Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. A Thorny Path — Complete by Georg Ebers (howl and other poems txt) 📖
- Author: Georg Ebers
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When Johanna returned to lead her to a bedroom, she gave a sigh of relief; but the lady expressed a wish to keep Melissa near her, and in a low voice desired the waiting-woman to prepare a bed for her in the adjoining room, by the side of Korinna’s, which was never to be disturbed. Then, still greatly excited, she invited Melissa into her daughter’s pretty room.
There she showed her everything that Korinna had especially cared for. Her bird hung in the same place; her lap-dog was sleeping in a basket, on the cushion which Berenike had embroidered for her child. Melissa had to admire the dead girl’s lute, and her first piece of weaving, and the elegant loom of ebony and ivory in which she had woven it. And Berenike repeated to the girl the verses which Korinna had composed, in imitation of Catullus, on the death of a favorite bird. And although Melissa’s eyes were almost closing with fatigue, she forced herself to attend to it all, for she saw now how much her sympathy pleased her kind friend.
Meanwhile the voices of the men, who had done eating and were now drinking, came louder and louder into the women’s apartments. When the merriment of her guests rose to a higher pitch than usual, or something amusing gave rise to a shout of laughter, Berenike shrank, and either muttered some unintelligible threat or besought the forgiveness of her daughter’s manes.
It seemed to be a relief to her to rush from one mood to the other; but neither in her grief, nor when her motherly feeling led her to talk, nor yet in her wrath, did she lose her perfect dignity. All Melissa saw and heard moved her to pity or to horror. And meanwhile she was worn out with anxiety for her family, and with increasing fatigue.
At last, however, she was released. A gay chorus of women’s voices and flutes came up from the banqueting-hall. With a haughty mien and dilated nostrils Berenike listened to the first few bars. That such a song should be heard in her house of woe was too much; with her own hand she closed the shutters over the window next her; then she bade her young guest go to bed.
Oh, how glad was the overtired girl to stretch herself on the soft couch! As usual, before going to sleep, she told her mother in the spirit all the history of the day. Then she prayed to the manes of the departed to lend her aid in the heavy task before her; but in the midst of her prayer sleep overcame her, and her young bosom was already rising and falling in regular breathing when she was roused by a visit from the lady Berenike.
Melissa suddenly beheld her at the head of the bed, in a flowing white night-dress, with her hair unpinned, and holding a silver lamp in her hand; and the girl involuntarily put up her arms as if to protect herself, for she fancied that the daemon of madness stared out of those large black eyes. But the unhappy woman’s expression changed, and she looked down kindly on Melissa. She quietly set the lamp on the table, and then, as the cool nightbreeze blew in through the open window, to which there was no shutter, she tenderly wrapped the white woolen blanket round Melissa, and muttered to herself, “She liked it so.”
Then she knelt down by the side of the bed, pressed her lips on the brow of the girl, now fully awake, and said:
“And you, too, are fair to look upon. He will grant your prayer!”
Then she asked Melissa about her lover, her father, her mother, and at last she, unexpectedly, asked her in a whisper:
“Your brother Alexander, the painter—My daughter, though in death, inspired his soul with love. Yes, Korinna was dear to him. Her image is living in his soul. Am I right? Tell me the truth!”
On this Melissa confessed how deeply the painter had been impressed by the dead girl’s beauty, and that he had given her his heart and soul with a fervor of devotion of which she had never imagined him capable. And the poor mother smiled as she heard it, and murmured, “I was sure of it.”
But then she shook her head, sadly, and said “Fool that I am!”
At last she bade Melissa good-night, and went back to her own bedroom. There Johanna was awaiting her, and while she was plaiting her mistress’s hair the matron said, threateningly:
“If the wretch should not spare even her”—She was interrupted by loud shouts of mirth from the banqueting-hall, and among the laughing voices she fancied that she recognized her husband’s. She started up with a vehement movement, and exclaimed, in angry excitement:
“Seleukus might have prevented such an outrage! Oh, I know that sorrowing father’s heart! Fear, vanity, ambition, love of pleasure—”
“But consider,” Johanna broke in, “to cross Caesar’s wish is to forfeit life!”
“Then he should have died!” replied the matron, with stern decision.
CHAPTER XVI.
Before sunrise the wind changed. Heavy clouds bore down from the north, darkening the clear sky of Alexandria. By the time the market was filling it was raining in torrents, and a cold breeze blew over the town from the lake. Philostratus had only allowed himself a short time for sleep, sitting till long after midnight over his history of Apolonius of Tyana. His aim was to prove, by the example of this man, that a character not less worthy of imitation than that of the lord of the Christians might be formed in the faith of the ancients, and nourished by doctrines produced by the many-branched tree of Greek religion and philosophy. Julia Domna, Caracalla’s mother, had encouraged the philosopher in this task, which was to show her passionate and criminal son the dignity of moderation and virtue. The book was also to bring home to Caesar the religion of his forefathers and his country in all its beauty and elevating power; for hitherto he had vacillated from one form to another, had not even rejected Christianity, with which his nurse had tried to inoculate him as a child, and had devoted himself to every superstition of his time in a way which had disgusted those about him. It had been particularly interesting to the writer, with a view to the purpose of this work, to meet with a girl who practiced all the virtues the Christians most highly prized, without belonging to that sect, who were always boasting of the constraining power of their religion in conducing to pure morality.
In his work the day before he had taken occasion to regret the small recognition his hero had met with among those nearest to him. In this, as in other respects, he seemed to have shared the fate of Jesus Christ, whose name, however, Philostratus purposely avoided mentioning. Now, to-night, he reflected on the sacrifice offered by Melissa for Caesar whom she knew not, and he wrote the following words as though proceeding from the pen of Apollonius himself: “I know well how good a thing it is to regard all the world as my home, and all mankind as my brethren and friends; for we are all of the same divine race, and have all one Father.”
Then, looking up from the papyrus, he murmured to himself: “From such
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