Lothair by Benjamin Disraeli (interesting novels in english TXT) 📖
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- Author: Benjamin Disraeli
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It was a picturesque ride, as every ride was on this island, skirting the sylvan hills with the sea glimmering in the distance. Lothair was pleased with the approaches to the sacred grove: now and then a single tree with gray branches and a green head, then a great spread of underwood, all laurel, and then spontaneous plantations of young trees.
"There was always a vacant space in the centre of the grove," said Mr. Phoebus, "once sadly overrun with wild shrubs, but I have cleared it and restored the genius of the spot. See!"
They entered the sacred circle and beheld a statue raised on a porphyry pedestal. The light fell with magical effect on the face of the statue. It was the statue of Theodora, the placing of which in the pavilion of Belmont Mr. Phoebus was superintending when Lothair first made his acquaintance.
CHAPTER 75
The Prince Agathonides seemed quite to monopolize the attention of Madame Phoebus and her sister. This was not very unreasonable, considering that he was their visitor, the future chief of their house, and had brought them so many embroidered pocket-handkerchiefs, choice scents, and fancy dogs. But Lothair thought it quite disgusting, nor could he conceive what they saw in him, what they were talking about or laughing about, for, so far as he had been able to form any opinion on the subject, the prince was a shallow-pated coxcomb without a single quality to charm any woman of sense and spirit. Lothair began to consider how he could pursue his travels, where he should go to, and, when that was settled, how he should get there.
Just at this moment of perplexity, as is often the case, something occurred which no one could foresee, but which, like every event, removed some difficulties and introduced others.
There arrived at the island a dispatch forwarded to Mr. Phoebus by the Russian ambassador at Constantinople, who had received it from his colleague at London. This dispatch contained a proposition to Mr. Phoebus to repair to the court of St. Petersburg, and accept appointments of high distinction and emolument. Without in any way restricting the independent pursuit of his profession, he was offered a large salary, the post of court painter, and the presidency of the Academy of Fine Arts. Of such moment did the Russian Government deem the official presence of this illustrious artist in their country, that it was intimated, if the arrangement could be effected, its conclusion might be celebrated by conferring on Mr. Phoebus a patent of nobility and a decoration of a high class. The dispatch contained a private letter from an exalted member of the imperial family, who had had the high and gratifying distinction of making Mr. Phoebus's acquaintance in London, personally pressing the acceptance by him of the general proposition, assuring him of cordial welcome and support, and informing Mr. Phoebus that what was particularly desired at this moment was a series of paintings illustrative of some of the most memorable scenes in the Holy Land and especially the arrival of the pilgrims of the Greek rite at Jerusalem. As for this purpose he would probably like to visit Palestine, the whole of the autumn or even a longer period was placed at his disposal; so that, enriched with all necessary drawings and studies, he might achieve his more elaborate performances in Russia at his leisure and with every advantage.
Considering that the great objects in life with Mr. Phoebus were to live in an Aryan country, amid an Aryan race, and produce works which should revive for the benefit of human nature Aryan creeds, a proposition to pass some of the prime years of his life among the Mongolian race, and at the same time devote his pencil to the celebration Semitic subjects, was startling.
"I shall say nothing to Madame Phoebus until the prince has gone," he remarked to Lothair; "he will go the day after to-morrow. I do not know what they may offer to make me--probably only a baron, perhaps a count. But you know in Russia a man may become a prince, and I certainly should like those Cantacuzenes to feel that after all their daughter is a princess with no thanks to them. The climate is detestable, but one owes much to one's profession. Art would be honored at a great, perhaps the greatest, court. There would not be a fellow at his easel in the streets about Fitzroy Square who would not be prouder. I wonder what the decoration will be? 'Of a high class'--vague. It might be Alexander Newsky. You know you have a right, whatever your decoration, to have it expressed, of course at your own expense, in brilliants. I confess I have my weaknesses. I should like to get over to the Academy dinner--one can do any thing in these days of railroads--and dine with the R. A's in my ribbon and the star of the Alexander Newsky in brilliants. I think every academician would feel elevated. What I detest are their Semitic subjects--nothing but drapery. They cover even their heads in those scorching climes. Can any one make any thing of a caravan of pilgrims? To be sure, they say no one can draw a camel. If I went to Jerusalem, a camel would at last be drawn. There is something in that. We must think over these things, and when the prince has gone talk it over with Madame Phoebus. I wish you all to come to a wise decision, without the slightest reference to my individual tastes or, it may be, prejudices."
