Pierrette by Honoré de Balzac (best novel books to read TXT) 📖

was a large cupboard containing linen. All was clean, new, and horribly sharp in tone. However, I admit the dining-room; it has some character, though disagreeable; it represents that of the masters of the house. But there is no enduring the five engravings that hang on the walls; the Minister of the Interior ought really to frame a law against them. One was Poniatowski jumping into the Elster; the others, Napoleon pointing a cannon, the defence at Clichy, and the two Mazepas, all in gilt frames of the vulgarest description,--fit to carry off the prize of disgust. Oh! how much I prefer Madame Julliard's pastels of fruit, those excellent Louis XV. pastels, which are in keeping with the old dining-room and its gray panels,--defaced by age, it is true, but they possess the true provincial characteristics that go well with old family silver, precious china, and our simple habits. The provinces are provinces; they are only ridiculous when they mimic Paris. I prefer this old salon of my husband's forefathers, with its heavy curtains of green and white damask, the Louis XV. mantelpiece, the twisted pier-glasses, the old mirrors with their beaded mouldings, and the venerable card tables. Yes, I prefer my old Sevres vases in royal blue, mounted on copper, my clock with those impossible flowers, that rococco chandelier, and the tapestried furniture, to all the finery of the Rogron salon."

"What is the salon like?" said Monsieur Martener, delighted with the praise the handsome Parisian bestowed so adroitly on the provinces.

"As for the salon, it is all red,--the red Mademoiselle Sylvie turns when she loses at cards."

"Sylvan-red," said Monsieur Tiphaine, whose sparkling saying long remained in the vocabulary of Provins.

"Window-curtains, red; furniture, red; mantelpiece, red, veined yellow, candelabra and clock ditto mounted on bronze, common and heavy in design,--Roman standards with Greek foliage! Above the clock is that inevitable good-natured lion which looks at you with a simper, the lion of ornamentation, with a big ball under his feet, symbol of the decorative lion, who passes his life holding a black ball,--exactly like a deputy of the Left. Perhaps it is meant as a constitutional myth. The face of the clock is curious. The glass over the chimney is framed in that new fashion of applied mouldings which is so trumpery and vulgar. From the ceiling hangs a chandelier carefully wrapped in green muslin, and rightly too, for it is in the worst taste, the sharpest tint of bronze with hideous ornaments. The walls are covered with a red flock paper to imitate velvet enclosed in panels, each panel decorated with a chromo-lithograph in one of those frames festooned with stucco flowers to represent wood-carving. The furniture, in cashmere and elm-wood, consists, with classic uniformity, of two sofas, two easy-chairs, two armchairs, and six common chairs. A vase in alabaster, called a la Medicis, kept under glass stands on a table between the windows; before the windows, which are draped with magnificent red silk curtains and lace curtains under them, are card-tables. The carpet is Aubusson, and you may be sure the Rogrons did not fail to lay hands on that most vulgar of patterns, large flowers on a red ground. The room looks as if no one ever lived there; there are no books, no engravings, none of those little knick-knacks we all have lying about," added Madame Tiphaine, glancing at her own table covered with fashionable trifles, albums, and little presents given to her by friends; "and there are no flowers,--it is all cold and barren, like Mademoiselle Sylvie herself. Buffon says the style is the man, and certainly salons have styles of their own."

From this sketch everybody can see the sort of house the brother and sister lived in, though they can never imagine the absurdities into which a clever builder dragged the ignorant pair,--new inventions, fantastic ornaments, a system for preventing smoky chimneys, another for preventing damp walls; painted marquetry panels on the staircase, colored glass, superfine locks,--in short, all those vulgarities which make a house expensive and gratify the bourgeois taste.

No one chose to visit the Rogrons, whose social plans thus came to nothing. Their invitations were refused under various excuses,--the evenings were already engaged to Madame Garceland and the other ladies of the Provins world. The Rogrons had supposed that all that was required to gain a position in society was to give a few dinners. But no one any longer accepted them, except a few young men who went to make fun of their host and hostess, and certain diners-out who went everywhere.

Frightened at the loss of forty thousand francs swallowed up without profit in what she called her "dear house," Sylvie now set to work to recover it by economy. She gave no more dinners, which had cost her forty or fifty francs without the wines, and did not fulfil her social hopes, hopes that are as hard to realize in the provinces as in Paris. She sent away her cook, took a country-girl to do the menial work, and did her own cooking, as she said, "for pleasure."

Fourteen months after their return to Provins, the brother and sister had fallen into a solitary and wholly unoccupied condition. Their banishment from society roused in Sylvie's heart a dreadful hatred against the Tiphaines, Julliards and all the other members of the social world of Provins, which she called "the clique," and with whom her personal relations became extremely cold. She would gladly have set up a rival clique, but the lesser bourgeoisie was made up of either small shopkeepers who were only free on Sundays and fete-days, or smirched individuals like the lawyer Vinet and Doctor Neraud, and wholly inadmissible Bonapartists like Baron Gouraud, with whom, however, Rogron thoughtlessly allied himself, though the upper bourgeoisie had warned him against them.

