Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Jane Eyre by Charlotte Brontë (top 10 most read books in the world .txt) 📖
- Author: Charlotte Brontë
- Performer: 0142437204
Book online «Jane Eyre by Charlotte Brontë (top 10 most read books in the world .txt) 📖». Author Charlotte Brontë
“Strange indeed!” I could not help ejaculating.
“While something in me,” he went on, “is acutely sensible to her charms, something else is as deeply impressed with her defects: they are such that she could sympathise in nothing I aspired to — co-operate in nothing I undertook. Rosamond a sufferer, a labourer, a female apostle? Rosamond a missionary’s wife? No!”
“But you need not be a missionary. You might relinquish that scheme.”
“Relinquish! What! my vocation? My great work? My foundation laid on earth for a mansion in heaven? My hopes of being numbered in the band who have merged all ambitions in the glorious one of bettering their race — of carrying knowledge into the realms of ignorance — of substituting peace for war — freedom for bondage — religion for superstition — the hope of heaven for the fear of hell? Must I relinquish that? It is dearer than the blood in my veins. It is what I have to look forward to, and to live for.”
After a considerable pause, I said — “And Miss Oliver? Are her disappointment and sorrow of no interest to you?”
“Miss Oliver is ever surrounded by suitors and flatterers: in less than a month, my image will be effaced from her heart. She will forget me; and will marry, probably, some one who will make her far happier than I should do.”
“You speak coolly enough; but you suffer in the conflict. You are wasting away.”
“No. If I get a little thin, it is with anxiety about my prospects, yet unsettled — my departure, continually procrastinated. Only this morning, I received intelligence that the successor, whose arrival I have been so long expecting, cannot be ready to replace me for three months to come yet; and perhaps the three months may extend to six.”
“You tremble and become flushed whenever Miss Oliver enters the schoolroom.”
Again the surprised expression crossed his face. He had not imagined that a woman would dare to speak so to a man. For me, I felt at home in this sort of discourse. I could never rest in communication with strong, discreet, and refined minds, whether male or female, till I had passed the outworks of conventional reserve, and crossed the threshold of confidence, and won a place by their heart’s very hearthstone.
“You are original,” said he, “and not timid. There is something brave in your spirit, as well as penetrating in your eye; but allow me to assure you that you partially misinterpret my emotions. You think them more profound and potent than they are. You give me a larger allowance of sympathy than I have a just claim to. When I colour, and when I shade before Miss Oliver, I do not pity myself. I scorn the weakness. I know it is ignoble: a mere fever of the flesh: not, I declare, the convulsion of the soul. THAT is just as fixed as a rock, firm set in the depths of a restless sea. Know me to be what I am — a cold hard man.”
I smiled incredulously.
“You have taken my confidence by storm,” he continued, “and now it is much at your service. I am simply, in my original state — stripped of that blood-bleached robe with which Christianity covers human deformity — a cold, hard, ambitious man. Natural affection only, of all the sentiments, has permanent power over me. Reason, and not feeling, is my guide; my ambition is unlimited: my desire to rise higher, to do more than others, insatiable. I honour endurance, perseverance, industry, talent; because these are the means by which men achieve great ends and mount to lofty eminence. I watch your career with interest, because I consider you a specimen of a diligent, orderly, energetic woman: not because I deeply compassionate what you have gone through, or what you still suffer.”
“You would describe yourself as a mere pagan philosopher,” I said.
“No. There is this difference between me and deistic philosophers: I believe; and I believe the Gospel. You missed your epithet. I am not a pagan, but a Christian philosopher — a follower of the sect of Jesus. As His disciple I adopt His pure, His merciful, His benignant doctrines. I advocate them: I am sworn to spread them. Won in youth to religion, she has cultivated my original qualities thus:- From the minute germ, natural affection, she has developed the overshadowing tree, philanthropy. From the wild stringy root of human uprightness, she has reared a due sense of the Divine justice. Of the ambition to win power and renown for my wretched self, she has formed the ambition to spread my Master’s kingdom; to achieve victories for the standard of the cross. So much has religion done for me; turning the original materials to the best account; pruning and training nature. But she could not eradicate nature: nor will it be eradicated ‘till this mortal shall put on immortality.’”
Having said this, he took his hat, which lay on the table beside my palette. Once more he looked at the portrait.
“She IS lovely,” he murmured. “She is well named the Rose of the World, indeed!”
“And may I not paint one like it for you?”
“CUI BONO? No.”
