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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » A Daughter of the Snows by Jack London (nonfiction book recommendations txt) 📖

Book online «A Daughter of the Snows by Jack London (nonfiction book recommendations txt) 📖». Author Jack London



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gran'mother!" Matt wrathfully exclaimed.

"Ez I was sayin'," Harney continued, imperturbably, "rubber boots is goin' to go sky-high 'bout the time of wash-up. Three ounces the pair, an' you kin put your chips on that for a high card. You kin gather 'em in now for an ounce a pair and clear two on the deal. A cinch, Matt, a dead open an' shut."

"The devil take you an' yer cinches! It's Nora darlin' I have in me mind the while."

They bade good-by to Frona and St. Vincent and went off disputing under the stars in the direction of the Opera House.

Gregory St. Vincent heaved an audible sigh. "At last."

"At last what?" Frona asked, incuriously.

"At last the first opportunity for me to tell you how well you did. You carried off the final scene wonderfully; so well that it seemed you were really passing out of my life forever."

"What a misfortune!"

"It was terrible."

"No."

"But, yes. I took the whole condition upon myself. You were not Nora, you were Frona; nor I Torvald, but Gregory. When you made your exit, capped and jacketed and travelling-bag in hand, it seemed I could not possibly stay and finish my lines. And when the door slammed and you were gone, the only thing that saved me was the curtain. It brought me to myself, or else I would have rushed after you in the face of the audience."

"It is strange how a simulated part may react upon one," Frona speculated.

"Or rather?" St. Vincent suggested.

Frona made no answer, and they walked on without speech. She was still under the spell of the evening, and the exaltation which had come to her as Nora had not yet departed. Besides, she read between the lines of St. Vincent's conversation, and was oppressed by the timidity which comes over woman when she faces man on the verge of the greater intimacy.

It was a clear, cold night, not over-cold,--not more than forty below,--and the land was bathed in a soft, diffused flood of light which found its source not in the stars, nor yet in the moon, which was somewhere over on the other side of the world. From the south-east to the northwest a pale-greenish glow fringed the rim of the heavens, and it was from this the dim radiance was exhaled.

Suddenly, like the ray of a search-light, a band of white light ploughed overhead. Night turned to ghostly day on the instant, then blacker night descended. But to the southeast a noiseless commotion was apparent. The glowing greenish gauze was in a ferment, bubbling, uprearing, downfalling, and tentatively thrusting huge bodiless hands into the upper ether. Once more a cyclopean rocket twisted its fiery way across the sky, from horizon to zenith, and on, and on, in tremendous flight, to horizon again. But the span could not hold, and in its wake the black night brooded. And yet again, broader, stronger, deeper, lavishly spilling streamers to right and left, it flaunted the midmost zenith with its gorgeous flare, and passed on and down to the further edge of the world. Heaven was bridged at last, and the bridge endured!

At this flaming triumph the silence of earth was broken, and ten thousand wolf-dogs, in long-drawn unisoned howls, sobbed their dismay and grief. Frona shivered, and St. Vincent passed his arm about her waist. The woman in her was aware of the touch of man, and of a slight tingling thrill of vague delight; but she made no resistance. And as the wolf-dogs mourned at her feet and the aurora wantoned overhead, she felt herself drawn against him closely.

"Need I tell my story?" he whispered.

She drooped her head in tired content on his shoulder, and together they watched the burning vault wherein the stars dimmed and vanished. Ebbing, flowing, pulsing to some tremendous rhythm, the prism colors hurled themselves in luminous deluge across the firmament. Then the canopy of heaven became a mighty loom, wherein imperial purple and deep sea-green blended, wove, and interwove, with blazing woof and flashing warp, till the most delicate of tulles, fluorescent and bewildering, was daintily and airily shaken in the face of the astonished night.

Without warning the span was sundered by an arrogant arm of black. The arch dissolved in blushing confusion. Chasms of blackness yawned, grew, and rushed together. Broken masses of strayed color and fading fire stole timidly towards the sky-line. Then the dome of night towered imponderable, immense, and the stars came back one by one, and the wolf-dogs mourned anew.

"I can offer you so little, dear," the man said with a slightly perceptible bitterness. "The precarious fortunes of a gypsy wanderer."

And the woman, placing his hand and pressing it against her heart, said, as a great woman had said before her, "A tent and a crust of bread with you, Richard."


CHAPTER XIX

How-ha was only an Indian woman, bred of a long line of fish-eating, meat-rending carnivores, and her ethics were as crude and simple as her blood. But long contact with the whites had given her an insight into their way of looking at things, and though she grunted contemptuously in her secret soul, she none the less understood their way perfectly. Ten years previous she had cooked for Jacob Welse, and served him in one fashion or another ever since; and when on a dreary January morning she opened the front door in response to the deep-tongued knocker, even her stolid presence was shaken as she recognized the visitor. Not that the average man or woman would have so recognized. But How-ha's faculties of observing and remembering details had been developed in a hard school where death dealt his blow to the lax and life saluted the vigilant.