The brother and sister were, therefore, forced to sit by the fire of the stove in the dining-room, talking over their former business, trying to recall the faces of their customers and other matters they had intended to forget. By the end of the second winter ennui weighed heavily on them. They did not know how to get through each day; sometimes as they went to bed the words escaped them, "There's another over!" They dragged out the morning by staying in bed, and dressing slowly. Rogron shaved himself every day, examined his face, consulted his sister on any changes he thought he saw there, argued with the servant about the temperature of his hot water, wandered into the garden, looked to see if the shrubs were budding, sat at the edge of the water where he had built himself a kiosk, examined the joinery of his house,--had it sprung? had the walls settled, the panels cracked? or he would come in fretting about a sick hen, and complaining to his sister, who was nagging the servant as she set the table, of the dampness which was coming out in spots upon the plaster. The barometer was Rogron's most useful bit of property. He consulted it at all hours, tapped it familiarly like a friend, saying: "Vile weather!" to which his sister would reply, "Pooh! it is only seasonable." If any one called to see him the excellence of that instrument was his chief topic of conversation.

Breakfast took up some little time; with what deliberation those two human beings masticated their food! Their digestions were perfect; cancer of the stomach was not to be dreaded by them. They managed to get along till twelve o'clock by reading the "Bee-hive" and the "Constitutionnel." The cost of subscribing to the Parisian paper was shared by Vinet the lawyer, and Baron Gouraud. Rogron himself carried the paper to Gouraud, who had been a colonel and lived on the square, and whose long yarns were Rogron's delight; the latter sometimes puzzled over the warnings he had received, and asked himself how such a lively companion could be dangerous. He was fool enough to tell the colonel he had been warned against him, and to repeat all the "clique" had said. God knows how the colonel, who feared no one, and was equally to be dreaded with pistols or a sword, gave tongue about Madame Tiphaine and her Amadis, and the ministerialists of the Upper town, persons capable of any villany to get places, and who counted the votes at elections to suit themselves, etc.

About two o'clock Rogron started for a little walk. He was quite happy if some shopkeeper standing on the threshold of his door would stop him and say, "Well, pere Rogron, how goes it with _you_?" Then he would talk, and ask for news, and gather all the gossip of the town. He usually went as far as the Upper town, sometimes to the ravines, according to the weather. Occasionally he would meet old men taking their walks abroad like himself. Such meetings were joyful events to him. There happened to be in Provins a few men weary of Parisian life, quiet scholars who lived with their books. Fancy the bewilderment of the ignorant Rogron when he heard a deputy-judge named Desfondrilles, more of an archaeologist than a magistrate, saying to old Monsieur Martener, a really learned man, as he pointed to the valley:--

"Explain to me why the idlers of Europe go to Spa instead of coming to Provins, when the springs here have a superior curative value recognized by the French faculty,--a potential worthy of the medicinal properties of our roses."

"That is one of the caprices of caprice," said the old gentleman. "Bordeaux wine was unknown a hundred years ago. Marechal de Richelieu, one of the noted men of the last century, the French Alcibiades, was appointed governor of Guyenne. His lungs were diseased, and, heaven knows why! the wine of the country did him good and he recovered. Bordeaux instantly made a hundred millions; the marshal widened its territory to Angouleme, to Cahors,--in short, to over a hundred miles of circumference! it is hard to tell where the Bordeaux vineyards end. And yet they haven't erected an equestrian statue to the marshal in Bordeaux!"

"Ah! if anything of that kind happens to Provins," said Monsieur Desfondrilles, "let us hope that somewhere in the Upper or Lower town they will set up a bas-relief of the head of Monsieur Opoix, the re-discoverer of the mineral waters of Provins."

"My dear friend, the revival of Provins is impossible," replied Monsieur Martener; "the town was made bankrupt long ago."

"What!" cried Rogron, opening his eyes very wide.

"It was once a capital, holding its own against Paris in the twelfth century, when the Comtes de Champagne held their court here, just as King Rene held his in Provence," replied the man of learning; "for in those days civilization, gaiety, poesy, elegance, and women, in short all social splendors, were not found exclusively in Paris. It is as difficult for towns and cities as it is for commercial houses to recover from ruin. Nothing is left to us of the old Provins but the fragrance of our historical glory and that of our roses,--and a sub-prefecture!"

"Ah! what mightn't France be if she had only preserved her feudal capitals!" said Desfondrilles. "Can sub-prefects replace the poetic, gallant, warlike race of the Thibaults who made Provins what Ferrara was to Italy, Weimar to Germany,--what Munich is trying to be to-day."

"Was Provins ever a capital?" asked Rogron.

"Why! where do you come from?" exclaimed the archaeologist. "Don't you know," he added, striking the ground of the Upper town where they stood with his cane, "don't you know that the whole of this part of Provins is built on catacombs?"

"Catacombs?"

"Yes, catacombs, the extent and height of which are yet undiscovered. They are like the naves of cathedrals, and there are pillars