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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » The Bravo by James Fenimore Cooper (great books of all time .TXT) 📖

Book online «The Bravo by James Fenimore Cooper (great books of all time .TXT) 📖». Author James Fenimore Cooper



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shop if the intercourse with this fellow can be fairly settled."

Annina hesitated; long practised in the small, but secret exceedingly hazardous commerce which her father, notwithstanding the vigilance and severity of the Venetian police, had thus far successfully driven, she neither liked to risk an exposure of her views to an utter stranger, nor to abandon a bargain that promised to be lucrative. That Gino trifled with her as to his true errand needed no confirmation, since a servant of the Duke of Sant' Agata was not likely to need a disguise to search a priest; but she knew his zeal for her personal welfare too well to distrust his faith in a matter that concerned her own safety.

"If thou distrust that any here are the spies of the authorities," she observed to the padrone, with a manner that readily betrayed her wishes, "it will be in Gino's power to undeceive thee. Thou wilt testify, Gino, that I am not to be suspected of treachery in an affair like this."

"Leave me to put a word into the private ear of the Calabrian," said the gondolier, significantly.--"Stefano Milano, if thou love me," he continued, when they were a little apart, "keep the girl in parley, and treat with her fairly for thy adventure."

"Shall I sell the vintage of Don Camillo, or that of the Viceroy of Sicily, caro? There is as much wine of each on board the Bella Sorrentina, as would float the fleet of the Republic."

"If, in truth, thou art dry, then feign that thou hast it, and differ in thy prices. Entertain her but a minute with fair words, while I can get unseen into my gondola; and then, for the sake of an old and tried friend, put her tenderly on the quay, in the best manner thou art able."

"I begin to see into the nature of the trade," returned the pliant padrone, placing a finger on the side of his nose. "I will discourse the woman by the hour about the flavor of the liquor, or, if thou wilt, of her own beauty; but to squeeze a drop of anything better than the water of the Lagunes out of the ribs of the felucca, would be a miracle worthy of San Teodoro."

"There is but little need to touch on aught but the quality of thy wine. The girl is not like most of her sex, and she takes sudden offence when there is question of her appearance. Indeed, the mask she wears is as much to hide a face that has little to tempt the eye, as from any wish at concealment."

"Since Gino has entered frankly into the matter," resumed the quick-witted Calabrian, cheerfully, and with an air of sudden confidence to the expectant Annina, "I begin to see more probability of our understanding each other's meaning. Deign, bella donna, to go into my poor cabin, where we will speak more at our ease, and something more to our mutual profit and mutual security."

Annina was not without secret doubts, but she suffered the padrone to lead her to the stairs of the cabin, as if she were disposed to descend. Her back was no sooner turned, than Gino slid into the gondola, which one shove of his vigorous arm sent far beyond the leap of man. The action was sudden, rapid, and noiseless; but the jealous eye of Annina detected the escape of the gondolier, though not in time to prevent it. Without betraying uneasiness, she submitted to be led below, as if the whole were done by previous concert.

"Gino has said that you have a boat which will do the friendly office to put me on the quay when our conference is over," she remarked, with a presence of mind that luckily met the expedient of her late companion.

"The felucca itself should do that much, were there want of other means," gallantly returned the manner when they disappeared in the cabin.

Free to discharge his duty, Gino now plied his task with redoubled zeal. The light boat glided among the vessels, inclining, by the skilful management of his single oar, in a manner to avoid all collision, until it entered the narrow canal which separates the palace of the Doge from the more beautiful and classic structure that contains the prisons of the Republic. The bridge which continues the communication of the quays, was first passed, and then he was stealing beneath that far-famed arch which supports a covered gallery leading from the upper story of the palace into that of the prisons, and which, from its being appropriated to the passage of the accused from their cells to the presence of their judges, has been so poetically, and it may be added so pathetically, called the Bridge of Sighs.

The oar of Gino now relaxed its efforts, and the gondola approached a flight of steps over which, as usual, the water cast its little waves. Stepping on the lowest flag, he thrust a small iron spike to which a cord was attached, into a crevice between two of the stones, and left his boat to the security of this characteristic fastening. When this little precaution was observed, the gondolier passed up lightly beneath the massive arch of the water-gate of the palace, and entered its large but gloomy court.

