Mary Marston by George MacDonald (early reader books TXT) 📖

those chapters. I wasn't even frightened at the awful things my father said about hell, and the certainty of our going there if we didn't lay hold upon the Saviour; for, all the time, he showed but such a ghost or cloud of a man that he called the Saviour as it wasn't possible to lay hold upon. Not that I reasoned about it that way then; I only felt no interest in the affair; and my conscience said nothing about it. But after my father and mother were gone, and I was at work away from all my old friends-well, I needn't trouble you with what it was that set me a-thinking-it was only a great disappointment, such as I suppose most young fellows have to go through-I shouldn't wonder," he added with a smile, "if that was what you ladies are sent into this world for-to take the conceit out of the likes of us, and give us something to think about. What came of it was, that I began to read my mother's big Testament in earnest, and then my conscience began to speak. Here was a man that said he was God's son, and sent by him to look after us, and we must do what he told us or we should never be able to see our Father in heaven! That's what I made out of it, miss. And my conscience said to me, that I must do as he said, seeing he had taken all that trouble, and come down to look after us. If he spoke the truth, and nobody could listen to him without being sure of that, there was nothing left but just to do the thing he said. So I set about getting a hold of anything he did say, and trying to do it. And then it was that I first began to be able to play on the fiddle, though I had been muddling away at it for a long time before. I knew I could play then, because I understood what it said to me, and got help out of it. I don't really mean that, you know, miss; for I know well enough that the fiddle in itself is nothing, and nothing is anything but the way God takes to teach us. And that's how I came to know you, miss."

"How do you mean that?" asked Mary.

"I used to be that frightened of Sister Ann that, after I came to London, I wouldn't have gone near her, but that I thought Jesus Christ would have me go; and, if I hadn't gone to see her, I should never have seen you. When I went to see her, I took my fiddle with me to take care of me; and, when she would be going on at me, I would just give my fiddle a squeeze under my arm, and that gave me patience."

"But we heard you playing to her, you know."

"That was because I always forgot myself while she was talking. The first time, I remember, it was from misery-what she was saying sounded so wicked, making God out not fit for any honest man to believe in. I began to play without knowing it, and it couldn't have been very loud, for she went on about the devil picking up the good seed sown in the heart. Off I went into that, and there I saw no end of birds with long necks and short legs gobbling up the corn. But, a little way off, there was the long beautiful stalks growing strong and high, waving in God's wind; and the birds did not go near them."

Mary drew a long breath, and said to herself:

"The man is a poet!"-"You're not afraid of your sister now?" she said to him.

"Not a bit," he answered. "Since I knew you, I feel as if we had in a sort of a way changed places, and she was a little girl that must be humored and made the best of. When she scolds, I laugh, and try to make a bit of fun with her. But she's always so sure she's right, that you wonder how the world got made before she was up."

They parted with the understanding that, when he came next, she should give him his first lesson in reading music. With herself Mary made merry at the idea of teaching the man of genius his letters.

But, when once, through trying to play with her one of his own pieces which she had learned from hearing him play it, he had discovered how imperative it was to keep good time, he set himself to the task with a determination that would have made anything of him that he was only half as fit to become as a musician.

When, however, in a short time, he was able to learn from notes, he grew so delighted with some of the music Mary got for him, entering into every nicety of severest law, and finding therein a better liberty than that of improvisation, that he ceased for long to play anything of his own, and Mary became mortally afraid lest, in developing the performer, she had ruined the composer.

"How can I go playing such loose, skinny things," he would say, "when here are such perfect shapes all ready to my hand!"

But Mary said to herself that, if these were shapes, his were odors.


CHAPTER XLV.

THE SAPPHIRE.


One morning, as Mary sat at her piano, Mewks was shown into the room. He brought the request from his master that she would go to him; he wanted particularly to see her. She did not much like it, neither did she hesitate.

She was shown into the room Mr. Redmain called his study, which communicated by a dressing-room with his bedroom. He was seated, evidently waiting for her.

"Ah, Miss Marston!" he said; "I have a piece of good news for you-so good that I thought I should like to give it you myself."

"You are very kind, sir," Mary answered.

