Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Windsor Castle by William Harrison Ainsworth (digital book reader txt) 📖
- Author: William Harrison Ainsworth
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All turned at the exclamation and saw that it proceeded from a tall dark man, in an archer's garb, standing behind Simon Quanden's chair.
“Thou hast told thy legend fairly enough, good clerk of the kitchen,” continued this personage; “but thou art wrong on many material points.”
“I have related the story as it was related to me,” said Cutbeard somewhat nettled at the remark; “but perhaps you will set me right where I have erred.”
“It is true that Herne was a keeper in the reign of Richard the Second,” replied the tall archer. “It is true also that he was expert in all matters of woodcraft, and that he was in high favour with the king; but he was bewitched by a lovely damsel, and not by a weird forester. He carried off a nun and dwelt with her in a cave in the forest where he assembled his brother keepers, and treated them to the king's venison and the king's wine.
“A sacreligious villain and a reprobate!” exclaimed Launcelot Rutter.
“His mistress was fair enough, I will warrant her,” said Kit Coo.
“She was the very image of this damsel,” rejoined the tall archer, pointing to Mabel, “and fair enough to work his ruin, for it was through her that the fiend tempted him. The charms that proved his undoing were fatal to her also, for in a fit of jealousy he slew her. The remorse occasioned by this deed made him destroy himself.”
“Well, your version of the legend may be the correct one, for aught I know, worthy sir,” said Cutbeard; “but I see not that it accounts for Herne's antlers so well as mine, unless he were wedded to the nun, who you say played him false. But how came you to know she resembled Mabel Lyndwood?”
“Ay, I was thinking of that myself,” said Simon Quanden. “How do you know that, master?”
“Because I have seen her picture,” replied the tall archer.
“Painted by Satan's chief limner, I suppose?” rejoined Cutbeard.
“He who painted it had seen her,” replied the tall archer sternly. “But, as I have said, it was the very image of this damsel.”
And as he uttered the words, he quitted the kitchen.
“Who is that archer?” demanded Cutbeard, looking after him. But no one could answer the question, nor could any one tell when he had entered the kitchen.
“Strange!” exclaimed Simon Quanden, crossing himself. “Have you ever seen him before, Mabel?”
“I almost think I have,” she replied, with a slight shudder.
“I half suspect he is Herne himself,” whispered the Duke of Shoreditch to Paddington.
“It may be,” responded the other; “his glance made my blood run cold.”
“You look somewhat fatigued, sweetheart,” said Deborah, observing Mabel's uneasiness. “Come with me and I will show you to a chamber.”
Glad to escape Mabel followed the good dame out of the kitchen, and they ascended a winding staircase which brought them to a commodious chamber in the upper part of Henry the Seventh's buildings, where Deborah sat down with her young charge and volunteered a great deal of good advice to her, which the other listened to with becoming attention, and promised to profit by it.
VII. Of the Mysterious Noise heard in the Curfew Tower.
On quitting the kitchen, Henry, having been informed by Bouchier that Tristram Lyndwood was lodged in the prison-chamber in the lower gateway, proceeded thither to question him. He found the old man seated on a bench, with his hands tied behind him; but though evidently much alarmed at his situation, he could not be brought either by threats or proffers to make any confession.
Out of patience, at length, the king ordered him to be conveyed to the dungeon beneath the Curfew Tower, and personally superintended his removal.
“I will find a means of shaking his obstinacy,” said Henry, as he quitted the vault with Bouchier. “If I cannot move him by other means, I may through his granddaughter I will interrogate him in her presence to-night.”
“To-night, sire!” exclaimed Bouchier.
“Ay, to-night,” repeated the king. “I am resolved, even if it should cost the life of this maiden, whose charms have moved me so, to break the infernal machinery woven around me. And now as I think it not unlikely the miscreant Herne may attempt the prisoner's deliverance, let the strictest watch be kept over the tower. Station an arquebusier throughout the night at the door of the dungeon, and another at the entrance to the chamber on the ground floor. Your own post must be on the roof of the fortification, that you may watch if any attempt is made to scale it from the town side, or to get in through the loopholes. Keep a sharp lookout Bouchier, for I shall hold you responsible if any mischance occurs.”
“I will do my best, my liege,” replied Bouchier; “and were it with a mortal foe I had to contend, I should have no fear. But what vigilance can avail against a fiend?”
“You have heard my injunctions, and will attend to them,” rejoined the king harshly. “I shall return anon to the examination.”
So saying, he departed.
Brave as a lion on ordinary occasions, Bouchier entered upon his present duty with reluctance and misgiving; and he found the arquebusiers by whom he was attended, albeit stout soldiers, equally uneasy. Herne had now become an object of general dread throughout the castle; and the possibility of an encounter with him was enough to daunt the boldest breast. Disguising his alarm, Bouchier issued his directions in an authoritative tone, and then mounted with three arquebusiers to the summit of the tower. It was now dark, but the moon soon arose, and her beams rendered every object as distinguishable as daylight would have done, so that watch was easily kept. But nothing occurred to occasion alarm, until all at once, a noise like that of a hammer stricken against a board, was heard in the chamber below.
Drawing his sword, Bouchier hurried down the steps leading into this chamber, which was buried in darkness, and advanced so precipitately and incautiously into the gloom, that he struck his head against a crossbeam. The violence of the blow stunned him for a moment, but as soon as he recovered, he called to the guard in the lower chamber to bring up a torch. The order was promptly obeyed; but, meanwhile, the sound had ceased, and, though they searched about, they could not discover the occasion of it.
This, however, was not so wonderful for the singular construction of the chamber, with its numerous crossbeams, its deep embrasures and recesses, its insecure and uneven floor, its steep ladder-like staircases, was highly favourable to concealment, it being utterly impossible, owing to
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