Helen with the High Hand by Arnold Bennett (free ebook reader .txt) 📖
- Author: Arnold Bennett
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Helen abandoned the Windsor chair and tried the arm-chair, and then stood up.
"Which chair do you recommend?" she asked, nicely.
"Bless ye, child! I never sit here, except at th' desk. I sit in the kitchen."
A peculiarity of houses in the Five Towns is that rooms are seldom called by their right names. It is a point of honour, among the self-respecting and industrious classes, to prepare a room elaborately for a certain purpose, and then not to use it for that purpose. Thus James Ollerenshaw's sitting-room, though surely few apartments could show more facilities than it showed for sitting, was not used as a sitting-room, but as an office. The kitchen, though it contained a range, was not used as a kitchen, but as a sitting-room. The scullery, though it had no range, was filled with a gas cooking-stove and used as a kitchen. And the back yard was used as a scullery. This arrangement never struck anybody as singular; it did not strike even Helen as singular. Her mother's house had exhibited the same oddness until she reorganised it. If James Ollerenshaw had not needed an office, his sitting-room would have languished in desuetude. The fact is that the thrifty inhabitants of the Five Towns save a room as they save money. If they have an income of six rooms they will live on five, or rather in five, and thereby take pride to themselves.
Somewhat nervous, James feigned to glance at the rent books on the desk.
Helen's eye swept the room. "I suppose you have a good servant?" she said.
"I have a woman as comes in," said James. "But her isn't in th' house at the moment."
This latter statement was a wilful untruth on James's part. He had distinctly caught a glimpse of Mrs. Butt's figure as he entered.
"Well," said Helen, kindly, "it's quite nice, I'm sure. You must be very comfortable--for a man. But, of course, one can see at once that no woman lives here."
"How?" he demanded, naively.
"Oh," she answered, "I don't know. But one can."
"Dost mean to say as it isn't clean, lass?"
"The _brasses_ are very clean," said Helen.
Such astonishing virtuosity in the art of innuendo is the privilege of one sex only.
"Come into th' kitchen, lass," said James, after he had smiled into a corner of the room, "and take off them gloves and things."
"But, great-stepuncle, I can't stay."
"You'll stop for tea," said he, firmly, "or my name isn't James Ollerenshaw."
He preceded her into the kitchen. The door between the kitchen and the scullery was half-closed; in the aperture he again had a momentary, but distinct, glimpse of the eye of Mrs. Butt.
"I do like this room," said Helen, enthusiastically.
"Uninterrupted view o' th' back yard," said Ollerenshaw. "Sit ye down, lass."
He indicated an article of furniture which stood in front of the range, at a distance of perhaps six feet from it, cutting the room in half. This contrivance may be called a sofa, or it may be called a couch; but it can only be properly described by the Midland word for it--squab. No other term is sufficiently expressive. Its seat--five feet by two--was very broad and very low, and it had a steep, high back and sides. All its angles were right angles. It was everywhere comfortably padded; it yielded everywhere to firm pressure; and it was covered with a grey and green striped stuff. You could not sit on that squab and be in a draught; yet behind it, lest the impossible should arrive, was a heavy curtain, hung on an iron rod which crossed the room from wall to wall. Not much imagination was needed to realise the joy and ecstasy of losing yourself on that squab on a winter afternoon, with the range fire roaring in your face, and the curtain drawn abaft.
Helen assumed the mathematical centre of the squab, and began to arrange her skirts in cascading folds; she had posed her parasol in a corner of it, as though the squab had been a railway carriage, which, indeed, it did somewhat resemble.
"By the way, lass, what's that as swishes?" James demanded.
"What's what?"
"What's that as swishes?"
She looked puzzled for an instant, then laughed--a frank, gay laugh, light and bright as aluminium, such as the kitchen had never before heard.
"Oh!" she said. "It's my new silk petticoat, I suppose. You mean that?" She brusquely moved her limbs, reproducing the unique and delicious rustle of concealed silk.
"Ay!" ejaculated the old man, "I mean that."
"Yes. It's my silk petticoat. Do you like it?"
"I havena' seen it, lass."
She bent down, and lifted the hem of her dress just two inches--the discreetest, the modestest gesture. He had a transient vision of something fair--it was gone again.
"I don't know as I dislike it," said he.
