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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » The Virginians by William Makepeace Thackeray (kiss me liar novel english txt) 📖

Book online «The Virginians by William Makepeace Thackeray (kiss me liar novel english txt) 📖». Author William Makepeace Thackeray



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had been flung away on the fatal field of Culloden. Here were breastplates and black morions of Oliver's troopers, and portraits of stern warriors in buff jerkins and plain bands and short hair. “They fought against your grandfathers and King Charles, Mr. Warrington,” said Harry's host. “I don't hide that. They rode to join the Prince of Orange at Exeter. We were Whigs, young gentleman, and something more. John Lambert, the Major-General, was a kinsman of our house, and we were all more or less partial to short hair and long sermons. You do not seem to like either?” Indeed, Harry's face manifested signs of anything but pleasure whilst he examined the portraits of the Parliamentary heroes. “Be not alarmed, we are very good Churchmen now. My eldest son will be in orders ere long. He is now travelling as governor to my Lord Wrotham's son in Italy, and as for our women, they are all for the Church, and carry me with 'em. Every woman is a Tory at heart. Mr. Pope says a rake, but I think t'other is the more charitable word. Come, let us go see them,” and, flinging open the dark oak door, Colonel Lambert led his young guest into the parlour where the ladies were assembled.

“Here is Miss Hester,” said the Colonel, “and this is Miss Theo, the soup-maker, the tailoress, the harpsichord-player, and the songstress, who set you to sleep last night. Make a curtsey to the gentleman, young ladies! Oh, I forgot, and Theo is the mistress of the roses which you admired a short while since in your bedroom. I think she has kept some of them in her cheeks.”

In fact, Miss Theo was making a profound curtsey and blushing most modestly as her papa spoke. I am not going to describe her person,—though we shall see a great deal of her in the course of this history. She was not a particular beauty. Harry Warrington was not over head and ears in love with her at an instant's warning, and faithless to—to that other individual with whom, as we have seen, the youth had lately been smitten. Miss Theo had kind eyes and a sweet voice; a ruddy freckled cheek and a round white neck, on which, out of a little cap such as misses wore in those times, fell rich curling clusters of dark brown hair. She was not a delicate or sentimental-looking person. Her arms, which were worn bare from the elbow like other ladies' arms in those days, were very jolly and red. Her feet were not so miraculously small but that you could see them without a telescope. There was nothing waspish about her waist. This young person was sixteen years of age, and looked older. I don't know what call she had to blush so when she made her curtsey to the stranger. It was such a deep ceremonial curtsey as you never see at present. She and her sister both made these “cheeses” in compliment to the new comer, and with much stately agility.

As Miss Theo rose up out of this salute, her papa tapped her under the chin (which was of the double sort of chins), and laughingly hummed out the line which he had read the day. “Eh bien! que dites-vous, ma fille, de notre hote?”

“Nonsense, Mr. Lambert!” cries mamma.

“Nonsense is sometimes the best kind of sense in the world,” said Colonel Lambert. His guest looked puzzled.

“Are you fond of nonsense?” the Colonel continued to Harry, seeing by the boy's face that the latter had no great love or comprehension of his favourite humour. “We consume a vast deal of it in this house. Rabelais is my favourite reading. My wife is all for Mr. Fielding and Theophrastus. I think Theo prefers Tom Brown, and Mrs. Hetty here loves Dean Swift.”

“Our papa is talking what he loves,” says Miss Hetty.

“And what is that, miss?” asks the father of his second daughter.

“Sure, sir, you said yourself it was nonsense,” answers the young lady, with a saucy toss of her head.

“Which of them do you like best, Mr. Warrington?” asked the honest Colonel.

“Which of whom, sir?”

“The Curate of Meudon, or the Dean of St. Patrick's, or honest Tom, or Mr. Fielding?”

“And what were they, sir?”

“They! Why, they wrote books.”

“Indeed, sir. I never heard of either one of 'em,” said Harry, hanging down his head. “I fear my book-learning was neglected at home, sir. My brother had read every book that ever was wrote, I think. He could have talked to you about 'em for hours together.”

With this little speech Mrs. Lambert's eyes turned to her daughter, and Miss Theo cast hers down and blushed.

“Never mind, honesty is better than books any day, Mr. Warrington!” cried the jolly Colonel. “You may go through the world very honourably without reading any of the books I have been talking of, and some of them might give you more pleasure than profit.”

“I know more about horses and dogs than Greek and Latin, sir. We most of us do in Virginia,” said Mr. Warrington.

“You are like the Persians; you can ride and speak the truth.”

“Are the Prussians very good on horseback, sir? I hope I shall see their king and a campaign or two, either with 'em or against 'em,” remarked Colonel Lambert's guest. Why did Miss Theo look at her mother, and why did that good woman's face assume a sad expression?

Why? Because young lasses are bred in humdrum country towns, do you suppose they never indulge in romances? Because they are modest and have never quitted mother's apron, do you suppose they have no thoughts of their own? What happens in spite of all those precautions which the King and Queen take for their darling princess, those dragons, and that impenetrable forest, and that castle of steel? The fairy prince penetrates the impenetrable forest, finds the weak point in the dragon's scale armour, and gets the better of all the ogres who guard the castle of steel. Away goes the princess to him. She knew him at once. Her bandboxes and portmanteaux are filled with her best clothes and all her jewels. She has been ready ever so long.

That is in fairy tales, you understand—where the blessed hour and youth always arrive, the ivory horn is blown at the castle gate; and far off in her beauteous bower the princess hears it, and starts up, and knows that there is the right champion. He is always ready. Look! how the giants' heads tumble off as, falchion in hand, he gallops over the bridge on his white charger! How should that virgin, locked up in that inaccessible fortress, where she has never seen any man that was not eighty, or humpbacked, or her father, know that there were such beings in the world as young men? I suppose there's an instinct. I suppose there's a season. I never spoke for my part to a fairy princess, or heard as much from any unenchanted or enchanting maiden. Ne'er a one of them has ever whispered her pretty little secrets to me, or perhaps confessed them to herself, her mamma, or her nearest and dearest confidante. But they will fall in love. Their little hearts are constantly throbbing at the window of expectancy on the lookout for the champion. They are always hearing his horn. They are for ever on the tower looking out for the hero. Sister Ann, Sister Ann, do you see him? Surely 'tis a knight with

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