Sunrise by William Black (online e book reader TXT) 📖

world of the London streets.

The day was fine after the rain; the pavements were white and dry; he kept in the sunlight for the sake of the warmth; but he had not much attention for the sights and sounds around him. Now that this sudden scheme promised to be entirely successful, he could consider the probable consequences of that success; and, as usual, his first thought was about Natalie.

"Poor child--poor child!" he said to himself, rather sadly. "How could she tell how this would end? If she saves the life of her lover, it is at the cost of the life of her father. The poor child!--must misfortune meet her whichever way she turns?"

And then, too, some touch of compunction or even remorse entered into his own bosom. He had been so eager in the pursuit? he had been so anxious to acquit himself to the satisfaction of the Council, that he had scarcely remembered that his success would almost certainly involve the sacrifice of one who was at least an old colleague. Ferdinand Lind and Calabressa had never been the very best of friends; during one period, indeed, they had been rivals; but that had been forgotten in the course of years, and what Calabressa now remembered was that Lind and he had at least been companions in the old days.

"Seventeen years ago," he was thinking, "he forfeited his life to the Society, and they gave it back to him. They will not pardon him this time. And who is to take the news to Natalie and the beautiful brave child? Ah, what will she say? My God, is there no happiness for any one in this world?"

He was greatly distressed; but in his distress he became desperate. He would not look that way at all. He boldly justified himself for what he had done, and strove to regard it with satisfaction. What if both Lind and Beratinsky were to suffer; had they not merited any punishment that might befall them? Had they not compassed the destruction of an innocent man? Would it have been better, then, that George Brand should have become the victim of an infamous conspiracy? Fiat justitia!--no matter at what cost. Natalie must face the truth. Better that the guilty should suffer than the innocent. And he, Calabressa, for one, was not going to shirk any responsibility for what might happen. He had obeyed the orders of the Council. He had done his duty: that was enough.

He forced himself not to think of Natalie, and of the dismay and horror with which she would learn of one of the consequences of her appeal. This was a matter between men--to be settled by men: if the consciences of women were tender, it could not be helped. Calabressa walked faster and faster, as it he were trying to get away from something that followed and annoyed him. He pretended to himself that he was deeply interested in a shop-window here or there; occasionally he whistled; he sung "Vado a Napoli in barchetta" with forced gayety; he twisted his long white moustache, and then he made his way down to Brand's rooms.

Here he was also very gay.

"Now, my dear Monsieur Brand, to-day I have idleness; to-day I will talk to you; yesterday I could not."

"Unfortunately," said Brand, "our positions are reversed now, for here is a letter from Lind wanting me to go up to Lisle Street. It seems Reitzei has had to go off into the country, leaving a lot of correspondence--"

"You are, then, on good terms with Lind?" Calabressa interposed, quickly.

"Yes; why not?" said Brand, with a stare.

"I, also--I say, why not? It is excellent. Then you have no time for my chatter?" said Calabressa, carelessly regarding the open letter.

"At least you can tell me something about Natalie and her mother. Are they well? What hotel are they at?"

Calabressa laughed.

"Yes, yes, my friend Monsieur Brand, you say, 'Are they well?' What you mean is, 'What has taken them to Naples?' Bien, you are right to wonder; you will not have to wonder long. A little patience; you will hear something; do not be surprised. And you have no message, for example, by way of reply to the letter I brought you?"

"You are returning to Naples, then?"

"To-night. I will take a message for you: if you have no time now, send it to me at Charing Cross. Meanwhile, I take my leave."

Calabressa rose, but was persuaded to resume his seat.

"I see," said he, again laughing, "that you have a little time to hear about the two wanderers. Oh, they are in a good hotel, I assure you; pretty rooms; you look over to Capri; quite near you the Castello dell' Ovo; and underneath your windows the waves--a charming view! And the little Natalushka, she has not lost her spirits: she says to me, 'Dear Mr. Calabressa, will you have the goodness to become my champion?' I say to her, 'Against all the world!' 'Oh no,' she answers, 'not quite so much as that. It is a man who sells agates and pebbles, and such things; and no matter when I go out, he will follow me, and thrust himself before me. Dear Mr. Calabressa, I do not want agates and pebbles, and he is more importunate than all the others put together; and the servants of the hotel can do nothing with him.' Oh, I assure you, it would have made you laugh--her pretence of gravity! I said nothing--not I; what is the use of making serious promises over trifles? But when I went out I encountered the gentleman with the agates and pebbles. 'Friend,' said I, 'a word with you. Skip, dance, be off with you to the steps of some other hotel; your presence is not agreeable here.' 'Who are you?' said he, naturally. 'No matter,' said I; 'but do you wish to be presented with two dozen of the school-master's sweetmeats?' 'Who are you?' said he again. Then I took him by the ear and whispered something to him. By the blood of Saint Peter, Monsieur Brand, you should have heard the quick snap of his box, and seen the heels of him as he darted off like an antelope! I tell you the grave-faced minx, that mocking Natalushka, who makes fun of old people like me--well, she shall not any more be troubled with agates and pebbles!"

