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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



Fiction genre suitable for people of all ages. Everyone will find something interesting for themselves. Our electronic library is always at your service. Reading online free books without registration. Nowadays ebooks are convenient and efficient. After all, don’t forget: literature exists and develops largely thanks to readers.
The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » The Black Tulip by Alexandre Dumas (read the beginning after the end novel TXT) 📖

Book online «The Black Tulip by Alexandre Dumas (read the beginning after the end novel TXT) 📖». Author Alexandre Dumas



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Gryphus, will comprehend that it was hard for him to become reconciled to his son-in-law. He had not yet forgotten the blows which he had received in that famous encounter. To judge from the weals which he counted, their number, he said, amounted to forty-one; but at last, in order, as he declared, not to be less generous than his Highness the Stadtholder, he consented to make his peace.

Appointed to watch over the tulips, the old man made the rudest keeper of flowers in the whole of the Seven Provinces.

It was indeed a sight to see him watching the obnoxious moths and butterflies, killing slugs, and driving away the hungry bees.

As he had heard Boxtel’s story, and was furious at having been the dupe of the pretended Jacob, he destroyed the sycamore behind which the envious Isaac had spied into the garden; for the plot of ground belonging to him had been bought by Cornelius, and taken into his own garden.

Rosa, growing not only in beauty, but in wisdom also, after two years of her married life, could read and write so well that she was able to undertake by herself the education of two beautiful children which she had borne in 1674 and 1675, both in May, the month of flowers.

As a matter of course, one was a boy, the other a girl, the former being called Cornelius, the other Rosa.

Van Baerle remained faithfully attached to Rosa and to his tulips. The whole of his life was devoted to the happiness of his wife and the culture of flowers, in the latter of which occupations he was so successful that a great number of his varieties found a place in the catalogue of Holland.

The two principal ornaments of his drawing-room were those two leaves from the Bible of Cornelius de Witt, in large golden frames; one of them containing the letter in which his godfather enjoined him to burn the correspondence of the Marquis de Louvois, and the other his own will, in which he bequeathed to Rosa his bulbs under condition that she should marry a young man of from twenty-six to twenty-eight years, who loved her and whom she loved, a condition which was scrupulously fulfilled, although, or rather because, Cornelius did not die.

And to ward off any envious attempts of another Isaac Boxtel, he wrote over his door the lines which Grotius had, on the day of his flight, scratched on the walls of his prison:—

“Sometimes one has suffered so much that he has the right never to be able to say, ‘I am too happy.’”



End of Project Gutenberg’s The Black Tulip, by Alexandre Dumas (Pere)
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