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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » The Fortunes of Nigel by Walter Scott (bookreader .txt) 📖

Book online «The Fortunes of Nigel by Walter Scott (bookreader .txt) 📖». Author Walter Scott



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“By Heaven,” said Lord Dalgarno, “I could never have believed that the fellow would have stood to receive a thrust—he has certainly been arrested by positive terror, and lost the use of his limbs. See, they are raising him.”

Stiff and stark seemed the corpse of the swordsman, as one or two of the guests raised him from the ground; but, when they began to open his waistcoat to search for the wound which nowhere existed, the man of war collected, his scattered spirits; and, conscious that the ordinary was no longer a stage on which to display his valour, took to his heels as fast as he could run, pursued by the laughter and shouts of the company.

“By my honour,” said Lord Dalgarno, “he takes the same course with his conqueror. I trust in heaven he will overtake him, and then the valiant citizen will suppose himself haunted by the ghost of him he has slain.”

“Despardieux, milor,” said the Chevalier, “if he had stayed one moment, he should have had a torchon—what you call a dishclout, pinned to him for a piece of shroud, to show he be de ghost of one grand fanfaron.”

“In the meanwhile,” said Lord Dalgarno, “you will oblige us, Monsieur le Chevalier, as well as maintain your own honoured reputation, by letting your drawers receive the man-at-arms with a cudgel, in case he should venture to come way again.”

“Ventre saint gris, milor,” said the Chevalier, “leave that to me.—Begar, the maid shall throw the wash-sud upon the grand poltron!”

When they had laughed sufficiently at this ludicrous occurrence, the party began to divide themselves into little knots—some took possession of the alley, late the scene of combat, and put the field to its proper use of a bowling-ground, and it soon resounded with all the terms of the game, as “run, run-rub, rub—hold bias, you infernal trundling timber!” thus making good the saying, that three things are thrown away in a bowling-green, namely, time, money, and oaths. In the house, many of the gentlemen betook themselves to cards or dice, and parties were formed at Ombre, at Basset, at Gleek, at Primero, and other games then in fashion; while the dice were used at various games, both with and without the tables, as Hazard, In-and-in, Passage, and so forth. The play, however, did not appear to be extravagantly deep; it was certainly conducted with great decorum and fairness; nor did there appear any thing to lead the young Scotsman in the least to doubt his companion's assurance, that the place was frequented by men of rank and quality, and that the recreations they adopted were conducted upon honourable principles.

Lord Dalgarno neither had proposed play to his friend, nor joined in the amusement himself, but sauntered from one table to another, remarking the luck of the different players, as well as their capacity to avail themselves of it, and exchanging conversation with the highest and most respectable of the guests. At length, as if tired of what in modern phrase would have been termed lounging, he suddenly remembered that Burbage was to act Shakespeare's King Richard, at the Fortune, that afternoon, and that he could not give a stranger in London, like Lord Glenvarloch, a higher entertainment than to carry him to that exhibition; “unless, indeed,” he added, in a whisper, “there is paternal interdiction of the theatre as well as of the ordinary.”

“I never heard my father speak of stage-plays,” said Lord Glenvarloch, “for they are shows of a modern date, and unknown in Scotland. Yet, if what I have heard to their prejudice be true, I doubt much whether he would have approved of them.”

“Approved of them!” exclaimed Lord Dalgarno—“why, George Buchanan wrote tragedies, and his pupil, learned and wise as himself, goes to see them, so it is next door to treason to abstain; and the cleverest men in England write for the stage, and the prettiest women in London resort to the playhouses, and I have a brace of nags at the door which will carry us along the streets like wild-fire, and the ride will digest our venison and ortolans, and dissipate the fumes of the wine, and so let's to horse—Godd'en to you, gentlemen—Godd'en, Chevalier de la Fortune.”

Lord Dalgarno's grooms were in attendance with two horses, and the young men mounted, the proprietor upon a favourite barb, and Nigel upon a high-dressed jennet, scarce less beautiful. As they rode towards the theatre, Lord Dalgarno endeavoured to discover his friend's opinion of the company to which he had introduced him, and to combat the exceptions which he might suppose him to have taken. “And wherefore lookest thou sad,” he said, “my pensive neophyte? Sage son of the Alma Mater of Low-Dutch learning, what aileth thee? Is the leaf of the living world which we have turned over in company, less fairly written than thou hadst been taught to expect? Be comforted, and pass over one little blot or two; thou wilt be doomed to read through many a page, as black as Infamy, with her sooty pinion, can make them. Remember, most immaculate Nigel, that we are in London, not Leyden—that we are studying life, not lore. Stand buff against the reproach of thine over-tender conscience, man, and when thou summest up, like a good arithmetician, the actions of the day, before you balance the account on your pillow, tell the accusing spirit, to his brimstone beard, that if thine ears have heard the clatter of the devil's bones, thy hand hath not trowled them—that if thine eye hath seen the brawling of two angry boys, thy blade hath not been bared in their fray.”

“Now, all this may be wise and witty,” replied Nigel; “yet I own I cannot think but that your lordship, and other men of good quality with whom we dined, might have chosen a place of meeting free from the intrusion of bullies, and a better master of your ceremonial than yonder foreign adventurer.”

“All shall be amended, Sancte Nigelle, when thou shalt come forth a new Peter the Hermit, to preach a crusade against dicing, drabbing, and company-keeping. We will meet for dinner in Saint Sepulchre's Church; we will dine in the chancel, drink our flask in the vestry, the parson shall draw every cork, and the clerk say amen to every health. Come man, cheer up, and get rid of this sour and unsocial humour. Credit me, that the Puritans who object to us the follies and the frailties incident to human nature, have themselves the vices of absolute devils, privy malice and backbiting hypocrisy, and spiritual pride in all its presumption. There is much, too, in life which we must see, were it only to learn to shun it. Will Shakespeare, who lives after death, and who is presently to afford thee such pleasure as none but himself can confer, has described the gallant Falconbridge as calling that man

——' a bastard to the time, That doth not smack of observation; Which, though I will not practise to deceive, Yet, to avoid deceit, I mean to learn.”

But here we are at the door of the Fortune, where we shall have matchless Will speaking for himself.—Goblin, and you other lout, leave the horses to the grooms, and make way for us through the press.”

They dismounted, and the assiduous efforts of Lutin, elbowing, bullying, and proclaiming his master's name and title, made way through a crowd of murmuring citizens, and clamorous apprentices, to the door, where Lord Dalgarno speedily procured a brace of stools upon the stage for his companion and himself, where, seated among other gallants of the same class, they had an opportunity of displaying their fair dresses and fashionable manners, while they criticised the piece during its progress; thus forming, at the same time, a conspicuous

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