The Uncommercial Traveller by Charles Dickens (best e reader for epub TXT) 📖
- Author: Charles Dickens
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We began at half-past six with a pantomime—with a pantomime so long, that before it was over I felt as if I had been travelling for six weeks—going to India, say, by the Overland Mail. The Spirit of Liberty was the principal personage in the Introduction, and the Four Quarters of the World came out of the globe, glittering, and discoursed with the Spirit, who sang charmingly.
We were delighted to understand that there was no liberty anywhere but among ourselves, and we highly applauded the agreeable fact.
In an allegorical way, which did as well as any other way, we and the Spirit of Liberty got into a kingdom of Needles and Pins, and found them at war with a potentate who called in to his aid their old arch enemy Rust, and who would have got the better of them if the Spirit of Liberty had not in the nick of time transformed the leaders into Clown, Pantaloon, Harlequin, Columbine, Harlequina, and a whole family of Sprites, consisting of a remarkably stout father and three spineless sons. We all knew what was coming when the Spirit of Liberty addressed the king with a big face, and His Majesty backed to the side-scenes and began untying himself behind, with his big face all on one side. Our excitement at that crisis was great, and our delight unbounded. After this era in our existence, we went through all the incidents of a pantomime; it was not by any means a savage pantomime, in the way of burning or boiling people, or throwing them out of window, or cutting them up; was often very droll; was always liberally got up, and cleverly presented. I noticed that the people who kept the shops, and who represented the passengers in the thoroughfares, and so forth, had no conventionality in them, but were unusually like the real thing-
-from which I infer that you may take that audience in (if you wish to) concerning Knights and Ladies, Fairies, Angels, or such like, but they are not to be done as to anything in the streets. I noticed, also, that when two young men, dressed in exact imitation of the eel-and-sausage-cravated portion of the audience, were chased by policemen, and, finding themselves in danger of being caught, dropped so suddenly as to oblige the policemen to tumble over them, there was great rejoicing among the caps—as though it were a delicate reference to something they had heard of before.
The Pantomime was succeeded by a MeloDrama. Throughout the evening I was pleased to observe Virtue quite as triumphant as she usually is out of doors, and indeed I thought rather more so. We all agreed (for the time) that honesty was the best policy, and we were as hard as iron upon Vice, and we wouldn’t hear of Villainy getting on in the world—no, not on any consideration whatever.
Between the pieces, we almost all of us went out and refreshed.
Many of us went the length of drinking beer at the bar of the neighbouring public-house, some of us drank spirits, crowds of us had sandwiches and ginger-beer at the refreshment-bars established for us in the Theatre. The sandwich—as substantial as was consistent with portability, and as cheap as possible—we hailed as one of our greatest institutions. It forced its way among us at all stages of the entertainment, and we were always delighted to see it; its adaptability to the varying moods of our nature was surprising; we could never weep so comfortably as when our tears fell on our sandwich; we could never laugh so heartily as when we choked with sandwich; Virtue never looked so beautiful or Vice so deformed as when we paused, sandwich in hand, to consider what would come of that resolution of Wickedness in boots, to sever Innocence in flowered chintz from Honest Industry in striped stockings. When the curtain fell for the night, we still fell back upon sandwich, to help us through the rain and mire, and home to bed.
This, as I have mentioned, was Saturday night. Being Saturday night, I had accomplished but the half of my uncommercial journey; for, its object was to compare the play on Saturday evening with the preaching in the same Theatre on Sunday evening.
Therefore, at the same hour of half-past six on the similarly damp and muddy Sunday evening, I returned to this Theatre. I drove up to the entrance (fearful of being late, or I should have come on foot), and found myself in a large crowd of people who, I am happy to state, were put into excellent spirits by my arrival. Having nothing to look at but the mud and the closed doors, they looked at me, and highly enjoyed the comic spectacle. My modesty inducing me to draw off, some hundreds of yards, into a dark corner, they at once forgot me, and applied themselves to their former occupation of looking at the mud and looking in at the closed doors: which, being of grated ironwork, allowed the lighted passage within to be seen. They were chiefly people of respectable appearance, odd and impulsive as most crowds are, and making a joke of being there as most crowds do.