The result of all this was that Mr. Phoebus, without absolutely committing himself, favorably entertained the general proposition of the Russian court; while, with respect to their particular object in art, he agreed to visit Palestine and execute at least one work for his imperial friend and patron. He counted on reaching Jerusalem before the Easter pilgrims returned to their homes.
"If they would make me a prince at once, and give me the Alexander Newsky in brilliants, it might be worth thinking of," he said to Lothair.
The ladies, though they loved their isle, were quite delighted with the thought of going to Jerusalem. Madame Phoebus knew a Russian grand-duchess who had boasted to her that she had been both to Jerusalem and Torquay, and Madame Phoebus had felt quite ashamed that she had been to neither.
"I suppose you will feel quite at home there," said Euphrosyne to Lothair.
"No; I never was there."
"No; but you know all about those places and people--holy places and holy persons. The Blessed Virgin did not, I believe, appear to you. It was to a young lady, was it not? We were asking each other last night who the young lady could be."
CHAPTER 76
Time, which changes every thing, is changing even the traditionary appearance of forlorn Jerusalem. Not that its mien, after all, was ever very sad. Its airy site, its splendid mosque, its vast monasteries, the bright material of which the whole city is built, its cupolaed houses of freestone, and above all the towers and gates and battlements of its lofty and complete walls, always rendered it a handsome city. Jerusalem has not been sacked so often or so recently as the other two great ancient cities, Rome and Athens. Its vicinage was never more desolate than the Campagna, or the state of Attica and the Morea in 1830.
The battle-field of western Asia from the days of the Assyrian kings to those of Mehemet Ali, Palestine endured the same devastation as in modern times has been the doom of Flanders and the Milanese; but the years of havoc in the Low Countries and Lombardy must be counted in Palestine by centuries. Yet the wide plains of the Holy Land, Sharon, and Shechem, and Esdraelon, have recovered; they are as fertile and as fair as in old days; it is the hill-culture that has been destroyed, and that is the culture on which Jerusalem mainly depended. Its hills were terraced gardens, vineyards, and groves of olive-trees. And here it is that we find renovation. The terraces are again ascending the stony heights, and the eye is frequently gladdened with young plantations. Fruit-trees, the peach and the pomegranate, the almond and the fig, offer gracious groups; and the true children of the land, the vine and the olive, are again exulting in their native soil.
There is one spot, however, which has been neglected, and yet the one that should have been the first remembered, as it has been the most rudely wasted. Blessed be the hand which plants trees upon Olivet! Blessed be the hand that builds gardens about Sion!
The most remarkable creation, however, in modern Jerusalem is the Russian settlement which within a few years has risen on the elevated ground on the western side of the city. The Latin, the Greek, and the Armenian Churches had for centuries possessed enclosed establishments in the city, which, under the name of monasteries, provided shelter and protection for hundreds--it might be said even thousands--of pilgrims belonging to their respective rites. The great scale, therefore, on which Russia secured hospitality for her subjects was not in reality so remarkable as the fact that it seemed to indicate a settled determination to separate the Muscovite Church altogether from the Greek, and throw off what little dependence is still acknowledged on the Patriarchate of Constantinople. Whatever the motive, the design has been accomplished on a large scale. The Russian buildings, all well defended, are a caravanserai, a cathedral, a citadel. The consular flag crowns the height and indicates the office of administration; priests and monks are permanent inhabitants, and a whole caravan of Muscovite pilgrim and the trades on which they depend can be accommodated within the precinct.
Mr. Phoebus, his family and suite, were to be the guests of the Russian consul, and every preparation was made to insure the celebrated painter a becoming reception. Frequent telegrams had duly impressed the representative of all the Russias in the Holy Land with the importance of his impending visitor. Even the qualified and strictly provisional acceptance of the Russian proposition by Mr. Phoebus had agitated the wires of Europe scarcely less than a suggested conference.
"An artist should always remember what he owes to posterity and his profession," said Mr. Phoebus to Lothair, as they were walking the deck, "even if you can distinguish between them, which I doubt, for it is only by a sense of the beautiful that the human family can be sustained in Its proper place in the scale of creation, and the sense of the beautiful is a result of the study of the fine arts. It would be something to sow the seeds of organic change in the Mongolian type, but I am nor sanguine of success. There is no original fund of aptitude to act upon. The most ancient of existing communities is Turanian, and yet, though they could invent gunpowder and the mariner's compass, they never could understand perspective.--Man ahead there! tell Madame Phoebus to come on deck for the first
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