Ardath by Marie Corelli (reading in the dark .txt) 📖

the odor of faint perfumes mingled with the fresher fragrance of flowers,—

there were distant glimpses of jewelled shrines, and the leering faces of grotesque idols clothed in draperies of amber, purple, and green,—and between the multitudinous columns that ringed the superb fane with snowy circles, one within the other, hung glittering lamps, set with rare gems and swinging by long chains of gold.

 

But the crowning splendor of the whole was concentrated on the place of the secret Inner Shrine. There an Arch of pale-blue fire spanned the dome from left to right, . . there, from huge bronze vessels mounted on tall tripods the smoke of burning incense arose in thick and odorous clouds,—there children clad in white, and wearing garlands of vivid scarlet blossoms, stood about in little groups as still as exquisitely modelled statuettes, their small hands folded, and their eyes downcast, . . there, the steps were strewn with branches of palm, flowering oleander, rose-laurel, and olive-sprays,—but the Sanctuary itself was not visible.

 

Before that Holy of Holies hung the dazzling folds of the “Silver Veil,” a curtain of the most wonderfully woven silver tissue, that seen in the flashing azure light of the luminous arch above it, resembled nothing so much as a suddenly frozen sheet of foam.

Across it was emblazoned in large characters: I AM THE PAST, THE PRESENT, THE FUTURE, THE MIGHT-HAVE-BEEN, AND THE SHALL-NOT-BE, THE EVER, AND THE NEVER,

 

NO MORTAL KNOWETH MY NAME.

 

As Theos with some difficulty, owing to the intense brilliancy of the Veil, managed to decipher these words, he heard a solitary trumpet sounded,—a clear-blown note that echoed itself many times among the lofty arches before it finally floated into silence.

Recognizing this as an evident signal for some new and important phase in the proceedings, he turned his eyes away from the place of the Shrine, and looking round the building was surprised to see how completely the vast area was filled with crowds upon crowds of silent and expectant people. It seemed as though not the smallest wedge could have been inserted between the shoulders of one man and another, yet where he stood with Sahluma there was plenty of room. The reason of this however was soon apparent,—they were in the place reserved for the King and the immediate officers of the Royal Household,—and scarcely had the sweet vibration of that clear trumpet-blast died away, when Zephoranim himself appeared, walking slowly and majestically in the midst of a select company of his nobles and courtiers.

 

He wore the simple white garb of an ordinary citizen of Al-Kyris, together with a silver belt and plain-sheathed dagger, . . not a jewel relieved the classic severity of his costume, and not even the merest fillet of gold in his rough dark hair denoted his royal rank. But the pride of precedence spoke in his flashing eyes,—the arrogance of authority in the self-conscious poise of his figure and haughtiness of his step,—his brows were knitted in something of a frown, and his face looked pale and slightly careworn. He spied out Sahluma at once and smiled kindly,—there was not a trace of coldness in his manner toward his favored minstrel, and Theos noted this with a curious sense of sudden consolation and encouragement. “Why should I have feared Zephoranim?” he thought.

“Sahluma has no greater friend, . . except myself! The King would be the last person in the world to do him any injury!”

 

Just then a magnificent burst of triumphal music rolled through the Temple,—the music of some mighty instrument, organ-like in sound, but several tones deeper than the grandest organ ever made, mingled with children’s voices singing. The King seated himself on a cushioned chair directly in front of the Silver Veil, . . Sahluma took a place at his right hand, giving Theos a low bench close beside him, while the various distinguished personages who had attended Zephoranim disposed themselves indifferently wherever they could find standing-room, only keeping as near to their monarch as they were able to do in the extreme pressure of so vast a congregation.

 

For now every available inch of space was occupied,—as far as eye could see there were rows upon rows of men and white-veiled women, . . Theos imagined there must have been more then five thousand people present. On went the huge pulsations of melody, surging through the incense-laden air like waves thudding incessantly on a rocky shore, and presently out of a side archway near the Sanctuary-steps came with slow and gliding noiselessness a band of priests, walking two by two, and carrying branches of palm. These were all clad in purple and crowned with ivy-wreaths, —they marched sedately, keeping their eyes lowered, while their lips moved constantly, as though they muttered inaudible incantations. Waving their palm-boughs to and fro, they paced along past the King and down the centre aisle of the Temple,—then turning, they came back again to the lowest step of the Shrine and there they all prostrated themselves, while the children who stood near the incense-burners flung fresh perfumes on the glowing embers and chanted the following recitative: “O Nagaya, great, everlasting and terrible!

Thou who dost wind thy coils of wisdom into the heart!

Thou, whose eyes, waking and sleeping, do behold all things!

Thou who art the joy of the Sun and the Master of Virgins!

Hear us, we beseech thee, when we call upon thy name!”

 

Their young treble voices were clear and piercing, and pealed up to the dome to fall again like the drops of distinct round melody from a lark’s singing-throat,—and when they ceased there came a short impressive pause. The Silver Veil quivered from end to end as though swayed by a faint wind, and the flaming Arch above turned from pale blue to a strange shimmering green. Then, in mellow unison, the kneeling priests intoned: “O thou who givest words of power to the dumb mouth of the soul in Hades; hear us, Nagaya!