"Then she is quite cheerful and happy?" said Brand, somewhat wondering.

"Sometimes," Calabressa said, more gravely. "One cannot always be anxious; one has glimpses of hope; then the spirit rises; the eyes laugh. You, for example, you do not seem much cast down?"

Brand avoided his inquisitive look, and merely said,

"One must take things as one finds them. There is no use repining over what happens."

Calabressa now rose and took his cap; then he laid it down on the table again.

"One moment before I go, my dear Monsieur Brand. I told you to expect news; perhaps you will not understand. Shall I show you something to help? Regard this: it is only a little trick; but it may help you to understand when the news comes to you."

He took from his pocket a piece of white paper, square, and with apparently nothing on it. He laid it on the table, and produced a red pencil.

"May I trouble you for a small pair of scissors, my dear friend?"

Brand stepped aside to a writing-desk, and brought him the scissors; he was scarcely thinking of Calabressa, at all; he was thinking of the message he would send to Naples.

Calabressa slowly and carefully cut the piece of paper into four squares, and proceeded to fold these up. Brand looked on, it is true, but with little interest; and he certainly did not perceive that his companion had folded three of these pieces with the under side inward, the fourth with the upper side inward, while this had the rough edges turned in a different direction from the other three.

"Now, Mr. Brand," said Calabressa, calmly, "if one were drawing lots, for example, what more simple than this? I take one of these pieces--you see there is nothing on it--I print a red cross with my pencil; there, it is folded again, and they all go into my cap."

"Enough, Calabressa," Brand said, impatiently; "you show me that you have questioned me closely enough. There is enough said about it."

"I ask your pardon, my dear friend, there is not," said Calabressa, politely; "for this is what I have to say now: draw one of the pieces of paper."

Brand turned away.

"It is not a thing to be gone over again, I tell you; I have had enough of it; let it rest."

"It must not rest. I beg of you--my friend, I insist--"

He pressed the cap on him. Brand, to get rid of him, drew one of the papers and tossed it on to the table. Calabressa took it up, opened it, and showed him the red cross.

"Yes, you are again unfortunate, my dear Monsieur Brand. Fate pursues you, does it not? But wait one moment. Will you open the other three papers?"

As Brand seemed impatient, Calabressa himself took them out and opened them singly before him. On each and all was the same red mark.

But now Brand was indifferent no longer

"What do you mean, Calabressa?" he said, quickly.

"I mean," said Calabressa, regarding him, "that one might prepare a trick by which you would not have much chance of escape."

Brand caught him by the arm.

"Do you mean that these others--" He could not complete the sentence; his brain was in a whirl; was this why Natalie had sent him that strange message of hope?

Calabressa released himself, and took his cap, and said,

"I can tell you nothing, my dear friend--nothing. My lips are sealed for the present. But surely one is permitted to show you a common little trick with bits of paper!"

"But you must tell me what you mean," said Brand, breathlessly, and with his face still somewhat pale. "You suggest there has been a trick. That is why you have come from Naples? What do you know? What is about to happen? For God's sake, Calabressa, don't have any mystification about it: what is it that you know--that you suspect--that you have heard?"

"My dear friend," said Calabressa, with some anxiety, "perhaps I have been indiscreet. I know nothing: what can I know? But I show you a trick--if only to prepare you for any news--and you think it is very serious. Oh no; do not be too hopeful--do not think it is serious--think it was a foolish trick--"

And so, notwithstanding all that Brand could do to force some definite explanation from him, Calabressa succeeded in getting away, promising to carry to Natalie any message Brand might send in the evening; and as for Brand himself, it was now time for him to go up to Lisle Street, so that he had something else to think of than idle mystifications.

For this was how he took it in the end: Calabressa was whimsical, fantastic, mysterious; he had been playing with the notion that Brand had been entrapped into this service; he had succeeded in showing himself how it might have been done. The worst of it was--had he been putting vain hopes into the mind of Natalie? Was this the cause of her message? In the midst of all this bewildering uncertainty, Brand set himself to the work left unfinished by