The Old Wives' Tale by Arnold Bennett (thriller books to read .TXT) đ
- Author: Arnold Bennett
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âHe seems to be fast asleep. Iâd better not disturb him.â
âBut suppose he wants something in the night?â
âWell, child, I should hear him moving. Sleepâs the best thing for him.â
Mrs. Baines left Mr. Povey to the effects of laudanum, and came along the corridor. She was a stout woman, all black stuff and gold chain, and her skirt more than filled the width of the corridor. Sophia watched her habitual heavy mounting gesture as she climbed the two steps that gave variety to the corridor. At the gas-jet she paused, and, putting her hand to the tap, gazed up into the globe.
âWhereâs Sophia?â she demanded, her eyes fixed on the gas as she lowered the flame.
âI think she must be in bed, mother,â said Constance, nonchalantly.
The returned mistress was point by point resuming knowledge and control of that complicated machineâher household.
Then Constance and her mother disappeared into the bedroom, and the door was shut with a gentle, decisive bang that to the silent watcher on the floor above seemed to create a special excluding intimacy round about the figures of Constance and her father and mother. The watcher wondered, with a little prick of jealousy, what they would be discussing in the large bedroom, her fatherâs beard wagging feebly and his long arms on the counterpane, Constance perched at the foot of the bed, and her mother walking to and fro, putting her cameo brooch on the dressing-table or stretching creases out of her gloves. Certainly, in some subtle way, Constance had a standing with her parents which was more confidential than Sophiaâs.
III
When Constance came to bed, half an hour later, Sophia was already in bed. The room was fairly spacious. It had been the girlsâ retreat and fortress since their earliest years. Its features seemed to them as natural and unalterable as the features of a cave to a cave-dweller. It had been repapered twice in their lives, and each papering stood out in their memories like an epoch; a third epoch was due to the replacing of a drugget by a resplendent old carpet degraded from the drawingroom. There was only one bed, the bedstead being of painted iron; they never interfered with each other in that bed, sleeping with a detachment as perfect as if they had slept on opposite sides of St. Lukeâs Square; yet if Constance had one night lain down on the half near the window instead of on the half near the door, the secret nature of the universe would have seemed to be altered. The small fire-grate was filled with a mass of shavings of silver paper; now the rare illnesses which they had suffered were recalled chiefly as periods when that silver paper was crammed into a large slipper-case which hung by the mantelpiece, and a fire of coals unnaturally reigned in its placeâthe silver paper was part of the order of the world. The sash of the window would not work quite properly, owing to a slight subsidence in the wall, and even when the window was fastened there was always a narrow slit to the left hand between the window and its frame; through this slit came draughts, and thus very keen frosts were remembered by the nights when Mrs. Baines caused the sash to be forced and kept at its full height by means of wedgesâthe slit of exposure was part of the order of the world.
They possessed only one bed, one washstand, and one dressing-table; but in some other respects they were rather fortunate girls, for they had two mahogany wardrobes; this mutual independence as regards wardrobes was due partly to Mrs. Bainesâs strong commonsense, and partly to their fatherâs tendency to spoil them a little. They had, moreover, a chest of drawers with a curved front, of which structure Constance occupied two short drawers and one long one, and Sophia two long drawers. On it stood two fancy work-boxes, in which each sister kept jewellery, a savings-bank book, and other treasures, and these boxes were absolutely sacred to their respective owners. They were different, but one was not more magnificent than the other. Indeed, a rigid equality was the rule in the chamber, the single exception being that behind the door were three hooks, of which Constance commanded two.
âWell,â Sophia began, when Constance appeared. âHowâs darling Mr. Povey?â She was lying on her back, and smiling at her two hands, which she held up in front of her.
âAsleep,â said Constance. âAt least mother thinks so. She says sleep is the best thing for him.â
ââIt will probably come on again,ââ said Sophia.
âWhatâs that you say?â Constance asked, undressing.
ââIt will probably come on again.ââ
These words were a quotation from the utterances of darling Mr. Povey on the stairs, and Sophia delivered them with an exact imitation of Mr. Poveyâs vocal mannerism.
âSophia,â said Constance, firmly, approaching the bed, âI wish you wouldnât be so silly!â She had benevolently ignored the satirical note in Sophiaâs first remark, but a strong instinct in her rose up and objected to further derision. âSurely youâve done enough for one day!â she added.
For answer Sophia exploded into violent laughter, which she made no attempt to control. She laughed too long and too freely while Constance stared at her.
âI donât know whatâs come over you!â said Constance.
âItâs only because I canât look at it without simply going off into fits!â Sophia gasped out. And she held up a tiny object in her left hand.
Constance started, flushing. âYou donât mean to say youâve kept it!â she protested earnestly. âHow horrid you are, Sophia! Give it me at once and let me throw it away. I never heard of such doings. Now give it me!â
âNo,â Sophia objected, still laughing. âI wouldnât part with it for worlds. Itâs too lovely.â
She had laughed away all her secret resentment against Constance for having ignored her during the whole evening and for being on such intimate terms with their parents. And she was ready to be candidly jolly with Constance.
