Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Dombey and Son by Charles Dickens (ebook reader 7 inch .txt) 📖
- Author: Charles Dickens
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Book online «Dombey and Son by Charles Dickens (ebook reader 7 inch .txt) 📖». Author Charles Dickens
In this flow of spirits and conversation, only interrupted by his usual plethoric symptoms, and by intervals of lunch, and from time to time by some violent assault upon the Native, who wore a pair of ear-rings in his dark-brown ears, and on whom his European clothes sat with an outlandish impossibility of adjustment—being, of their own accord, and without any reference to the tailor’s art, long where they ought to be short, short where they ought to be long, tight where they ought to be loose, and loose where they ought to be tight—and to which he imparted a new grace, whenever the Major attacked him, by shrinking into them like a shrivelled nut, or a cold monkey—in this flow of spirits and conversation, the Major continued all day: so that when evening came on, and found them trotting through the green and leafy road near Leamington, the Major’s voice, what with talking and eating and chuckling and choking, appeared to be in the box under the rumble, or in some neighbouring hay-stack. Nor did the Major improve it at the Royal Hotel, where rooms and dinner had been ordered, and where he so oppressed his organs of speech by eating and drinking, that when he retired to bed he had no voice at all, except to cough with, and could only make himself intelligible to the dark servant by gasping at him.
He not only rose next morning, however, like a giant refreshed, but conducted himself, at breakfast like a giant refreshing. At this meal they arranged their daily habits. The Major was to take the responsibility of ordering everything to eat and drink; and they were to have a late breakfast together every morning, and a late dinner together every day. Mr Dombey would prefer remaining in his own room, or walking in the country by himself, on that first day of their sojourn at Leamington; but next morning he would be happy to accompany the Major to the Pump-room, and about the town. So they parted until dinner-time. Mr Dombey retired to nurse his wholesome thoughts in his own way. The Major, attended by the Native carrying a camp-stool, a great-coat, and an umbrella, swaggered up and down through all the public places: looking into subscription books to find out who was there, looking up old ladies by whom he was much admired, reporting J. B. tougher than ever, and puffing his rich friend Dombey wherever he went. There never was a man who stood by a friend more staunchly than the Major, when in puffing him, he puffed himself.
It was surprising how much new conversation the Major had to let off at dinner-time, and what occasion he gave Mr Dombey to admire his social qualities. At breakfast next morning, he knew the contents of the latest newspapers received; and mentioned several subjects in connexion with them, on which his opinion had recently been sought by persons of such power and might, that they were only to be obscurely hinted at. Mr Dombey, who had been so long shut up within himself, and who had rarely, at any time, overstepped the enchanted circle within which the operations of Dombey and Son were conducted, began to think this an improvement on his solitary life; and in place of excusing himself for another day, as he had thought of doing when alone, walked out with the Major arm-in-arm.
CHAPTER 21. New Faces
The MAJOR, more blue-faced and staring—more over-ripe, as it were, than ever—and giving vent, every now and then, to one of the horse’s coughs, not so much of necessity as in a spontaneous explosion of importance, walked arm-in-arm with Mr Dombey up the sunny side of the way, with his cheeks swelling over his tight stock, his legs majestically wide apart, and his great head wagging from side to side, as if he were remonstrating within himself for being such a captivating object. They had not walked many yards, before the Major encountered somebody he knew, nor many yards farther before the Major encountered somebody else he knew, but he merely shook his fingers at them as he passed, and led Mr Dombey on: pointing out the localities as they went, and enlivening the walk with any current scandal suggested by them.
In this manner the Major and Mr Dombey were walking arm-in-arm, much to their own satisfaction, when they beheld advancing towards them, a wheeled chair, in which a lady was seated, indolently steering her carriage by a kind of rudder in front, while it was propelled by some unseen power in the rear. Although the lady was not young, she was very blooming in the face—quite rosy—and her dress and attitude were perfectly juvenile. Walking by the side of the chair, and carrying her gossamer parasol with a proud and weary air, as if so great an effort must be soon abandoned and the parasol dropped, sauntered a much younger lady, very handsome, very haughty, very wilful, who tossed her head and drooped her eyelids, as though, if there were anything in all the world worth looking into, save a mirror, it certainly was not the earth or sky.
‘Why, what the devil have we here, Sir!’ cried the Major, stopping as this little cavalcade drew near.
‘My dearest Edith!’ drawled the lady in the chair, ‘Major Bagstock!’
The Major no sooner heard the voice, than he relinquished Mr Dombey’s arm, darted forward, took the hand of the lady in the chair and pressed it to his lips. With no less gallantry, the Major folded both his gloves upon his heart, and bowed low to the other lady. And now, the chair having stopped, the motive power became visible in the shape of a flushed page pushing behind, who seemed to have in part outgrown and in part out-pushed his strength, for when he stood upright he was tall, and wan, and thin, and his plight appeared the more forlorn from his having injured the shape of his hat, by butting at the carriage with his head to urge it forward, as is sometimes done by elephants in Oriental countries.