"There!" he went on, holding out what she saw at once was the lost ring.

"I am so glad!" she said, and took it in her hand. "Where was it found?"

"There's the point!" he returned. "That is just why I sent for you! Can you suggest any explanation of the fact that it was found, after all, in a corner of my wife's jewel-box? Who searched the box last?"

"I do not know, sir."

"Did you search it?"

"No, sir. I offered to help Mrs. Redmain to look for the ring, but she said it was no use. Who found it, sir?"

"I will tell you who found it, if you will tell me who put it there."

"I don't know what you mean, sir. It must have been there all the time."

"That's the point again! Mrs. Redmain swears it was not, and could not have been, there when she looked for it. It is not like a small thing, you see. There is something mysterious about it."

He looked hard at Mary.

Now, Mary had very much admired the ring, as any one must who had an eye for stones; and had often looked at it-into the heart of it-almost loving it; and while they were talking now, she kept gazing at it. When Mr. Redmain ended, she stood silent. In her silence, her attention concentrated itself upon the sapphire. She stood long, looking closely at it, moving it about a little, and changing the direction of the light; and, while her gaze was on the ring, Mr. Redmain's gaze was on her, watching her with equal attention. At last, with a sigh, as if she waked from a reverie, she laid the ring on the table. But Mr. Redmain still stared in her face.

"Now what is it you've got in your head?" he said at last. "I have been watching you think for three minutes and a half, I do believe. Come, out with it!"

"Hardly think , sir," answered Mary. "I was only plaguing myself between my recollection of the stone and the actual look of it. It is so annoying to find what seemed a clear recollection prove a deceitful one! It may appear a presumptuous thing to say, but my recollection seems of a finer color."

While she spoke, she had again taken the ring, and was looking at it. Mr. Redmain snatched it from her hand.

"The devil!" he cried. "You haven't the face to hint that the stone has been changed?"

Mary laughed.

"Such a thing never came into my head, sir; but now that you have put it there, I could almost believe it."

"Go along with you!" he cried, casting at her a strange look which she could not understand, and the same moment pulling the bell hard.

That done, he began to examine the ring intently, as Mary had been doing, and did not speak a word. Mewks came.

"Show Miss Marston out," said his master; "and tell my coachman to bring the hansom round directly."

"For Miss Marston?" inquired Mewks, who had learned not a little cunning in the service.

"No!" roared Mr. Redmain; and Mewks darted from the room, followed more leisurely by Mary.

"I don't know what's come to master!" ventured Mewks, as he led the way down the stair.

But Mary took no notice, and left the house.

For about a week she heard nothing.

In the meantime Mr. Redmain had been prosecuting certain inquiries he had some time ago begun, and another quite new one besides. He was acquainted with many people of many different sorts, and had been to jewelers and pawnbrokers, gamblers and lodging-house keepers, and had learned some things to his purpose.

Once more Mary received from him a summons, and once more, considerably against her liking, obeyed. She was less disinclined to go this time, however, for she felt not a little curious about the ring.

"I want you to come back to the house," he said, abruptly, the moment she entered his room.

For such a request Mary was not prepared. Even since the ring was found, so long a time had passed that she never expected to hear from the house again. But Tom was now so much better, and Letty so much like her former self, that, if Mrs. Redmain had asked her, she might perhaps have consented.

"Mr. Redmain," she answered, "you must see that I can not do so at your desire."

"Oh, rubbish! humbug!" he returned, with annoyance. "Don't fancy I am asking you to go fiddle-faddling about my wife again: I don't see how you can do that, after the way she has used you! But I have reasons for wanting to have you within call. Go to Mrs. Perkin. I won't take a refusal."

"I can not do it, Mr. Redmain," said Mary; "the thing is impossible." And she turned to leave the room.

"Stop, stop!" cried Mr. Redmain, and jumped from his chair to prevent her.

He would not have succeeded had not Mewks met her in the doorway full in the face. She had to draw back to avoid him, and the man, perceiving at once how things were, closed the door the moment he entered, and stood with his back against it.

"He's in the drawing-room, sir," said Mewks.

A scarcely perceptible sign of question was made by the master, and answered in kind by the man.

"Show him here directly," said