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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » Anything You Can Do ... by Randall Garrett (books like harry potter .TXT) 📖

Book online «Anything You Can Do ... by Randall Garrett (books like harry potter .TXT) 📖». Author Randall Garrett



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That's why that glass is up there, besides for keepin' the rain off your head."

"Yeah," Pilsudski said. "Anyway, Mitchell and Warber got there just as she tossed the wrench. Arrested both of 'em. Now, wasn't that exciting?"

Flanders grinned. "Fred, if the rest of their tour of duty was as dull as you say it was, then I reckon that must have been real exciting."

"Hah." Pilsudski shrugged. "Well, I'm for that beer. See you tomorrow, Johnny."

"Right. Take care o' yourself."

As Pilsudski walked away, Flanders put his hands behind his back, grasping the left in the right. He spread his feet slightly apart. In that time-honored position of the foot patrolman, he surveyed his beat, up and down both sides of the street. Everything looked perfectly normal. Another working day had begun.

He had no idea that he was standing only a few yards from the most hated and feared killer on the face of the Earth.

The only clue that he could possibly have had to that killer's presence was a small ovoid the size and shape of a match head, a dark, dull gray in color, which protruded slightly from a sewer grating six feet away, supported on a hair-thin stalk. In one end was a tiny dark opening, and that opening was pointed directly at Officer Flanders' head. When he began walking slowly down the street, the little ovoid moved, turning slowly on its stalk to keep that dark hole pointed steadily. It was so small, that ovoid, and so inconspicuous, that no one, even looking directly at it, would have noticed it.

The Nipe could see and hear without being either seen or heard himself.[53]

All morning long the tiny ovoid remained in place, watching, listening.

At 11:24 a woman in a cherry-pink dress walked up to Officer Flanders and said: "Pardon me, Officer. Could you tell me where I could find the Donahue Building?"

And while the policeman told her, the Nipe listened carefully. Now he knew what street he was on and its location in respect to two other streets. He also had a number. He remembered them all, accurately and completely. It was a good beginning, he decided. It would not be too long before he would have enough to enable him to locate the address he was looking for. After that, there would only remain the job of observing and making plans to get what he wanted at that address.

He settled himself to wait for more information. He knew that it would be a long wait.

But he was prepared for that.

[54]

SECOND INTERLUDE

The woman's eyes were filled with tears, for which the doctor was privately thankful. At least, he thought to himself, the original shock has worn off.

"And there's nothing we can do?" she asked. "Nothing?" There was anguish in her voice.

"I'm afraid not," the doctor told her gently. "Not yet. There are research men working on the problem, and one day ... perhaps ..." Then he shook his head. "But not yet." He paused. "I'm sorry, Mrs. Stanton."

The woman sat there in the comfortable chair and looked at the specialist's diploma on the doctor's wall—and yet, she really didn't see the diploma at all. She was seeing something else—a kind of dream that had been shattered.

After a moment, she began to speak, her voice low and gentle, as though the dream were still going on and she were half afraid she might waken herself if she spoke too loudly.

"Jim and I were so glad they were twins. Identical twin[55] boys. He said ... I remember, he said, 'We ought to call them Ike and Mike.' And he laughed a little when he said it, to show he didn't mean it."

The doctor said nothing, waiting for her to go on.

"I remember, I was propped up in the bed, the afternoon after they were born, and Jim brought me a new bed jacket, and I said I didn't need a new one because I'd be going right home the very next day, and he said, 'Hell, kid, you don't think I'd buy a bed jacket just for hospital use, now do you? This is for breakfasts in bed, too.'

"And that's when he said he'd seen the boys and said we ought to name them Ike and Mike."

The tears were coming down Mrs. Stanton's cheeks heavily now, and the grief made her look older than her twenty-four years, but the doctor said nothing, letting her spill out her emotions in words.

"We'd talked about it before, you know—soon as the obstetrician found out that I was going to have twins. And Jim ... Jim said that we shouldn't name them alike unless they were identical twins or mirror twins. If they were fraternal twins, we'd just name them as if they'd been ordinary brothers or sisters or whatever. You know?" She looked at the doctor, her eyes pleading for understanding.

"I know," he said.

"And Jim was always kidding. If they were girls, he said, we ought to call them Flora and Dora, or Annie and Fanny, or maybe Susie and Floozie. He was always kidding about it. You know?"

"I know," said the doctor.

"And then ... and then when they were identical boys, he was very sensible about it. He was always so sensible. 'We'll call them Martin and Bartholomew,' he said. 'Then if they want to call themselves Mart and Bart, they can, but they won't be stuck with any rhyming names if they don't[56] want them.' Jim was always very thoughtful that way, Doctor. Very thoughtful."

She seemed suddenly to realize that she was crying and took a handkerchief out of her sleeve to dab at her eyes and face.

"I'll have to quit crying," she said, trying to sound very brave and very strong. "After all, it could have been worse, couldn't it? I mean, the radiation could have killed my boy, too. Jim's dead, yes, and I've got to get used to that. But I still have two boys to take care of, and they'll need me."

"Yes, Mrs. Stanton, they will," said the doctor. "They'll both need you very much. And you'll have to be very gentle and very careful with both of them."

"How ... how do you mean that?" she asked.

