Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Ramayana by Valmiki (classic reads txt) 📖
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>And Bharadvája, nothing slow
His faithful love and zeal to show,
Answered those words of wisdom, “Be
The name, my lord, as pleases thee.”
As rules prescribe the hermit took
Some lustral water from the brook.
But still on this his constant thought
Kept brooding, as his home he sought;
While Bharadvája paced behind,
A pupil sage of lowly mind,
And in his hand a pitcher bore
With pure fresh water brimming o'er.
Soon as they reached their calm retreat
The holy hermit took his seat;
His mind from worldly cares recalled,
And mused in deepest thought enthralled.
Then glorious Brahmá,47 Lord Most High,
Creator of the earth and sky,
[pg 008]
The four-faced God, to meet the sage
Came to VálmĂki's hermitage.
Soon as the mighty God he saw,
Up sprang the saint in wondering awe.
Mute, with clasped hands, his head he bent,
And stood before him reverent.
His honoured guest he greeted well,
Who bade him of his welfare tell;
Gave water for his blessed feet,
Brought offerings,48 and prepared a seat.
In honoured place the God Most High
Sate down, and bade the saint sit nigh.
There sate before VálmĂki's eyes
The Father of the earth and skies;
But still the hermit's thoughts were bent
On one thing only, all intent
On that poor curlew's mournful fate
Lamenting for her slaughtered mate;
And still his lips, in absent mood,
The verse that told his grief, renewed:
“Woe to the fowler's impious hand
That did the deed that folly planned;
That could to needless death devote
The curlew of the tuneful throat!”
The heavenly Father smiled in glee,
And said, “O best of hermits, see,
A verse, unconscious, thou hast made;
No longer be the task delayed.
Seek not to trace, with labour vain,
The unpremeditated strain.
The tuneful lines thy lips rehearsed
Spontaneous from thy bosom burst.
Then come, O best of seers, relate
The life of Ráma good and great,
The tale that saintly Nárad told,
In all its glorious length unfold.
Of all the deeds his arm has done
Upon this earth, omit not one,
And thus the noble life record
Of that wise, brave, and virtuous lord.
His every act to day displayed,
His secret life to none betrayed:
How Lakshmaṇ, how the giants fought;
With high emprise and hidden thought:
And all that Janak's child49 befell
Where all could see, where none could tell.
The whole of this shall truly be
Made known, O best of saints, to thee.
In all thy poem, through my grace,
No word of falsehood shall have place.
Begin the story, and rehearse
The tale divine in charming verse.
As long as in this firm-set land
The streams shall flow, the mountains stand,
So long throughout the world, be sure,
The great Rámáyan shall endure.50
While the Rámáyan's ancient strain
Shall glorious in the earth remain,
To higher spheres shalt thou arise
And dwell with me above the skies.”
He spoke, and vanished into air,
And left VálmĂki wondering there.
The pupils of the holy man,
Moved by their love of him, began
To chant that verse, and ever more
They marvelled as they sang it o'er:
“Behold, the four-lined balanced rime,
Repeated over many a time,
In words that from the hermit broke
In shock of grief, becomes a śloke.”
This measure now VálmĂki chose
Wherein his story to compose.
In hundreds of such verses, sweet
With equal lines and even feet,
The saintly poet, lofty-souled,
The glorious deeds of Ráma told.
Canto III. The Argument.
The hermit thus with watchful heed
Received the poem's pregnant seed,
And looked with eager thought around
If fuller knowledge might be found.
[pg 009]
His lips with water first bedewed,51
He sate, in reverent attitude
On holy grass,52 the points all bent
Together toward the orient;53
And thus in meditation he
Entered the path of poesy.
Then clearly, through his virtue's might,
All lay discovered to his sight,
Whate'er befell, through all their life,
Ráma, his brother, and his wife:
And Daśaratha and each queen
At every time, in every scene:
His people too, of every sort;
The nobles of his princely court:
Whate'er was said, whate'er decreed,
Each time they sate each plan and deed:
For holy thought and fervent rite
Had so refined his keener sight
That by his sanctity his view
The present, past, and future knew,
And he with mental eye could grasp,
Like fruit within his fingers clasp,
The life of Ráma, great and good,
Roaming with SĂtá in the wood.
He told, with secret-piercing eyes,
The tale of Ráma's high emprise,
Each listening ear that shall entice,
A sea of pearls of highest price.
Thus good VálmĂki, sage divine,
Rehearsed the tale of Raghu's line,
As Nárad, heavenly saint, before
Had traced the story's outline o'er.
He sang of Ráma's princely birth,
His kindness and heroic worth;
His love for all, his patient youth,
His gentleness and constant truth,
And many a tale and legend old
By holy Viśvámitra told.
How Janak's child he wooed and won,
And broke the bow that bent to none.
How he with every virtue fraught
His namesake Ráma54 met and fought.
The choice of Ráma for the throne;
The malice by KaikeyĂ shown,
Whose evil counsel marred the plan
And drove him forth a banisht man.
How the king grieved and groaned, and cried,
And swooned away and pining died.
The subjects' woe when thus bereft;
And how the following crowds he left:
With Guha talked, and firmly stern
Ordered his driver to return.
How Gangá's farther shore he gained;
By Bharadvája entertained,
By whose advice he journeyed still
And came to ChitrakĂşáąa's hill.
How there he dwelt and built a cot;
How Bharat journeyed to the spot;
His earnest supplication made;
Drink-offerings to their father paid;
The sandals given by Ráma's hand,
As emblems of his right, to stand:
How from his presence Bharat went
And years in Nandigráma spent.
How Ráma entered Daṇḍak wood
And in SutĂkhṇa's presence stood.
The favour Anasúyá showed,
The wondrous balsam she bestowed.
How Ĺšarabhanga's dwelling-place
They sought; saw Indra face to face;
The meeting with Agastya gained;
The heavenly bow from him obtained.
How Ráma with Virádha met;
Their home in Panchavaáąa set.
How Śúrpaṇakhá underwent
The mockery and disfigurement.
Of Triśirá's and Khara's fall,
Of Rávaṇ roused at vengeance call,
MárĂcha doomed, without escape;
The fair Videhan55 lady's rape.
How Ráma wept and raved in vain,
And how the Vulture-king was slain.
How Ráma fierce Kabandha slew;
Then to the side of Pampá drew,
Met Hanumán, and her whose vows
Were kept beneath the greenwood boughs.
How Raghu's son, the lofty-souled,
On Pampá's bank wept uncontrolled,
Then journeyed, RishyamĂşk to reach,
And of SugrĂva then had speech.
The friendship made, which both had sought:
How Báli and SugrĂva fought.
How Báli in the strife was slain,
And how SugrĂva came to reign.
The treaty, Tára's wild lament;
The rainy nights in watching spent.
The wrath of Raghu's lion son;
The gathering of the hosts in one.
The sending of the spies about,
And all the regions pointed out.
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