O thou who openest the grave and givest peace to the heart; plead for us, Nagaya!

O thou who art companion of the Sun and controller of the East and of the West; comfort us, Nagaya!

 

Here they ended, and the children began again, not to chant but to sing.. a strange and tristful tune, wilder than any that vragrant winds could play on the strings of an aeolian lyre: “O Virgin of Virgins, Holy Maid, to what shall we resemble thee?

Chaste Daughter of the Sun, how shall we praise thy peerless beauty!

Thou art the Gate of the House of Stars!—thou art the first of the Seven Jewels of Nagaya!

Thou dost wield the sceptre of ebony, and the Eye of Raphon beholds thee with love and contentment!

Thou art the Chiefest of Women, … thou hast the secrets of earth and heaven, thou knowest the dark mysteries!

Hail, Lysia! Queen of the Hall of Judgment!

Hail, pure Pearl in the Sea of the Sun’s glory!

Declare unto us, we beseech thee, the Will of Nagaya!”

 

They closed this canticle softly and slowly, . . then flinging themselves prone, they pressed their faces to the earth, . . and again the glittering Veil waved to and fro suggestively, while Theos, his heart beating fast, watched its shining woof with straining eyes and a sense of suffocation in his throat, . . what ignorant fools, what mad barbarians, what blind blasphemers were these people, he indignantly thought, who could thus patiently hear the praise of an evil woman like Lysia publicly proclaimed with almost divine honors!

 

Did they actually intend to worship her, he wondered? If so, he at any rate would never bend the knee to one so vile! He might have done so once, perhaps, … but now …! At that instant a flute like murmur of melody crept upward as it seemed from the ground, with a plaintive whispering sweetness like the lament of some exiled fairy,—so exquisitely tender and pathetic, and yet withal so heart-stirring and passionate, that, despite himself, he listened with a strange, swooning sense of languor stealing insidiously over him,—a dreamy lassitude, that while it made him feel enervated and deprived of strength, was still not altogether unpleasing, . . a faint sigh escaped his lips,—and he kept his gaze fixed on the Silver Veil as pertinaciously as though behind it lay the mystery of his soul’s ruin or salvation.

 

How the light flashed on its shimmering folds like the rippling phosphorescence on southern seas! … as green and clear and brilliant as rays reflected from thousands and thousands of glistening emeralds! … And that haunting, sorrowful, weird music! … How it seemed to eat into his heart and there waken a bitter remorse combined with an equally bitter despair!

 

Once more the Veil moved, and this time it appeared to inflate itself in the fashion of a sail caught by a sudden breeze,—then it began to part in the middle very slowly and without sound.

Further and further back on each side it gradually receded, and … like a lily disclosed between folding leaves—a Figure, white, wonderful and angelically fair, shone out, the centre jewel of the stately shrine,—a shrine whose immense carven pillars, grotesque idols, bronze and gold ornaments, jewelled lamps and dazzling embroideries, only served as a sort of neutral-tinted background to intensify with a more lustrous charm the statuesque loveliness revealed! O Lysia, UNvirgined Priestess of the Sun and Nagaya, how gloriously art thou arrayed in sin! … O singular Sweetness whose end must needs be destruction, was ever woman fairer than thou!

… O love, love, lost in the dead Long-Ago, and drowned in the uttermost darkness of things evil, wilt thou drag my soul with thee again into everlasting night!

 

Thus Theos inwardly raved, without any real comprehension of his own thoughts, but only stricken anew by a feverish passion of mingled love and hatred as he stared on the witching sorceress whose marvellous beauty was such wonder and torture to his eyes, . .

what mattered it to him that King, Laureate, and people had all prostrated themselves before her in reverent humility? … HE knew her nature, . . he had fathomed her inborn wickedness, . . and though his senses were attracted by her, his spirit loathingly repelled her, . . he therefore remained seated stiffly upright, watching her with a sort of passive, immovable intentness. As she now appeared before him, her loveliness was absolutely and ideally perfect,—

she looked the embodiment of all grace,—the model of all chastity.

 

She stood quite still, . . her hands folded on her breast, . . her head slightly lifted, her dark eyes upturned, . . her unbound black hair streamed over her shoulders in loose glossy waves, and above her brows her diadem of serpents’ heads sparkled like a coronal of flame. Her robe was white, made of some silky shining stuff that glistened with soft pearly hues; it was gathered about her waist by a twisted golden girdle. Her arms were bare, decked as before with the small jewelled snakes that coiled upward from wrist to shoulder,—and when after a brief pause she unfolded her hands and raised them with a slow, majestic movement above her head, the great Symbolic Eye flared from her bosom like a darting coal, seeming to turn sinister glances on all sides as though on the search for some suspected foe.

 

Fortunately no one appeared to notice Theos’s deliberate non-observance of the homage due to her,—no one except.. Lysia, herself. She met the open defiance, scorn, and reluctant admiration of his glance, . . and a cold smile dawned on her features, . . a smile more dreadful in its very sweetness than any frown, . . then, turning away her beautiful, fathomless, slumberous eyes and still keeping her