‘Joe Bagstock,’ said the Major to both ladies, ‘is a proud and happy man for the rest of his life.’
‘You false creature!’ said the old lady in the chair, insipidly. ‘Where do you come from? I can’t bear you.’
‘Then suffer old Joe to present a friend, Ma’am,’ said the Major, promptly, ‘as a reason for being tolerated. Mr Dombey, Mrs Skewton.’ The lady in the chair was gracious. ‘Mr Dombey, Mrs Granger.’ The lady with the parasol was faintly conscious of Mr Dombey’s taking off his hat, and bowing low. ‘I am delighted, Sir,’ said the Major, ‘to have this opportunity.’
Original
The Major seemed in earnest, for he looked at all the three, and leered in his ugliest manner.
‘Mrs Skewton, Dombey,’ said the Major, ‘makes havoc in the heart of old Josh.’
Mr Dombey signified that he didn’t wonder at it.
‘You perfidious goblin,’ said the lady in the chair, ‘have done! How long have you been here, bad man?’
‘One day,’ replied the Major.
‘And can you be a day, or even a minute,’ returned the lady, slightly settling her false curls and false eyebrows with her fan, and showing her false teeth, set off by her false complexion, ‘in the garden of what’s-its-name.’
‘Eden, I suppose, Mama,’ interrupted the younger lady, scornfully.
‘My dear Edith,’ said the other, ‘I cannot help it. I never can remember those frightful names—without having your whole Soul and Being inspired by the sight of Nature; by the perfume,’ said Mrs Skewton, rustling a handkerchief that was faint and sickly with essences, ‘of her artless breath, you creature!’
The discrepancy between Mrs Skewton’s fresh enthusiasm of words, and forlornly faded manner, was hardly less observable than that between her age, which was about seventy, and her dress, which would have been youthful for twenty-seven. Her attitude in the wheeled chair (which she never varied) was one in which she had been taken in a barouche, some fifty years before, by a then fashionable artist who had appended to his published sketch the name of Cleopatra: in consequence of a discovery made by the critics of the time, that it bore an exact resemblance to that Princess as she reclined on board her galley. Mrs Skewton was a beauty then, and bucks threw wine-glasses over their heads by dozens in her honour. The beauty and the barouche had both passed away, but she still preserved the attitude, and for this reason expressly, maintained the wheeled chair and the butting page: there being nothing whatever, except the attitude, to prevent her from walking.
‘Mr Dombey is devoted to Nature, I trust?’ said Mrs Skewton, settling her diamond brooch. And by the way, she chiefly lived upon the reputation of some diamonds, and her family connexions.
‘My friend Dombey, Ma’am,’ returned the Major, ‘may be devoted to her in secret, but a man who is paramount in the greatest city in the universe—’
‘No one can be a stranger,’ said Mrs Skewton, ‘to Mr Dombey’s immense influence.’
As Mr Dombey acknowledged the compliment with a bend of his head, the younger lady glancing at him, met his eyes.
‘You reside here, Madam?’ said Mr Dombey, addressing her.
‘No, we have been to a great many places. To Harrogate and Scarborough, and into Devonshire. We have been visiting, and resting here and there. Mama likes change.’
‘Edith of course does not,’ said Mrs Skewton, with a ghastly archness.
‘I have not found that there is any change in such places,’ was the answer, delivered with supreme indifference.
‘They libel me. There is only one change, Mr Dombey,’ observed Mrs Skewton, with a mincing sigh, ‘for which I really care, and that I fear I shall never be permitted to enjoy. People cannot spare one. But seclusion and contemplation are my what-his-name—’
‘If you mean Paradise, Mama, you had better say so, to render yourself intelligible,’ said the younger lady.
‘My dearest Edith,’ returned Mrs Skewton, ‘you know that I am wholly dependent upon you for those odious names. I assure you, Mr Dombey, Nature intended me for an Arcadian. I am thrown away in society. Cows are my passion. What I have ever sighed for, has been to retreat to a Swiss farm, and live entirely surrounded by cows—and china.’
This curious association of objects, suggesting a remembrance of the celebrated bull who got by mistake into a crockery shop, was received with perfect gravity by Mr Dombey, who intimated his opinion that Nature was, no doubt, a very respectable institution.
‘What I want,’ drawled Mrs Skewton, pinching her shrivelled throat, ‘is heart.’ It was frightfully true in one sense, if not in that in which she used the phrase. ‘What I want, is frankness, confidence, less conventionality, and freer play of soul. We are so dreadfully artificial.’
We were, indeed.
‘In short,’ said Mrs Skewton, ‘I want Nature everywhere. It would be so extremely charming.’
‘Nature is inviting us away now, Mama, if you are ready,’ said the younger lady, curling her handsome lip. At this hint, the wan page, who had been surveying the party over the top of the chair, vanished behind it, as if the ground had swallowed him up.
‘Stop a moment, Withers!’ said Mrs Skewton, as the chair began to move; calling to the page with all the languid dignity with which she had called in days of yore to a coachman with a wig, cauliflower nosegay, and
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