âGive it me,â said Constance, doggedly.
Sophia hid her hand under the clothes. âYou can have his old stump, when it comes out, if you like. But not this. What a pity itâs the wrong one!â
âSophia, Iâm ashamed of you! Give it me.â
Then it was that Sophia first perceived Constanceâs extreme seriousness. She was surprised and a little intimidated by it. For the expression of Constanceâs face, usually so benign and calm, was harsh, almost fierce. However, Sophia had a great deal of what is called âspirit,â and not even ferocity on the face of mild Constance could intimidate her for more than a few seconds. Her gaiety expired and her teeth were hidden.
âIâve said nothing to motherââ Constance proceeded.
âI should hope you havenât,â Sophia put in tersely.
âBut I certainly shall if you donât throw that away,â Constance finished.
âYou can say what you like,â Sophia retorted, adding contemptuously a term of opprobrium which has long since passed out of use: âCant!â
âWill you give it me or wonât you?â
âNo!â
It was a battle suddenly engaged in the bedroom. The atmosphere had altered completely with the swiftness of magic. The beauty of Sophia, the angelic tenderness of Constance, and the youthful, naive, innocent charm of both of them, were transformed into something sinister and cruel. Sophia lay back on the pillow amid her dark-brown hair, and gazed with relentless defiance into the angry eyes of Constance, who stood threatening by the bed. They could hear the gas singing over the dressing-table, and their hearts beating the blood wildly in their veins. They ceased to be young without growing old; the eternal had leapt up in them from its sleep.
Constance walked away from the bed to the dressing-table and began to loose her hair and brush it, holding back her head, shaking it, and bending forward, in the changeless gesture of that rite. She was so disturbed that she had unconsciously reversed the customary order of the toilette. After a moment Sophia slipped out of bed and, stepping with her bare feet to the chest of drawers, opened her work-box and deposited the fragment of Mr. Povey therein; she dropped the lid with an uncompromising bang, as if to say, âWe shall see if I am to be trod upon, miss!â Their eyes met again in the looking-glass. Then Sophia got back into bed.
Five minutes later, when her hair was quite finished, Constance knelt down and said her prayers. Having said her prayers, she went straight to Sophiaâs work-box, opened it, seized the fragment of Mr. Povey, ran to the window, and frantically pushed the fragment through the slit into the Square.
âThere!â she exclaimed nervously.
She had accomplished this inconceivable transgression of the code of honour, beyond all undoing, before Sophia could recover from the stupefaction of seeing her sacred work-box impudently violated. In a single moment one of Sophiaâs chief ideals had been smashed utterly, and that by the sweetest, gentlest creature she had ever known. It was a revealing experience for Sophiaâand also for Constance. And it frightened them equally. Sophia, staring at the text, âThou God seest me,â framed in straw over the chest of drawers, did not stir. She was defeated, and so profoundly moved in her defeat that she did not even reflect upon the obvious inefficacy of illuminated texts as a deterrent from evil-doing. Not that she eared a fig for the fragment of Mr. Povey! It was the moral aspect of the affair, and the astounding, inexplicable development in Constanceâs character, that staggered her into silent acceptance of the inevitable.
Constance, trembling, took pains to finish undressing with dignified deliberation. Sophiaâs behaviour under the blow seemed too good to be true; but it gave her courage. At length she turned out the gas and lay down by Sophia. And there was a little shuffling, and then stillness for a while.
âAnd if you want to know,â said Constance in a tone that mingled amicableness with righteousness, âmotherâs decided with Aunt Harriet that we are BOTH to leave school next term.â
I
The day sanctioned by custom in the Five Towns for the making of pastry is Saturday. But Mrs. Baines made her pastry on Friday, because Saturday afternoon was, of course, a busy time in the shop. It is true that Mrs. Baines made her pastry in the morning, and that Saturday morning in the shop was scarcely different from any other morning. Nevertheless, Mrs. Baines made her pastry on Friday morning instead of Saturday morning because Saturday afternoon was a busy time in the shop. She was thus free to do her marketing without breath-taking flurry on Saturday morning.
On the morning after Sophiaâs first essay in dentistry, therefore, Mrs. Baines was making her pastry in the underground kitchen. This kitchen, Maggieâs cavern-home, had the mystery of a church, and on dark days it had the mystery of a crypt. The stone steps leading down to it from the level of earth were quite unlighted. You felt for them with the feet of faith, and when you arrived in the kitchen, the kitchen, by contrast, seemed luminous and gay; the architect may have considered and intended this effect of the staircase. The kitchen saw day through a wide, shallow window whose top touched the ceiling and whose bottom had been out of the girlsâ reach until long after they
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