Three Philosophical Poets by George Santayana (free children's ebooks pdf TXT) 📖

afford anything essentially different. All the suns were much alike, and there was nothing new under them. We need not, then, fear the world; it is an explored and domestic scene,—a home, a little garden, six feet of earth for a man to stretch in. If people rage and make a great noise, it is not because there is much to win, or much to fear, but because people are mad. Let me not be mad, thought Epicurus; let me be reasonable, cultivating sentiments appropriate to a mortal who inhabits a world morally comfortable and small, and physically poor in its infinite monotony. The well-known lines of Fitzgerald echo this sentiment perfectly:

A Book of Verses underneath the Bough,
A Jug of Wine, a Loaf of Bread—and Thou
Beside me singing in the Wilderness—
Oh, Wilderness were Paradise enow!

But what if the shadow of incalculable possibilities should fall across this sunny retreat? What if after death we should awake in a world to which the atomic philosophy might not in the least apply? Observe that this suggestion is not in the least opposed to any of the arguments by which science might prove the atomic theory to be correct. All that Epicurus taught about the universe now before us might be perfectly true of it; but what if to-morrow a new universe should have taken its place? The suggestion is doubtless gratuitous, and no busy man will be much troubled by it; yet when the heart is empty it fills itself with such attenuated dreams. The muffled pleasures of the wise man, as Epicurus conceived him, were really a provocation to supernaturalism. They left a great void; and before long supernaturalism—we shall see it in Dante—actually rushed in to quicken the pulses of life with fresh hopes and illusions, or at least (what may seem better than nothing) with terrors and fanatical zeal. With such tendencies already afoot as the myths and dogmas of Plato had betrayed, it was imperative for Epicurus to banish anxiously all thought of what might follow death. To this end are all his arguments about the material nature of the soul and her incapacity to survive the body.

To say that the soul is material has a strange and barbarous sound to modern ears. We live after Descartes, who taught the world that the essence of the soul was consciousness; and to call consciousness material would be to talk of the blackness of white. But ancient usage gave the word soul a rather different meaning. The essence of the soul was not so much to be conscious as to govern the formation of the body, to warm, move, and guide it. And if we think of the soul exclusively in this light, it will not seem a paradox, it may even seem a truism, to say that the soul must be material. For how are we to conceive that preexisting consciousness should govern the formation of the body, move, warm, or guide it? A spirit capable of such a miracle would in any case not be human, but altogether divine. The soul that Lucretius calls material should not, then, be identified with consciousness, but with the ground of consciousness, which is at the same time the cause of life in the body. This he conceives to be a swarm of very small and volatile atoms, a sort of ether, resident in all living seeds, breathed in abundantly during life and breathed out at death.

Even if this theory were accepted, however, it would not prove the point which Lucretius has chiefly at heart, namely, that an after-life is impossible. The atoms of the soul are indestructible, like all atoms; and if consciousness were attached to the fortunes of a small group of them, or of one only (as Leibniz afterwards taught), consciousness would continue to exist after these atoms had escaped from the body and were shooting through new fields of space. Indeed, they might be the more aroused by that adventure, as a bee might find the sky or the garden more exciting than the hive. All that Lucretius urges about the divisibility of the soul, its diffused bodily seat, and the perils it would meet outside fails to remove the ominous possibility that troubles him.

To convince us that we perish at death he has to rely on vulgar experience and inherent probability: what changes is not indestructible; what begins, ends; mental growth, health, sanity, accompany the fortunes of the body as a whole (not demonstrably those of the soul-atoms); the passions are relevant to bodily life and to an earthly situation; we should not be ourselves under a different mask or in a new setting; we remember no previous existence if we had one, and so, in a future existence, we should not remember this. These reflections are impressive, and they are enforced by Lucretius with his usual vividness and smack of reality. Nothing is proved scientifically by such a deliverance, yet it is good philosophy and good poetry; it brings much experience together and passes a lofty judgment upon it. The artist has his eye on the model; he is painting death to the life.

If these considerations succeed in banishing the dread of an after-life, there remains the distress which many feel at the idea of extinction; and if we have ceased to fear death, like Hamlet, for the dreams that may come after it, we may still fear death instinctively, like a stuck pig. Against this instinctive horror of dying Lucretius has many brave arguments. Fools, he says to us, why do you fear what never can touch you? While you still live, death is absent; and when you are dead, you are so dead that you cannot know you are dead, nor regret it. You will be as much at ease as before you were born. Or is what troubles you the childish fear of being cold in the earth, or feeling its weight stifling you? But you will not be there; the atoms of your soul—themselves unconscious—will be dancing in some sunbeam far away, and you yourself will be nowhere; you will absolutely not exist. Death is by definition a state that excludes experience. If you fear it, you fear a word.