He was standing facing her, his back to the range, and his head on a level with the high narrow mantelpiece, upon which glittered a row of small tin canisters. Suddenly he turned to the corner to the right of the range, where, next to an oak cupboard, a velvet Turkish smoking cap depended from a nail. He put on the cap, of which the long tassel curved down to his ear. Then he faced her again, putting his hands behind him, and raising himself at intervals on his small, well-polished toes. She lifted her two hands simultaneously to her head, and began to draw pins from her hat, which pins she placed one after another between her lips. Then she lowered the hat carefully from her head, and transfixed it anew with the pins.
"Will you mind hanging it on that nail?" she requested.
He took it, as though it had been of glass, and hung it on the nail.
Without her hat she looked as if she lived there, a jewel in a pipe-case. She appeared to be just as much at home as he was. And they were so at home together that there was no further necessity to strain after a continuous conversation. With a vague smile she gazed round and about, at the warm, cracked, smooth red tiles of the floor; at the painted green walls, at a Windsor chair near the cupboard--a solitary chair that had evidently been misunderstood by the large family of relatives in the other room and sent into exile; at the pair of bellows that hung on the wall above the chair, and the rich gaudiness of the grocer's almanac above the bellows; at the tea-table, with its coarse grey cloth and thick crockery spread beneath the window.
"So you have all your meals here?" she ventured.
"Ay," he said. "I have what I call my meals here."
"Why," she cried, "don't you enjoy them?"
"I eat 'em," he said.
"What time do you have tea?" she inquired.
"Four o'clock," said he. "Sharp!"
"But it's a quarter to, now!" she exclaimed, pointing to a clock with weights at the end of brass chains and a long pendulum. "And didn't you say your servant was out?"
"Ay," he mysteriously lied. "Her's out. But her'll come back. Happen her's gone to get a bit o' fish or something."
"Fish! Do you always have fish for tea?"
"I have what I'm given," he replied. "I fancy a snack for my tea. Something tasty, ye know."
"Why," she said, "you're just like me. I adore tea. I'd sooner have tea than any other meal of the day. But I never yet knew a servant who could get something tasty every day. Of course, it's quite easy if you know how to do it; but servants don't--that is to say, as a rule--but I expect you've got a very good one."
"So-so!" James murmured.
"The trouble with servants is that they always think that if you like a thing one day you'll like the same thing every day for the next three years."
"Ay," he said, drily. "I used to like a kidney, but it's more than three years ago." He stuck his lips out, and raised himself higher than ever on his toes.
He did not laugh. But she laughed, almost boisterously.
"I can't help telling you," she said, "you're perfectly lovely, great-stepuncle. Are we both going to drink out of the same cup?" In such manner did the current of her talk gyrate and turn corners.
He approached the cupboard.
"No, no!" She sprang up. "Let me. I'll do that, as the servant is so long."
And she opened the cupboard. Among a miscellany of crocks therein was a blue-and-white cup and saucer, and a plate to match underneath it, that seemed out of place there. She lifted down the pile.
"Steady on!" he counselled her. "Why dun you choose that?"
"Because I like it," she replied, simply.
He was silenced. "That's a bit o' real Spode," he said, as she put it on the table and dusted the several pieces with a corner of the tablecloth.
"It won't be in any danger," she retorted, "until it comes to be washed up. So I'll stop afterwards and wash it up myself. There!"
"Now you can't find the teaspoons, miss!" he challenged her.
"I think I can," she said.
She raised the tablecloth at the end, discovered the knob of a drawer, and opened it. And, surely, there were teaspoons.
"Can't I just take a peep into the scullery?" she begged, with a bewitching supplication. "I won't stop. It's nearly time your servant was back, if she's always so dreadfully prompt as you say. I won't touch anything. Servants are so silly. They always think one wants to interfere with them."
Without waiting for James's permission, she burst youthfully into the scullery.
"Oh," she exclaimed, "there's some one here!"
Of course there was. There was Mrs. Butt.
Although the part played by Mrs. Butt in the drama was vehement and momentous, it was nevertheless so brief that a description of Mrs. Butt is hardly called for. Suffice it to say that she had so much waist as to have no waist, and that she possessed both a beard and a moustache. This curt catalogue of her charms is unfair to her; but Mrs. Butt was ever the victim of unfairness.
James Ollerenshaw looked audaciously in at the door. "It's Mrs. Butt," said he. "Us thought as ye were out."
"Good-afternoon, Mrs. Butt," Helen began, with candid pleasantness.
A pause.
"Good-afternoon, miss."
"And what have you got for uncle's tea to-day? Something tasty?"
"I've got this," said Mrs. Butt, with candid unpleasantness. And she pointed to an oblate spheroid, the colour of brick, but smoother, which lay on a plate near the gas-stove. It was a kidney.
"H'm!"--from James.
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