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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » Run to Earth by Mary Elizabeth Braddon (top young adult novels .TXT) 📖

Book online «Run to Earth by Mary Elizabeth Braddon (top young adult novels .TXT) 📖». Author Mary Elizabeth Braddon



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to utter.

While the pudding was being eaten, Mr. Dale walked round amongst his humble guests, to exchange a few kindly words here and there; to shake hands; to pat little children's flaxen heads; to make friendly inquiries for the sick and absent.

As he paused to talk to one of his parishioners, his attention was attracted by a strange face. It was the face of an old man, who sat at the opposite side of the table, and seemed entirely absorbed by the agreeable task of making his way through a noble slice of plum-pudding.

"Who is that old man opposite?" asked Lionel of the agricultural labourer to whom he had been talking. "I don't think I know his face."

"No, sir," answered the farm-labourer; "he don't belong to these parts. Gaffer Hayfield brought 'un. I suppose as how he's a relation of Gaffer's. It seems a bit of a liberty, sir; but Gaffer Hayfield always war a cool hand."

"I don't think it a liberty, William. If the man is a relation of Hayfield's, there is no reason why he should not be here with the Gaffer," answered Lionel, good-naturedly, "I am glad to Bee that he is enjoying his dinner."

"Yes, sir," replied the farm-labourer, with a grin; "he seems to have an oncommon good twist of his own, wheresoever he belongs to."

No more was said about the strange guest--who was an old man, with very white hair, which hung low over his eyebrows; and very white whiskers, which almost covered his cheeks. He had a queer, bird-like aspect, and a nose that was as sharp as the beak of any of the rooks cawing hoarsely amongst the elms of Hallgrove that snowy Christmas-day.

After the dinner in the old hall, Lionel Dale and his guests returned to their own quarters; Mrs. Mordaunt and the three younger ladies walked in the grounds, with Douglas Dale and Sir Reginald Eversleigh in attendance upon them.

Miss Graham was the last woman in the world to forget that the income of Douglas Dale was almost as large as that of his brother, the rector; and that in this instance she might have two strings to her bow. She contrived to be by the side of Douglas as they walked in the shrubberies, and lingered on the rustic bridge across the river; but she had not been with him long before she perceived that all her fascinations were thrown away upon him; and that, attentive and polite though he was, his heart was far away.

It was indeed so. In that pleasant garden, where the dark evergreens glistened in the red radiance of the winter sunset, Douglas Dale's thoughts wandered away from the scene before him to the lovely Austrian woman--the fair widow, whose life was so strange a mystery to him; the woman whom he could neither respect nor trust; but whom, in spite of himself, he loved better than any other creature upon earth.

"I had rather be by her side than here," he said to himself. "How is she spending this season, which should be so happy? Perhaps in utter loneliness; or in the midst of that artificial gaiety which is more wretched than solitude."

* * * * *


The rector of Hallgrove and his guests assembled in the old-fashioned drawing-room of the manor-house rectory at seven o'clock on that snowy Christmas-night. The snowflakes fell thick and fast as night closed in upon the gardens and shrubberies, the swift-flowing river, and distant hills.

The rectory drawing-room, beautified by the soft light of wax-candles, and the rich hues of flowers, was a pleasant picture--a picture which was made all the more charming by the female figures which filled its foreground.

Chief among these, and radiant with beauty and high spirits, was Lydia Graham.

She had contrived to draw Lionel Dale to her side. She was seated by a table scattered with volumes of engravings, and he was bending over her as she turned the leaves.

Her smiles, her flatteries, her cleverly simulated interest in the rector's charities and pensioners, had exercised a considerable influence upon him--an influence which grew stronger with every hour. There was a sweetness and simplicity in the manners of the two Misses Mordaunt which pleased him; but the country-bred girls lost much by contrast with the brilliant Lydia.

"I hope you are going to give us a real old-fashioned Christmas evening, Mr. Dale," said Miss Graham.

"I don't quite know what you mean by an old-fashioned Christmas evening."

"Nor am I quite clear as to whether I know what I mean myself," answered the young lady, gaily. "I think, after dinner, we ought to sit round that noble old fire-place and tell stories, ought we not?"

"Yes, I believe that is the sort of thing," replied the rector. "For my own part, I am ready to be Miss Graham's slave for the whole of the evening; and in that capacity will hold myself bound to perform her behests, however tyrannical she may be."

When dinner was announced, Lionel Dale was obliged to leave the bewitching Lydia in order to offer his arm to Mrs. Mordaunt, while that young lady was fain to be satisfied with the escort of the disinherited Sir Reginald Eversleigh.