In the dark corner I might have sat a long while, but that a very obliging passer-by informed me that the Theatre was already full, and that the people whom I saw in the street were all shut out for want of room. After that, I lost no time in worming myself into the building, and creeping to a place in a Proscenium box that had been kept for me.
There must have been full four thousand people present. Carefully estimating the pit alone, I could bring it out as holding little less than fourteen hundred. Every part of the house was well filled, and I had not found it easy to make my way along the back of the boxes to where I sat. The chandeliers in the ceiling were lighted; there was no light on the stage; the orchestra was empty.
The green curtain was down, and, packed pretty closely on chairs on the small space of stage before it, were some thirty gentlemen, and two or three ladies. In the centre of these, in a desk or pulpit covered with red baize, was the presiding minister. The kind of rostrum he occupied will be very well understood, if I liken it to a boarded-up fireplace turned towards the audience, with a gentleman in a black surtout standing in the stove and leaning forward over the mantelpiece.
A portion of Scripture was being read when I went in. It was followed by a discourse, to which the congregation listened with most exemplary attention and uninterrupted silence and decorum. My own attention comprehended both the auditory and the speaker, and shall turn to both in this recalling of the scene, exactly as it did at the time.
‘A very difficult thing,’ I thought, when the discourse began, ‘to speak appropriately to so large an audience, and to speak with tact. Without it, better not to speak at all. Infinitely better, to read the New Testament well, and to let THAT speak. In this congregation there is indubitably one pulse; but I doubt if any power short of genius can touch it as one, and make it answer as one.’
I could not possibly say to myself as the discourse proceeded, that the minister was a good speaker. I could not possibly say to myself that he expressed an understanding of the general mind and character of his audience. There was a supposititious working-man introduced into the homily, to make supposititious objections to our Christian religion and be reasoned down, who was not only a very disagreeable person, but remarkably unlike life—very much more unlike it than anything I had seen in the pantomime. The native independence of character this artisan was supposed to possess, was represented by a suggestion of a dialect that I certainly never heard in my uncommercial travels, and with a coarse swing of voice and manner anything but agreeable to his feelings, I should conceive, considered in the light of a portrait, and as far away from the fact as a Chinese Tartar. There was a model pauper introduced in like manner, who appeared to me to be the most intolerably arrogant pauper ever relieved, and to show himself in absolute want and dire necessity of a course of Stone Yard. For, how did this pauper testify to his having received the gospel of humility? A gentleman met him in the workhouse, and said (which I myself really thought good-natured of him), ‘Ah, John? I am sorry to see you here. I am sorry to see you so poor.’ ‘Poor, sir!’
replied that man, drawing himself up, ‘I am the son of a Prince!
MY father is the King of Kings. MY father is the Lord of Lords.
MY father is the ruler of all the Princes of the Earth!’ &c. And this was what all the preacher’s fellow-sinners might come to, if they would embrace this blessed book—which I must say it did some violence to my own feelings of reverence, to see held out at arm’s length at frequent intervals and soundingly slapped, like a slow lot at a sale. Now, could I help asking myself the question, whether the mechanic before me, who must detect the preacher as being wrong about the visible manner of himself and the like of himself, and about such a noisy lip-server as that pauper, might not, most unhappily for the usefulness of the occasion, doubt that preacher’s being right about things not visible to human senses?
Again. Is it necessary or advisable to address such an audience continually as ‘fellow-sinners’? Is it not enough to be fellow-creatures, born yesterday, suffering and striving to-day, dying tomorrow? By our common humanity, my brothers and sisters, by our common capacities for pain and pleasure, by our common laughter and our common tears, by our common aspiration to reach something better than ourselves, by our common tendency to believe in something good, and to invest whatever we love or whatever we lose with some qualities that are superior to our own failings and weaknesses as we know them in our own poor hearts—by these, Hear me!—Surely, it is enough to be fellow-creatures. Surely, it includes the other designation, and some touching meanings over and above.
Again. There was a personage introduced into the discourse (not an absolute novelty, to the best of my remembrance of my reading), who had been personally known to the preacher, and had
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