The doctor settled back in his chair and chose his words carefully. "Identical twins tend to identify with each other, Mrs. Stanton. There is a great deal of empathy between people who are not only of the same age, but genetically identical. If they were both completely healthy, there would normally be very little trouble in their education at home or in school. Any of the standard texts on psychodynamics in education will show you the pitfalls to avoid when dealing with identical siblings.

"But your sons are no longer identical, Mrs. Stanton. One is normal, healthy, and lively. The other is ... well, as you know, he is slow, sluggish, and badly co-ordinated. The condition may improve with time, but, until we know more about such damage than we do now, he will remain an invalid."

He had been watching her for further signs of emotional upset. But she seemed to be listening calmly enough. He went on.

"That's the trouble with radiation damage, Mrs. Stanton.[57] Even when we can save the victim's life, we cannot always save his health.

"You can see, I think, what sort of psychic disturbances this might bring about in such a pair. The ill boy tends to identify with the well one, and, oddly enough, the reverse is also true. If they are not properly handled during their formative years, Mrs. Stanton, both can be badly damaged emotionally."

"I ... I think I understand, Doctor," the young woman said. "But what sort of thing should I look out for? What sort of things should I avoid?"

"First off, I suggest you get a good man in psychic development," the doctor said. "I, myself, would hesitate to prescribe. It's out of my field. But I can say that, in general, most of your trouble will be caused by a tendency for the pair to swing into one of two extremes.

"At one extreme, you will have mutual antagonism. This arises when the ill child becomes jealous of the other's health, while, on the other hand, the healthy one becomes jealous of the extra consideration that is shown to his crippled brother.

"At the other extreme, the healthy boy may identify so closely with his brother that he feels every slight or hurt, real or imagined, which the ill boy is subjected to. He becomes extremely over-solicitous, over-protective. At the same time, the invalid brother may come to depend completely on his healthy twin.

"In both these situations there is a positive feedback that constantly worsens the condition. It requires a great deal of careful observation and careful application of the proper educational stimuli to keep the situation from developing toward either extreme. You'll need expert help if you want both boys to display the full abilities of which they are potentially capable."[58]

"I see," the woman said. "Could you give me the name of a good man, Doctor?"

The doctor nodded and picked up a book on his desk. "I'll give you the names of several. You can pick the one you like best, the one with whom you seem to be most comfortable. Try several or all of them before you decide. They're all good men. There are many good women in the field, too, but in this case I think a man would be best. Of course, if one of them thinks a woman is indicated, that's up to him. As I said, that isn't my field."

He opened the small book and riffled through it to find the names he wanted.

[7]

The image of the Nipe on the glowing screen was clear and finely detailed. It was, Stanton thought, as though one were looking through a window into the Nipe's nest itself. Only the tremendous depth of focus of the lens that had caught the picture gave the illusion a feeling of unreality. Everything—background and foreground alike—was sharply in focus.

Like some horrendous dream monster, the Nipe moved in slow motion, giving Stanton the eerie feeling that the alien was moving through a thicker, heavier medium than air, in a place where the gravity was much less than that of Earth. With ponderous deliberation, the fingers of one of his hands closed upon the handle of an oddly shaped tool and lifted it slowly from the surface upon which he worked.

"That's our best-placed camera," said Colonel Mannheim, "but some of the others can always get details that[59] this one doesn't. The trouble is that we'll never really have enough cameras in there—not unless we stud the walls, ceilings, and floors with them, and even then I'm not so sure we'd get everything. It isn't the same as having a trained expert on camera who is trying to demonstrate what he's doing. An expert plays to the camera and never obstructs any of his own movements. But the Nipe ..." He left the sentence unfinished and shook his head sadly.

Stanton narrowed his eyes at the image. To his own speeded-up perceptive processes, the motion seemed intolerably slow. "Would you mind speeding it up a little?" he asked the colonel. "I want to get an idea of the way he moves, and I can't really get the feeling of it at this speed."

"Certainly." The colonel turned to the technician at the controls. "Speed the tape up to normal. If there's anything Mr. Stanton wants to look at more closely, we can run it through again."

As if in obedience to the colonel's command, the Nipe seemed to shake himself a little and go about his business more briskly, and the air and gravity seemed to revert to those of Earth.

"What's he doing?" Stanton asked. The Nipe was performing some sort of operation on an odd-looking box that sat on the floor in front of him.

The colonel pointed. "He's got a screwdriver that he's modified to give it a head with an L-shaped cross section, and he's wiggling it around inside that hole in the box. But what he's doing is a secret between God and the Nipe at this point," Colonel Mannheim said glumly.

Stanton glanced away from the screen for a moment to look at the other men who were there. Some of them were watching the screen, but most of them seemed to be watching Stanton, although they looked away as soon as they saw[60] his eyes on them. All, that is, except Dr. George Yoritomo, who simply gave him a smile of confidence.

Trying to see what kind of a bloke this touted superman is, Stanton thought. Well, I can't say I blame 'em.

He brought his attention back to the screen.

So this was the Nipe's hideaway. He wondered if it were furnished in the fashion that a Nipe's living quarters would be furnished on whatever planet the multilegged horror had come from. Probably it had the same similarity as Robinson Crusoe's island

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