At the dinner-table, however, she found herself seated on the left hand of her host; and she took care to secure to herself the greater share of his attention during the progress of dinner.

Gordon Graham watched his sister from his place near the foot of the table, and was well satisfied with her success.

"If she plays her cards well she may sit at the head of this table next Christmas-day," he said to himself.

After less than half-an-hour's interval, the gentlemen followed the ladies into the drawing-room, and the usual musical evening set in. Lydia Graham had nothing to fear from comparison with the Misses Mordaunt. They were tolerable performers. She was a brilliant proficient in music, and she had the satisfaction of observing that Lionel Dale perceived and appreciated her superiority. She could afford, therefore, to be as amiable to the girls as she was captivating to the gentlemen.

The Misses Mordaunt were singing a duet, when a servant entered, and approached Lionel Dale.

"There is a person in the hall who asks to see you, sir," said the man, "on most particular business."

"What kind of person?" asked the rector.

"Well, sir, she looks like an old gipsy woman."

"A gipsy woman! The gipsies about here do not bear the best character."

"No, sir," replied the man. "I bore that in mind, sir, with a view to the plate, and I told John Andrew to keep an eye upon her while I came to speak to you; and John Andrew is keeping an eye upon her at this present moment, sir."

"Very good, Jackson. You can tell the gipsy woman that, if she needs immediate help of any kind, she can apply in the village, to Rawlins, but that I cannot see her to-night."

"Yes, sir."

The man departed; and the Misses Mordaunt finished their duet, and rose from the piano, to receive the usual thanks and acknowledgments from their hearers.

Again Miss Graham was asked to sing, and again she seated herself before the instrument, triumphant in the consciousness that she could excel the timid girls who had just left the piano.

But this time Lionel Dale did not place himself beside the instrument. He stood near the door of the apartment, ready to receive the servant, if he should return with a second message from the gipsy woman.

The servant did return, and this time he begged his master to step outside the room before he delivered his message. Lionel complied immediately, and followed the man into the corridor without.

"I was almost afraid to speak in there, sir," said the man, in an awe- stricken whisper; "folks have such ears. The woman says she must see you, sir, and this very night. It is a matter of life and death, she says."

"Then in that case I will see this woman. Go into the drawing-room, Jackson, and tell Mrs. Mordaunt, with my compliments, that I find myself compelled to receive one of my parishioners; and that she and the other ladies must be so good as to excuse my absence for half an hour."

"Yes, sir."

The rector went to the hall, where, cowering by the fire, he found an old gipsy woman.

She was so muffled from head to foot in her garments of woollen stuff, strange and garish in colour, and fantastical in form, that it was almost impossible to discover what she really was like. Her shoulders were bent and contracted as if with extreme age. Loose tresses of gray hair fell low over her forehead. Her skin was dark and tawny; and contrasted strangely with the gray hair and the dark lustrous eyes.

The gipsy woman rose as Lionel Dale entered the hall. She bent her head in response to his kindly salutation; but she did not curtsey as before a superior in rank and station.

"Come with me, my good woman," said the rector, "and let me hear all about this very important business of yours."

He led the way to the library--a low-roofed but spacious chamber, lined from ceiling to floor with books. A large reading-lamp, with a Parian shade, stood on a small writing-table near the fire, casting a subdued light on objects near at hand, and leaving the rest of the room in shadow. A pile of logs burnt cheerily on the hearth. On one side of the fire was the chair in which the rector usually sat; on the other, a large, old-fashioned, easy-chair.

"Sit down, my good woman," said the rector, pointing to the latter; "I suppose you have some long story to tell me."

He seated himself as he spoke, and leaned upon the writing-table, playing idly with a carved ivory paper-knife.

"I have much to say to you, Lionel Dale," answered the old woman, in a voice which had a solemn music, that impressed the hearer in spite of himself; "I have much to say to you, and it will be well for you to mark what I say, and be warned by what I tell you."

The rector looked at the speaker earnestly, and yet with a half- contemptuous smile upon his face. She was seated in shadow, and he could only see the glitter of her dark eyes as the fitful light of the fire flashed on them.

There was something almost supernatural, it seemed to him, in the brilliancy of those eyes.

He laughed at himself for his folly in the next instant. What was this woman but a vulgar impostor, who was doubtless trying to trade upon his fears in some manner or other?

"You have come here to give some kind of warning, then?" he said, after a few moments of consideration.

"I have--a warning which may save your life--if you hear me patiently, and obey when you have heard."

"That is the cant of your class, my good woman; and you can scarcely expect me to listen to that kind of thing. If you come here to me, hoping to delude me by the language with which you tell the country people their fortunes at fairs
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