To all this, perhaps, Memmius, or some other recalcitrant reader, might retort that what he shrank from was not the metaphysical state of being dead, but the very real agony of dying. Dying is something ghastly, as being born is something ridiculous; and, even if no pain were involved in quitting or entering this world, we might still say what Dante's Francesca says of it: Il modo ancor m' offende,—"I shudder at the way of it." Lucretius, for his part, makes no attempt to show that everything is as it should be; and if our way of coming into this life is ignoble, and our way of leaving it pitiful, that is no fault of his nor of his philosophy. If the fear of death were merely the fear of dying, it would be better dealt with by medicine than by argument. There is, or there might be, an art of dying well, of dying painlessly, willingly, and in season,—as in those noble partings which Attic gravestones depict,—especially if we were allowed, as Lucretius would allow us, to choose our own time.

But the radical fear of death, I venture to think, is something quite different. It is the love of life. Epicurus, who feared life, seems to have missed here the primordial and colossal force he was fighting against. Had he perceived that force, he would have been obliged to meet it in a more radical way, by an enveloping movement, as it were, and an attack from the rear. The love of life is not something rational, or founded on experience of life. It is something antecedent and spontaneous. It is that Venus Genetrix which covers the earth with its flora and fauna. It teaches every animal to seek its food and its mate, and to protect its offspring; as also to resist or fly from all injury to the body, and most of all from threatened death. It is the original impulse by which good is discriminated from evil, and hope from fear.

Nothing could be more futile, therefore, than to marshal arguments against that fear of death which is merely another name for the energy of life, or the tendency to self-preservation. Arguments involve premises, and these premises, in the given case, express some particular form of the love of life; whence it is impossible to conclude that death is in no degree evil and not at all to be feared. For what is most dreaded is not the agony of dying, nor yet the strange impossibility that when we do not exist we should suffer for not existing. What is dreaded is the defeat of a present will directed upon life and its various undertakings. Such a present will cannot be argued away, but it may be weakened by contradictions arising within it, by the irony of experience, or by ascetic discipline. To introduce ascetic discipline, to bring out the irony of experience, to expose the self-contradictions of the will, would be the true means of mitigating the love of life; and if the love of life were extinguished, the fear of death, like smoke rising from that fire, would have vanished also.

Indeed, the force of the great passage against the fear of death, at the end of the third book of Lucretius, comes chiefly from the picture it draws of the madness of life. His philosophy deprecates covetousness, ambition, love, and religion; it takes a long step towards the surrender of life, by surrendering all in life that is ardent, on the ground that it is painful in the end and ignominious. To escape from it all is a great deliverance. And since genius must be ardent about something, Lucretius pours out his enthusiasm on Epicurus, who brought this deliverance and was the saviour of mankind. Yet this was only a beginning of salvation, and the same principles carried further would have delivered us from the Epicurean life and what it retained that was Greek and naturalistic: science, friendship, and the healthy pleasures of the body. Had it renounced these things also, Epicureanism would have become altogether ascetic, a thorough system of mortification, or the pursuit of death. To those who sincerely pursue death, death is no evil, but the highest good. No need in that case of elaborate arguments to prove that death should not be feared, because it is nothing; for in spite of being nothing—or rather because it is nothing—death can be loved by a fatigued and disillusioned spirit, just as in spite of being nothing—or rather because it is nothing—it must be hated and feared by every vigorous animal.

One more point, and I have done with this subject. Ancient culture was rhetorical. It abounded in ideas that are verbally plausible, and pass muster in a public speech, but that, if we stop to criticize them, prove at once to be inexcusably false. One of these rhetorical fallacies is the maxim that men cannot live for what they cannot witness. What does it matter to you, we may say in debate, what happened before you were born, or what may go on after you are buried? And the orator who puts such a challenge may carry the audience with him, and raise a laugh at the expense of human sincerity. Yet the very men who applaud are proud of their ancestors, care for the future of their children, and are very much interested in securing legally the execution of their last will and testament. What may go on after their death concerns them deeply, not because they expect to watch the event from hell or heaven, but because they are interested ideally in what that event shall be, although they are never to witness it. Lucretius himself, in his sympathy with nature, in