humor.

"And as regards the next?" I suggested, smiling, and already ashamed of my little temper.

"The next is perfect, of course,—poor dear boys." She sighed as she spoke, and I wondered whether she was really as unconscious as she generally appeared to be of the strange dissatisfaction with which her husband seemed to regard his children. Anyhow the mention of them had evidently changed her mood, and almost directly afterwards, with the remark that she must go and look after her guests, who had all arrived by now, she left me to myself.

For some minutes I sat by the bright fire, lost in aimless, wandering thought, which began with Dame Alice and her cabinet, and which ended somehow with Alan's face, as I had last seen it looking up at me in front of the hall-door. When I had reached that point, I roused myself to decide that I had dreamt long enough, and that it was quite time to go down to the guests and to tea. I accordingly donned my best teagown, arranged my hair, and proceeded towards the drawing-room. My way there lay through the great central hall. This apartment was approached from most of the bedrooms in the house through a large, arched doorway at one end of it, which communicated directly with the great staircase. My bedroom, however, which, as I have said, lay among the private apartments of the house, opened into a passage which led into a broad gallery, or upper chamber, stretching right across the end of the hall. From this you descended by means of a small staircase in oak, whose carved balustrade, bending round the corner of the hall, formed one of the prettiest features of the picturesque old room. The barrier which ran along the front of the gallery was in solid oak, and of such a height that, unless standing close up to it, you could neither see nor be seen by the occupants of the room below. On approaching this gallery I heard voices in the hall. They were George's and Alan's, evidently in hot discussion. As I issued from the passage, George was speaking, and his voice had that exasperated tone in which an angry man tries to bring to a close an argument in which he has lost his temper. "For heaven's sake leave it alone, Alan; I neither can nor will interfere. We have enough to bear from these cursed traditions as it is, without adding one which has no foundation whatever to justify it—a mere contemptible piece of superstition."

"No member of our family has a right to call any tradition contemptible which is connected with that place, and you know it," answered Alan; and though he spoke low, his voice trembled with some strong emotion. A first impulse of hesitation which I had had I checked, feeling that as I had heard so much it was fairer to go on, and I advanced to the top of the staircase. Alan stood by the fireplace facing me, but far too occupied to see me. His last speech had seemingly aroused George to fury, for the latter turned on him now with savage passion.

"Damn it all, Alan!" he cried, "can't you be quiet? I will be master in my own house. Take care, I tell you; the curse may not be quite fulfilled yet after all."

As George uttered these words, Alan lifted his eyes to him with a glance of awful horror: his face turned ghastly white; his lips trembled for a moment; and then he answered back with one half- whispered word of supreme appeal—"George!" There was a long- drawn, unutterable anguish in his tone, and his voice, though scarcely audible, penetrated to every corner of the room, and seemed to hang quivering in the air around one after the sound had ceased. Then there was a terrible stillness. Alan stood trembling in every limb, incapable apparently of speech or action, and George faced him, as silent and motionless as he was. For an instant they remained thus, while I looked breathlessly on. Then George, with a muttered imprecation, turned on his heel and left the room. Alan followed him as he went with dull lifeless eyes; and as the door closed he breathed deeply, with a breath that was almost a groan.

Taking my courage in both hands, I now descended the stairs, and at the sound of my footfall he glanced up, started, and then came rapidly to meet me.

"Evie! you here," he said; "I did not notice you. How long have you been here?" He was still quite white, and I noticed that he panted for breath as he spoke.

"Not long," I answered, timidly, and rather spasmodically; "I only heard a sentence or two. You wanted George to do something about some tradition or other,—and he was angry,—and he said something about the curse."

While I spoke Alan kept his eyes fixed on mine, reading through them, as I knew, into my mind. When I had finished he turned his gaze away satisfied,