At that hour, and with the temptation of the gay scene which offered in the adjoining square, the place was nearly deserted. A single female water-carrier was at the well, waiting for the element to filter into its basin, in order to fill her buckets, while her ear listened in dull attention to the hum of the moving crowd without. A halberdier paced the open gallery at the head of the Giant's Stairs, and, here and there, the footfall of other sentinels might be heard among the hollow and ponderous arches of the long corridors. No light was shed from the windows; but the entire building presented a fit emblem of that mysterious power which was known to preside over the fortunes of Venice and her citizens. Ere Gino trusted himself without the shadow of the passage by which he had entered, two or three curious faces had appeared at the opposite entrance of the court, where they paused a moment to gaze at the melancholy and imposing air of the dreaded palace, before they vanished in the throng which trifled in the immediate proximity of that secret and ruthless tribunal, as man riots in security even on the verge of an endless and unforeseen future.

Disappointed in his expectation of meeting him he sought, on the instant, the gondolier advanced, and taking courage by the possibility of his escaping altogether from the interview, he ventured to furnish audible evidence of his presence by a loud hem. At that instant a figure glided into the court from the side of the quay, and walked swiftly towards its centre. The heart of Gino beat violently, but he mustered resolution to meet the stranger. As they drew near each other, it became evident, by the light of the moon, which penetrated even to that gloomy spot, that the latter was also masked.

"San Teodoro and San Marco have you in mind!" commenced the gondolier. "If I mistake not, you are the man I am sent to meet."

The stranger started, and first manifesting an intention to pass on quickly, he suddenly arrested the movement to reply.

"This may be so or not. Unmask, that I may judge by thy countenance if what thou sayest be true."

"By your good leave, most worthy and honorable Signore, and if it be equally agreeable to you and my master, I would choose to keep off the evening air by this bit of pasteboard and silk."

"Here are none to betray thee, wert thou naked as at thy birth. Unless certain of thy character, in what manner may I confide in thy honesty?"

"I have no distrust of the virtues of an undisguised face, Signore, and therefore do I invite you, yourself, to exhibit what nature has done for you in the way of features, that I, who am to make the confidence, be sure it be to the right person."

"This is well, and gives assurance of thy prudence. I may not unmask, however; and as there seemeth little probability of our coming to an understanding, I will go my way. A most happy night to thee."

"Cospetto!--Signore, you are far too quick in your ideas and movements for one little used to negotiations of this sort. Here is a ring whose signet may help us to understand each other."

The stranger took the jewel, and holding the stone in a manner to receive the light of the moon, he started in a manner to betray both surprise and pleasure.

"This is the falcon crest of the Neapolitan--he that is the lord of Sant' Agata!"

"And of many other fiefs, good Signore, to say nothing of the honors he claims in Venice. Am I right in supposing my errand with you?"

"Thou hast found one whose present business has no other object than Don Camillo Monforte. But thy errand was not solely to exhibit the signet?"

"So little so, that I have a packet here which waits only for a certainty of the person with whom I speak, to be placed into his hands."

The stranger mused a moment; then glancing a look about him, he answered hurriedly--

"This is no place to unmask, friend, even though we only wear our disguises in pleasantry. Tarry here, and at my return I will conduct thee to a more fitting spot."

The words were scarcely uttered when Gino found himself standing in the middle of the court alone. The masked stranger had passed swiftly on, and was at the bottom of the Giant's Stairs ere the gondolier had time for reflection. He ascended with a light and rapid step, and without regarding the halberdier, he approached the first of three or four orifices which opened into the wall of the palace, and which, from the heads of the animal being carved in relief around them, had become famous as the receptacles of secret accusations under the name of the Lion's Mouths. Something he dropped into the grinning aperture of the marble, though what, the distance and the obscurity of the gallery prevented Gino from perceiving; and then his form was seen gliding like a phantom down the flight of massive steps.

Gino had retired towards the arch of the water-gate, in expectation that the stranger would rejoin him within its shadows; but, to his great alarm, he saw the form darting through the outer portal of the palace into the square of St. Mark. It was not a moment ere Gino, breathless with haste, was in chase. On reaching the bright and gay scene of the piazza, which contrasted with the gloomy court he had just quitted like morning with night, he saw the utter fruitlessness of further pursuit. Frightened at the loss of his master's signet, however, the indiscreet but well intentioned gondolier rushed into the crowd, and tried in vain to select the delinquent from among a thousand masks.

"Harkee, Signore," uttered the half-distracted gondolier to one, who, having first examined his person with distrust, evidently betrayed a wish to avoid him, "if thou hast sufficiently pleased thy finger with my master's signet, the occasion offers to return it."

"I know thee not," returned a voice, in which Gino's ear could detect no familiar sound.

"It may not be well to trifle with the displeasure of a noble as powerful as him, you know," he whispered at the elbow of another, who had come
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