How-ha looked up and down the woman who stood before her. Through the heavy veil she could barely distinguish the flash of the eyes, while the hood of the parka effectually concealed the hair, and the
parka proper the particular outlines of the body. But How-ha paused and looked again. There was something familiar in the vague general outline. She quested back to the shrouded head again, and knew the unmistakable poise. Then How-ha's eyes went blear as she traversed the simple windings of her own brain, inspecting the bare shelves taciturnly stored with the impressions of a meagre life. No disorder; no confused mingling of records; no devious and interminable impress of complex emotions, tangled theories, and bewildering abstractions--nothing but simple facts, neatly classified and conveniently collated. Unerringly from the stores of the past she picked and chose and put together in the instant present, till obscurity dropped from the woman before her, and she knew her, word and deed and look and history.

"Much better you go 'way quickety-quick," How-ha informed her.

"Miss Welse. I wish to see her."

The strange woman spoke in firm, even tones which betokened the will behind, but which failed to move How-ha.

"Much better you go," she repeated, stolidly.

"Here, take this to Frona Welse, and--ah! would you!" (thrusting her knee between the door and jamb) "and leave the door open."

How-ha scowled, but took the note; for she could not shake off the grip of the ten years of servitude to the superior race.


May I see you?

LUCILE.


So the note ran. Frona glanced up expectantly at the Indian woman.

"Um kick toes outside," How-ha explained. "Me tell um go 'way quickety-quick? Eh? You t'ink yes? Um no good. Um--"

"No. Take her,"--Frona was thinking quickly,--"no; bring her up here."

"Much better--"

"Go!"

How-ha grunted, and yielded up the obedience she could not withhold; though, as she went down the stairs to the door, in a tenebrous, glimmering way she wondered that the accident of white skin or swart made master or servant as the case might be.

In the one sweep of vision, Lucile took in Frona smiling with extended hand in the foreground, the dainty dressing-table, the simple finery, the thousand girlish evidences; and with the sweet wholesomeness of it pervading her nostrils, her own girlhood rose up and smote her. Then she turned a bleak eye and cold ear on outward things.

"I am glad you came," Frona was saying. "I have so wanted to see you again, and--but do get that heavy parka off, please. How thick it is, and what splendid fur and workmanship!"

"Yes, from Siberia." A present from St. Vincent, Lucile felt like adding, but said instead, "The Siberians have not yet learned to scamp their work, you know."

She sank down into the low-seated rocker with a native grace which could not escape the beauty-loving eye of the girl, and with proud-poised head and silent tongue listened to Frona as the minutes ticked away, and observed with impersonal amusement Frona's painful toil at making conversation.

"What has she come for?" Frona asked herself, as she talked on furs and weather and indifferent things.

"If you do not say something, Lucile, I shall get nervous, soon," she ventured at last in desperation. "Has anything happened?"

Lucile went over to the mirror and picked up, from among the trinkets beneath, a tiny open-work miniature of Frona. "This is you? How old were you?"

"Sixteen."

"A sylph, but a cold northern one."

"The blood warms late with us," Frona reproved; "but is--"

"None the less warm for that," Lucile laughed. "And how old are you now?"

"Twenty."

"Twenty," Lucile repeated, slowly. "Twenty," and resumed her seat. "You are twenty. And I am twenty-four."

"So little difference as that!"

"But our blood warms early." Lucile voiced her reproach across the unfathomable gulf which four years could not plumb.

Frona could hardly hide her vexation. Lucile went over and looked at the miniature again and returned.

"What do you think of love?" she asked abruptly, her face softening unheralded into a smile.

"Love?" the girl quavered.

"Yes, love. What do you know about it? What do you think of it?"

A flood of definitions, glowing and rosy, sped to her tongue, but Frona swept them aside and answered, "Love is immolation."

"Very good--sacrifice. And, now, does it pay?"

"Yes, it pays. Of course it pays. Who can doubt it?"

Lucile's eyes twinkled amusedly.

"Why do you smile?" Frona asked.

"Look at me, Frona." Lucile stood up and her face blazed. "I am twenty-four. Not altogether a fright; not altogether a dunce. I have a heart. I have good red blood and warm. And I have loved. I do not remember the pay. I know only that I have paid."

"And in the paying were paid," Frona took up warmly. "The price was the reward. If love be fallible, yet you have loved; you have done, you have served. What more would you?"

"The whelpage love," Lucile sneered.

"Oh! You are unfair."

"I do you justice," Lucile insisted firmly. "You would tell me that you know; that you have gone unveiled and seen clear-eyed;
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