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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » The Monastery by Walter Scott (free novels to read .txt) 📖

Book online «The Monastery by Walter Scott (free novels to read .txt) 📖». Author Walter Scott



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observe me, Sir Villagio, before the worshipful inmates of yonder cabin, and to-morrow we try conclusions with our swords.” So saying, he turned away towards the tower.

It may not be unworthy of notice, that in the last speech only, had Sir Piercie used some of those flowers of rhetoric which characterized the usual style of his conversation. Apparently, a sense of wounded honour, and the deep desire of vindicating his injured feelings, had proved too strong for the fantastic affectation of his acquired habits. Indeed, such is usually the influence of energy of mind, when called forth and exerted, that Sir Piercie Shafton had never appeared in the eyes of his youthful antagonist half so much deserving of esteem and respect as in this brief dialogue, by which they exchanged mutual defiance. As he followed him slowly to the tower, he could not help thinking to himself, that, had the English knight always displayed this superior tone of bearing and feeling, he would not probably have felt so earnestly disposed to take offence at his hand. Mortal offence, however, had been exchanged, and the matter was to be put to mortal arbitrement.

The family met at the evening meal, when Sir Piercie Shafton extended the benignity of his countenance and the graces of his conversation far more generally over the party than he had hitherto condescended to do. The greater part of his attention was, of course, still engrossed by his divine inimitable Discretion, as he chose to term Mary Avenel; but, nevertheless there were interjectional flourishes to the Maid of the Mill, under the title of Comely Damsel, and to the Dame, under that of Worthy Matron. Nay, lest he should fail to excite their admiration by the graces of his rhetoric, he generously, and without solicitation, added those of his voice; and after regretting bitterly the absence of his viol-de-gamba, he regaled them with a song, “which,” said he, “the inimitable Astrophel, whom mortals call Philip Sidney, composed in the nonage of his muse, to show the world what they are to expect from his riper years, and which will one day see the light in that not-to-be-paralleled perfection of human wit, which he has addressed to his sister, the matchless Parthenope, whom men call Countess of Pembroke; a work,” he continued, “whereof his friendship hath permitted me, though unworthy, to be an occasional partaker, and whereof I may well say, that the deep afflictive tale which awakeneth our sorrows, is so relieved with brilliant similitudes, dulcet descriptions, pleasant poems, and engaging interludes, that they seem as the stars of the firmament, beautifying the dusky robe of night. And though I wot well how much the lovely and quaint language will suffer by my widowed voice, widowed in that it is no longer matched by my beloved viol-de-gamba, I will essay to give you a taste of the ravishing sweetness of the poesy of the un-to-be-imitated Astrophel.”

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So saying, he sung without mercy or remorse about five hundred verses, of which the two first and the four last may suffice for a specimen—

“What tongue can her perfections tell, On whose each part all pens may dwell. Of whose high praise arid praiseful bliss, Goodness the pen. Heaven paper is; The ink immortal fame doth send, As I began so I must end.”

As Sir Piercie Shafton always sung with his eyes half shut, it was not until, agreeably to the promise of poetry, he had fairly made an end, that looking round, he discovered that the greater part of his audience had, in the meanwhile, yielded to the charms of repose. Mary Avenel, indeed, from a natural sense of politeness, had contrived to keep awake through all the perplexities of the divine Astrophel; but Mysie was transported in dreams back to the dusty atmosphere of her father's mill. Edward himself, who had given his attention for some time, had at length fallen fast asleep; and the good dame's nose, could its tones have been put in regulation, might have supplied the bass of the lamented viol-de-gamba. Halbert, however, who had no temptation to give way to the charms of slumber, remained awake with his eyes fixed on the songster; not that he was better entertained with the words, or more ravished with the execution, than the rest of the company, but rather because he admired, or perhaps envied, the composure, which could thus spend the evening in interminable madrigals, when the next morning was to be devoted to deadly combat. Yet it struck his natural acuteness of observation, that the eye of the gallant cavalier did now and then, furtively as it were, seek a glance of his countenance, as if to discover how he was taking the exhibition of his antagonist's composure and serenity of mind.

He shall read nothing in my countenance, thought Halbert, proudly, that can make him think my indifference less than his own.

And taking from the shelf a bag full of miscellaneous matters collected for the purpose, he began with great industry to dress hooks, and had finished half-a-dozen of flies (we are enabled, for the benefit of those who admire the antiquities of the gentle art of angling, to state that they were brown hackles) by the time that Sir Piercie had arrived at the conclusion of his long-winded strophes of the divine Astrophel. So that he also testified a magnanimous contempt of that which to-morrow should bring forth.

As it now waxed late, the family of Glendearg separated for the evening; Sir Piercie first saying to the dame, that “her son Albert—”

“Halbert,” said Elspeth, with emphasis, “Halbert, after his goodsire, Halbert Brydone.”

“Well, then, I have prayed your son, Halbert, that we may strive tomorrow, with the sun's earliness, to wake a stag from his lair, that I may see whether he be as prompt at that sport as fame bespeaks him.”

“Alas! sir,” answered Dame Elspeth, “he is but too prompt, an you talk of promptitude, at any thing that has steel at one end of it, and mischief at the other. But he is at your honourable disposal, and I trust you will teach him how obedience is due to our venerable father and lord, the Abbot, and prevail with him to take the bow-bearer's place in fee; for, as the two worthy monks said, it will be a great help to a widow-woman.”

“Trust me, good dame,” replied Sir Piercie, “it is my purpose so to indoctrinate him touching his conduct and bearing towards his betters, that he shall not lightly depart from the reverence due to them.—We meet, then, beneath the birch-trees in the plain,” he said, looking to Halbert, “so soon as the eye of day hath opened its lids.”—Halbert answered with a sign of acquiescence, and the knight proceeded, “And now, having wished to my fairest Discretion those pleasant dreams which wave their pinions around the couch of sleeping beauty, and to this comely damsel the bounties of Morpheus, and to all others the common good-night, I will crave you leave to depart to my place of rest, though I may say with the poet,

'Ah rest!—no rest but change of place and posture: Ah sleep!—no sleep but worn-out Nature's swooning; Ah bed!—no bed but cushion fill'd with stones: Rest, sleep, nor bed, await not on an exile.'”

With a delicate obeisance he left the room, evading Dame Glendinning, who hastened to assure him he would find his accommodations for repose much more agreeable than they had been the night before, there having been store of warm coverlets, and a soft feather-bed, sent up from the Abbey. But the good knight probably thought that the grace and effect of his exit would be diminished, if he were recalled from his heroics to discuss such sublunary and domestic topics, and therefore hastened away without waiting to hear her out.

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