Rienzi, the Last of the Roman Tribunes by Baron Edward Bulwer Lytton Lytton (distant reading .txt) đź“–
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As if to show that it was not to gratify the more vulgar appetite and desire, in the midst of all his pomp, when the board groaned with the delicacies of every clime, when the wine most freely circled, the Tribune himself preserved a temperate and even rigid abstinence. (“Vita di Cola di Rienzi”.—The biographer praises the abstinence of the Tribune.) While the apartments of state and the chamber of his bride were adorned with a profuse luxury and cost, to his own private rooms he transported precisely the same furniture which had been familiar to him in his obscurer life. The books, the busts, the reliefs, the arms which had inspired him heretofore with the visions of the past, were endeared by associations which he did not care to forego.
But that which constituted the most singular feature of his character, and which still wraps all around him in a certain mystery, was his religious enthusiasm. The daring but wild doctrines of Arnold of Brescia, who, two centuries anterior, had preached reform, but inculcated mysticism, still lingered in Rome, and had in earlier youth deeply coloured the mind of Rienzi; and as I have before observed, his youthful propensity to dreamy thought, the melancholy death of his brother, his own various but successful fortunes, had all contributed to nurse the more zealous and solemn aspirations of this remarkable man. Like Arnold of Brescia, his faith bore a strong resemblance to the intense fanaticism of our own Puritans of the Civil War, as if similar political circumstances conduced to similar religious sentiments. He believed himself inspired by awful and mighty commune with beings of the better world. Saints and angels ministered to his dreams; and without this, the more profound and hallowed enthusiasm, he might never have been sufficiently emboldened by mere human patriotism, to his unprecedented enterprise: it was the secret of much of his greatness,—many of his errors. Like all men who are thus self-deluded by a vain but not inglorious superstition, united with, and coloured by, earthly ambition, it is impossible to say how far he was the visionary, and how far at times he dared to be the impostor. In the ceremonies of his pageants, in the ornaments of his person, were invariably introduced mystic and figurative emblems. In times of danger he publicly professed to have been cheered and directed by divine dreams; and on many occasions the prophetic warnings he announced having been singularly verified by the event, his influence with the people was strengthened by a belief in the favour and intercourse of Heaven. Thus, delusion of self might tempt and conduce to imposition on others, and he might not scruple to avail himself of the advantage of seeming what he believed himself to be. Yet, no doubt this intoxicating credulity pushed him into extravagance unworthy of, and strangely contrasted by, his soberer intellect, and made him disproportion his vast ends to his unsteady means, by the proud fallacy, that where man failed, God would interpose. Cola di Rienzi was no faultless hero of romance. In him lay, in conflicting prodigality, the richest and most opposite elements of character; strong sense, visionary superstition, an eloquence and energy that mastered all he approached, a blind enthusiasm that mastered himself; luxury and abstinence, sternness and susceptibility, pride to the great, humility to the low; the most devoted patriotism and the most avid desire of personal power. As few men undertake great and desperate designs without strong animal spirits, so it may be observed, that with most who have risen to eminence over the herd, there is an aptness, at times, to a wild mirth and an elasticity of humour which often astonish the more sober and regulated minds, that are “the commoners of life:” And the theatrical grandeur of Napoleon, the severe dignity of Cromwell, are strangely contrasted by a frequent, nor always seasonable buffoonery, which it is hard to reconcile with the ideal of their characters, or the gloomy and portentous interest of their careers. And this, equally a trait in the temperament of Rienzi, distinguished his hours of relaxation, and contributed to that marvellous versatility with which his harder nature accommodated itself to all humours and all men. Often from his austere judgment-seat he passed to the social board an altered man; and even the sullen Barons who reluctantly attended his feasts, forgot his public greatness in his familiar wit; albeit this reckless humour could not always refrain from seeking its subject in the mortification of his crest-fallen foes—a pleasure it would have been wiser and more generous to forego. And perhaps it was, in part, the prompting of this sarcastic and unbridled humour that made him often love to astonish as well as to awe. But even this gaiety, if so it may be called, taking an appearance of familiar frankness, served much to ingratiate him with the lower orders; and, if a fault in the prince, was a virtue in the demagogue.
To these various characteristics, now fully developed, the reader must add a genius of designs so bold, of conceptions so gigantic and august, conjoined with that more minute and ordinary ability which masters details; that with a brave, noble, intelligent, devoted people to back his projects, the accession of the Tribune would have been the close of the thraldom of Italy, and the abrupt limit of the dark age of Europe. With such a people, his faults would have been insensibly checked, his more unwholesome power have received a sufficient curb. Experience familiarizing him with power, would have gradually weaned him from extravagance in its display; and the active and masculine energy of his intellect would have found field for the more restless spirits, as his justice gave shelter to the more tranquil. Faults he had, but whether those faults or the faults of the people, were to prepare his downfall, is yet to be seen.
Meanwhile, amidst a discontented nobility and a fickle populace, urged on by the danger of repose to the danger of enterprise; partly blinded by his outward power, partly impelled by the fear of internal weakness; at once made sanguine by his genius and his fanaticism, and uneasy by the expectations of the crowd,—he threw himself headlong into the gulf of the rushing Time, and surrendered his lofty spirit to no other guidance than a conviction of its natural buoyancy and its heaven-directed haven.
Chapter 4.IV. The Enemy’s Camp.
While Rienzi was preparing, in concert, perhaps, with the ambassadors of the brave Tuscan States, whose pride of country and love of liberty were well fitted to comprehend, and even share them, his schemes for the emancipation from all foreign yoke of the Ancient Queen, and the Everlasting Garden, of the World; the Barons, in restless secrecy, were revolving projects for the restoration of their own power.
One morning, the heads of the Savelli, the Orsini, and the Frangipani, met at the disfortified palace of Stephen Colonna. Their conference was warm and earnest—now resolute, now wavering, in its object—as indignation or fear prevailed.
“You have heard,” said Luca di Savelli, in his usual soft and womanly voice, “that the Tribune has proclaimed, that, the day after tomorrow, he will take the order of knighthood, and watch
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