He drew over the picture the sheet of thin paper on which I was accustomed to rest my hand in painting, to prevent the cardboard from being sullied. What he suddenly saw on this blank paper, it was impossible for me to tell; but something had caught his eye. He took it up with a snatch; he looked at the edge; then shot a glance at me, inexpressibly peculiar, and quite incomprehensible: a glance that seemed to take and make note of every point in my shape, face, and dress; for it traversed all, quick, keen as lightning. His lips parted, as if to speak: but he checked the coming sentence, whatever it was.
“What is the matter?” I asked.
“Nothing in the world,” was the reply; and, replacing the paper, I saw him dexterously tear a narrow slip from the margin. It disappeared in his glove; and, with one hasty nod and “good-afternoon,” he vanished.
“Well!” I exclaimed, using an expression of the district, “that caps the globe, however!”
I, in my turn, scrutinised the paper; but saw nothing on it save a few dingy stains of paint where I had tried the tint in my pencil. I pondered the mystery a minute or two; but finding it insolvable, and being certain it could not be of much moment, I dismissed, and soon forgot it.
When Mr. St. John went, it was beginning to snow; the whirling storm continued all night. The next day a keen wind brought fresh and blinding falls; by twilight the valley was drifted up and almost impassable. I had closed my shutter, laid a mat to the door to prevent the snow from blowing in under it, trimmed my fire, and after sitting nearly an hour on the hearth listening to the muffled fury of the tempest, I lit a candle, took down “Marmion,” and beginning -
“Day set on Norham’s castled steep, And Tweed’s fair river broad and deep, And Cheviot’s mountains lone; The massive towers, the donjon keep, The flanking walls that round them sweep, In yellow lustre shone” -
I soon forgot storm in music.
I heard a noise: the wind, I thought, shook the door. No; it was St. John Rivers, who, lifting the latch, came in out of the frozen hurricane — the howling darkness — and stood before me: the cloak that covered his tall figure all white as a glacier. I was almost in consternation, so little had I expected any guest from the blocked-up vale that night.
“Any ill news?” I demanded. “Has anything happened?”
“No. How very easily alarmed you are!” he answered, removing his cloak and hanging it up against the door, towards which he again coolly pushed the mat which his entrance had deranged. He stamped the snow from his boots.
“I shall sully the purity of your floor,” said he, “but you must excuse me for once.” Then he approached the fire. “I have had hard work to get here, I assure you,” he observed, as he warmed his hands over the flame. “One drift took me up to the waist; happily the snow is quite soft yet.”
“But why are you come?” I could not forbear saying.
“Rather an inhospitable question to put to a visitor; but since you ask it, I answer simply to have a little talk with you; I got tired of my mute books and empty rooms. Besides, since yesterday I have experienced the excitement of a person to whom a tale has been half-told, and who is impatient to hear the sequel.”
He sat down. I recalled his singular conduct of yesterday, and really I began to fear his wits were touched. If he were insane, however, his was a very cool and collected insanity: I had never seen that handsome-featured face of his look more like chiselled marble than it did just now, as he put aside his snow-wet hair from his forehead and let the firelight shine free on his pale brow and cheek as pale, where it grieved me to discover the hollow trace of care or sorrow now so plainly graved. I waited, expecting he would say something I could at least comprehend; but his hand was now at his chin, his finger on his lip: he was thinking. It struck me that his hand looked wasted like his face. A perhaps uncalled-for gush of pity came over my heart: I was moved to say -
“I wish Diana or Mary would come and live with you: it is too bad that you should be quite alone; and you are recklessly rash about your own health.”
“Not at all,” said he: “I care for myself when necessary. I am well now. What do you see amiss in me?”
This was said with a careless, abstracted indifference, which showed that my solicitude was, at least in his opinion, wholly superfluous. I was silenced.
He still slowly moved his finger over his upper lip, and still his eye dwelt dreamily on the glowing grate; thinking it urgent to say something, I asked him presently if he felt any cold draught from the door, which was behind him.
“No, no!” he responded shortly and somewhat testily.
“Well,” I reflected, “if you won’t talk, you may be still; I’ll let you alone now, and return to my book.”
So I snuffed the candle and resumed the perusal of “Marmion.” He soon stirred; my eye was instantly drawn to his movements; he only took out a morocco pocket-book, thence produced a letter, which he read in silence, folded it, put it back, relapsed into meditation. It was vain to try to read with such an inscrutable fixture before me; nor could I, in impatience, consent to be dumb; he might rebuff me if he liked, but talk I would.
“Have you heard from Diana and Mary lately?”
“Not since the letter I showed you a week ago.”
“There has not been any change made about your own arrangements? You will not be summoned to leave England sooner than you expected?”
“I fear not, indeed: such chance is too good to befall me.” Baffled so far, I changed my ground. I bethought myself to talk about the school and my scholars.
“Mary Garrett’s mother is better, and Mary came back to
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