Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Tales of Chinatown by Sax Rohmer (classic books for 12 year olds TXT) 📖
- Author: Sax Rohmer
Book online «Tales of Chinatown by Sax Rohmer (classic books for 12 year olds TXT) 📖». Author Sax Rohmer
“What the devil's this?” he muttered.
He opened the box, which was lined with sandal-wood, and thereupon started back with a great cry, recoiling from the casket as though it had contained an adder. My former sentiments forgotten, I stepped forward and peered into the interior. Then I, in turn, recoiled.
In the box lay a shrivelled yellow hand—with long tapering and well-manicured nails—neatly severed at the wrist!
The nail of the index finger was enclosed in a tiny, delicately fashioned case of gold, upon which were engraved a number of Chinese characters.
Adderley sank down again upon the settee.
“My God!” he whispered, “his hand! His hand! He has sent me his hand!”
He began laughing. Whereupon, since I could see that the man was practically hysterical because of his mysterious fears:
“Stop that,” I said sharply. “Pull yourself together, Adderley. What the deuce is the matter with you?”
“Take it away!” he moaned, “take it away. Take the accursed thing away!”
“I admit it is an unpleasant gift to send to anybody,” I said, “but probably you know more about it than I do.”
“Take it away,” he repeated. “Take it away, for God's sake, take it away, Knox!”
He was quite beyond reason, and therefore:
“Very well,” I said, and wrapped the casket in the brown paper in which it had come. “What do you want me to do with it?”
“Throw it in the river,” he answered. “Burn it. Do anything you like with it, but take it out of my sight!”
III THE GOLD-CASED NAIL
As I descended to the street the liftman regarded me in a curious and rather significant way. Finally, just as I was about to step out into the hall:
“Excuse me, sir,” he said, having evidently decided that I was a fit person to converse with, “but are you a friend of Mr. Adderley's?”
“Why do you ask?”
“Well, sir, I hope you will excuse me, but at times I have thought the gentleman was just a little bit queer, like.”
“You mean insane?” I asked sharply.
“Well, sir, I don't know, but he is always asking me if I can see shadows and things in the lift, and sometimes when he comes in late of a night he absolutely gives me the cold shivers, he does.”
I lingered, the box under my arm, reluctant to obtain confidences from a servant, but at the same time keenly interested. Thus encouraged:
“Then there's that lady friend of his who is always coming here,” the man continued. “She's haunted by shadows, too.” He paused, watching me narrowly.
“There's nothing better in this world than a clean conscience, sir,” he concluded.
Having returned to my room at the hotel, I set down the mysterious parcel, surveying it with much disfavour. That it contained the hand of the Mandarin Quong I could not doubt, the hand which had been amputated by Dr. Matheson. Its appearance in that dramatic fashion confirmed Matheson's idea that the mandarin's injury had been received at the hands of Adderley. What did all this portend, unless that the Mandarin Quong was dead? And if he were dead why was Adderley more afraid of him dead than he had been of him living?
I thought of the haunting shadow, I thought of the night at Katong, and I thought of Dr. Matheson's words when he had told us of his discovery of the Chinaman lying in the road that night outside Singapore.
I felt strangely disinclined to touch the relic, and it was only after some moments' hesitation that I undid the wrappings and raised the lid of the casket. Dusk was very near and I had not yet lighted the lamps; therefore at first I doubted the evidence of my senses. But having lighted up and peered long and anxiously into the sandal-wood lining of the casket I could doubt no longer.
The casket was empty!
It was like a conjuring trick. That the hand had been in the box when I had taken it up from Adderley's table I could have sworn before any jury. When and by whom it had been removed was a puzzle beyond my powers of unravelling. I stepped toward the telephone—and then remembered that Paul Harley was out of London. Vaguely wondering if Adderley had played me a particularly gruesome practical joke, I put the box on a sideboard and again contemplated the telephone doubtfully far a moment. It was in my mind to ring him up. Finally, taking all things into consideration, I determined that I would have nothing further to do with the man's unsavoury and mysterious affairs.
It was in vain, however, that I endeavoured to dismiss the matter from my mind; and throughout the evening, which I spent at a theatre with some American friends, I found myself constantly thinking of Adderley and the ivory casket, of the mandarin of Johore Bahru, and of the mystery of the shrivelled yellow hand.
I had been back in my room about half an hour, I suppose, and it was long past midnight, when I was startled by a ringing of my telephone bell. I took up the receiver, and:
“Knox! Knox!” came a choking cry.
“Yes, who is speaking?”
“It is I, Adderley. For God's sake come round to my place at once!”
His words were scarcely intelligible. Undoubtedly he was in the grip of intense emotion.
“What do you mean? What is the matter?”
“It is here, Knox, it is here! It is knocking on the door! Knocking! Knocking!”
“You have been drinking,” I said sternly. “Where is your man?”
“The cur has bolted. He bolted the moment he heard that damned knocking. I am all alone; I have no one else to appeal to.” There came a choking sound, then: “My God, Knox, it is getting in! I can see... the shadow on the blind...”
Convinced that Adderley's secret fears had driven him mad, I nevertheless felt called upon to attend to his urgent call, and without a moment's delay I hurried around to St. James's Street. The liftman was not on duty, the lower hall was in darkness, but I raced up the stairs and found to my astonishment that Adderley's door was wide open.
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