Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Barnaby Rudge: A Tale of the Riots of 'Eighty by Charles Dickens (best way to read e books TXT) 📖
- Author: Charles Dickens
Book online «Barnaby Rudge: A Tale of the Riots of 'Eighty by Charles Dickens (best way to read e books TXT) 📖». Author Charles Dickens
Joe bought a roll, and reduced his purse to the condition (with a difference) of that celebrated purse of Fortunatus, which, whatever were its favoured owner’s necessities, had one unvarying amount in it. In these real times, when all the Fairies are dead and buried, there are still a great many purses which possess that quality. The sum-total they contain is expressed in arithmetic by a circle, and whether it be added to or multiplied by its own amount, the result of the problem is more easily stated than any known in figures.
Evening drew on at last. With the desolate and solitary feeling of one who had no home or shelter, and was alone utterly in the world for the first time, he bent his steps towards the locksmith’s house. He had delayed till now, knowing that Mrs Varden sometimes went out alone, or with Miggs for her sole attendant, to lectures in the evening; and devoutly hoping that this might be one of her nights of moral culture.
He had walked up and down before the house, on the opposite side of the way, two or three times, when as he returned to it again, he caught a glimpse of a fluttering skirt at the door. It was Dolly’s—to whom else could it belong? no dress but hers had such a flow as that. He plucked up his spirits, and followed it into the workshop of the Golden Key.
His darkening the door caused her to look round. Oh that face! ‘If it hadn’t been for that,’ thought Joe, ‘I should never have walked into poor Tom Cobb. She’s twenty times handsomer than ever. She might marry a Lord!’
He didn’t say this. He only thought it—perhaps looked it also. Dolly was glad to see him, and was SO sorry her father and mother were away from home. Joe begged she wouldn’t mention it on any account.
Dolly hesitated to lead the way into the parlour, for there it was nearly dark; at the same time she hesitated to stand talking in the workshop, which was yet light and open to the street. They had got by some means, too, before the little forge; and Joe having her hand in his (which he had no right to have, for Dolly only gave it him to shake), it was so like standing before some homely altar being married, that it was the most embarrassing state of things in the world.
‘I have come,’ said Joe, ‘to say good-bye—to say good-bye for I don’t know how many years; perhaps for ever. I am going abroad.’
Now this was exactly what he should not have said. Here he was, talking like a gentleman at large who was free to come and go and roam about the world at pleasure, when that gallant coachmaker had vowed but the night before that Miss Varden held him bound in adamantine chains; and had positively stated in so many words that she was killing him by inches, and that in a fortnight more or thereabouts he expected to make a decent end and leave the business to his mother.
Dolly released her hand and said ‘Indeed!’ She remarked in the same breath that it was a fine night, and in short, betrayed no more emotion than the forge itself.
Original
‘I couldn’t go,’ said Joe, ‘without coming to see you. I hadn’t the heart to.’
Dolly was more sorry than she could tell, that he should have taken so much trouble. It was such a long way, and he must have such a deal to do. And how WAS Mr Willet—that dear old gentleman—
‘Is this all you say!’ cried Joe.
All! Good gracious, what did the man expect! She was obliged to take her apron in her hand and run her eyes along the hem from corner to corner, to keep herself from laughing in his face;—not because his gaze confused her—not at all.
Joe had small experience in love affairs, and had no notion how different young ladies are at different times; he had expected to take Dolly up again at the very point where he had left her after that delicious evening ride, and was no more prepared for such an alteration than to see the sun and moon change places. He had buoyed himself up all day with an indistinct idea that she would certainly say ‘Don’t go,’ or ‘Don’t leave us,’ or ‘Why do you go?’ or ‘Why do you leave us?’ or would give him some little encouragement of that sort; he had even entertained the possibility of her bursting into tears, of her throwing herself into his arms, of her falling down in a fainting fit without previous word or sign; but any approach to such a line of conduct as this, had been so far from his thoughts that he could only look at her in silent wonder.
Dolly in the meanwhile, turned to the corners of her apron, and measured the sides, and smoothed out the wrinkles, and was as silent as he. At last after a long pause, Joe said good-bye. ‘Good-bye’—said Dolly—with as pleasant a smile as if he were going into the next street, and were coming back to supper; ‘good-bye.’
‘Come,’ said Joe, putting out both hands, ‘Dolly, dear Dolly, don’t let us part like this. I love you dearly, with all my heart and soul; with as much truth and earnestness as ever man loved woman in this world, I do believe. I am a poor fellow, as you know—poorer now than ever, for I have fled from home, not being able to bear it any longer, and must fight my own way without help. You are beautiful, admired, are loved by everybody, are well off and happy; and may you ever be so! Heaven forbid I should ever make you otherwise; but give me a word of comfort. Say something kind to me. I have no right to expect it of you, I know, but I ask it because I love you, and shall treasure the slightest word from you all through my life. Dolly, dearest, have you nothing to say to me?’
No. Nothing. Dolly was a coquette by nature, and a spoilt child. She had no notion of being carried by storm in this way. The coachmaker would have been dissolved in tears, and would have knelt down, and called himself names, and clasped his hands, and beat his breast, and tugged wildly at his cravat, and done all kinds of poetry. Joe had no business to be going abroad. He had no right to be able to do it. If he was in adamantine chains, he couldn’t.
‘I have said good-bye,’ said Dolly, ‘twice. Take your arm away directly, Mr Joseph, or I’ll call Miggs.’
‘I’ll not reproach you,’ answered Joe, ‘it’s my fault, no doubt. I have thought sometimes that you didn’t quite despise me, but I was a fool to think so. Every one must, who has seen the life I have led—you most of all. God bless you!’
He was gone, actually gone. Dolly waited a little while, thinking he would return, peeped out at the door, looked up the street and down as well as the increasing darkness would allow, came in again, waited a little longer, went upstairs humming a tune, bolted herself in, laid her head down on her bed, and cried as if her heart would break. And yet such natures are made up of so many contradictions, that if Joe Willet had come back that night, next day, next week, next month, the odds are a hundred to one she would have treated him in the
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