Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Leavenworth Case by Anna Katharine Green (e reader comics txt) 📖
- Author: Anna Katharine Green
Book online «The Leavenworth Case by Anna Katharine Green (e reader comics txt) 📖». Author Anna Katharine Green
“I don’t know, sir; I would be glad, but,” and she turned a very scrutinizing look upon me, “the fact is, I have not taken lodgers of late, and I have got out of the way of the whole thing, and am afraid I cannot make him comfortable. In short, you will have to excuse me.”
“But we can’t,” returned Mr. Monell. “What, entice a fellow into a room like this”—and he cast a hearty admiring glance round the apartment which, for all its simplicity, both its warm coloring and general air of cosiness amply merited, “and then turn a cold shoulder upon him when he humbly entreats the honor of staying a single night in the enjoyment of its attractions? No, no, Mrs. Belden; I know you too well for that. Lazarus himself couldn’t come to your door and be turned away; much less a good-hearted, clever-headed young gentleman like my friend here.”
“You are very good,” she began, an almost weak love of praise showing itself for a moment in her eyes; “but I have no room prepared. I have been house-cleaning, and everything is topsy-turvy Mrs. Wright, now, over the way——”
“My young friend is going to stop here,” Mr. Mouell broke in, with frank positiveness. “If I cannot have him at my own house,—and for certain reasons it is not advisable,—I shall at least have the satisfaction of knowing he is in the charge of the best housekeeper in R——.”
“Yes,” I put in, but without too great a show of interest; “I should be sorry, once introduced here, to be obliged to go elsewhere.”
The troubled eye wavered away from us to the door.
“I was never called inhospitable,” she commenced; “but everything in such disorder. What time would you like to come?”
“I was in hopes I might remain now,” I replied; “I have some letters to write, and ask nothing better than for leave to sit here and write them.”
At the word letters I saw her hand go to her pocket in a movement which must have been involuntary, for her countenance did not change, and she made the quick reply:
“Well, you may. If you can put up with such poor accommodations as I can offer, it shall not be said I refused you what Mr. Monell is pleased to call a favor.”
And, complete in her reception as she had been in her resistance, she gave us a pleasant smile, and, ignoring my thanks, bustled out with Mr. Monell to the buggy, where she received my bag and what was, doubtless, more to her taste, the compliments he was now more than ever ready to bestow upon her.
“I will see that a room is got ready for you in a very short space of time,” she said, upon re-entering. “Meanwhile, make yourself at home here; and if you wish to write, why I think you will find everything for the purpose in these drawers.” And wheeling up a table to the easy chair in which I sat, she pointed to the small compartments beneath, with an air of such manifest desire to have me make use of anything and everything she had, that I found myself wondering over my position with a sort of startled embarrassment that was not remote from shame.
“Thank you; I have materials of my own,” said I, and hastened to open my bag and bring out the writing-case, which I always carried with me.
“Then I will leave you,” said she; and with a quick bend and a short, hurried look out of the window, she hastily quitted the room.
I could hear her steps cross the hall, go up two or three stairs, pause, go up the rest of the flight, pause again, and then pass on. I was left on the first floor alone.
XXVIII. A WEIRD EXPERIENCE “Flat burglary as ever was committed.” —Much Ado about Nothing.
THE first thing I did was to inspect with greater care the room in which I sat.
It was a pleasant apartment, as I have already said; square, sunny, and well furnished. On the floor was a crimson carpet, on the walls several pictures, at the windows, cheerful curtains of white, tastefully ornamented with ferns and autumn leaves; in one corner an old melodeon, and in the centre of the room a table draped with a bright cloth, on which were various little knick-knacks which, without being rich or expensive, were both pretty and, to a certain extent, ornamental. But it was not these things, which I had seen repeated in many other country homes, that especially attracted my attention, or drew me forward in the slow march which I now undertook around the room. It was the something underlying all these, the evidences which I found, or sought to find, not only in the general aspect of the room, but in each trivial object I encountered, of the character, disposition, and history of the woman with whom I now had to deal. It was for this reason I studied the daguerreotypes on the mantel-piece, the books on the shelf, and the music on the rack; for this and the still further purpose of noting if any indications were to be found of there being in the house any such person as Hannah.
First then, for the little library, which I was pleased to see occupied one corner of the room. Composed of a few well-chosen books, poetical, historical, and narrative, it was of itself sufficient to account for the evidences of latent culture observable in Mrs. Belden’s conversation. Taking out a well-worn copy of Byron, I opened it. There were many passages marked, and replacing the book with a mental comment upon her evident impressibility to the softer emotions, I turned towards the melodeon fronting me from the opposite wall. It was closed, but on its neatly-covered top lay one or two hymn-books, a basket of russet apples, and a piece of half-completed knitting work.
I took up the latter, but was forced to lay it down again without a notion for what it was intended. Proceeding, I next stopped before a window opening upon the small yard that ran about the house, and separated it from the one adjoining. The scene without failed to attract me, but the window itself drew my attention, for, written with a diamond point on one of the panes, I perceived a row of letters which, as nearly as I could make out, were meant for some word or words, but which utterly failed in sense or apparent connection. Passing it by as the work of some school-girl, I glanced down at the work-basket standing on a table at my side. It was full of various kinds of work, among which I spied a pair of stockings, which were much too small,
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