One Day's Courtship by Robert Barr (simple ebook reader .txt) 📖

don't know that it was rude, after all. It was truthful. I presume the truth offended me."

"Well," said Trenton, "truth has to be handled very delicately, or it is apt to give offence. You bought a landscape of his, did you? Which one, do you remember?"

"It was a picture of the Thames valley."

"Ah, I don't recall it at the moment. A rather hackneyed subject, too. Probably he sent it to America because he couldn't sell it in England."

"Oh, I suppose you think we buy anything here that the English refuse, I beg to inform you this picture had a place in the Royal Academy, and was very highly spoken of by the critics. I bought it in England."

"Oh yes, I remember it now, 'The Thames at Sonning.' Still, it was a hackneyed subject, although reasonably well treated."

"Reasonably well! I think it one of the finest landscape pictures of the century."

"Well, in that at least Trenton would agree with you."

"He is very conceited, you mean?"

"Even his enemies admit that."

"I don't believe it. I don't believe a man of such talent could be so conceited."

"Then, Miss Sommerton, allow me to say you have very little knowledge of human nature. It is only reasonable that a great man should know he is a great man. Most of our great men are conceited. I would like to see Trenton's letter to you. I could then have a good deal of amusement at his expense when I get back."

"Well, in that case I can assure you that you will never see the letter."

"Ah, you destroyed it, did you?"

"Not for that reason."

"Then you _did_ destroy it?"

"I tore it up, but on second thoughts I pasted it together again, and have it still."

"In that case, why should you object to showing me the letter?"

"Well, because I think it rather unusual for a lady to be asked by a gentleman show him a letter that has been written to her by another gentleman."

"In matters of the heart that is true; but in matters of art it is not."

"Is that intended for a pun?"

"It is as near to one as I ever allow myself to come, I should like very much to see Mr. Trenton's letter. It was probably brutally rude. I know the man, you see."

"It was nothing of the sort," replied Miss Sommerton, hotly. "It was a truthful, well-meant letter."

"And yet you tore it up?"

"But that was the first impulse. The pasting it together was the apology."

"And you will not show it to me?"

"No, I will not."

"Did you answer it?"

"I will tell you nothing more about it. I am sorry I spoke of the letter at all. You don't appreciate Mr. Trenton's work."

"Oh, I beg your pardon, I do. He has no greater admirer in England than I am--except himself, of course."

"I suppose it makes no difference to you to know that I don't like a remark like that."

"Oh, I thought it would please you. You see, with the exception of myself, Mr. Trenton is about the rudest man in England. In fact, I begin to suspect it was Mr. Trenton's letter that led you to a wholesale condemning of the English race, for you admit the Englishmen you have met were not rude."

"You forget I have met you since then."

"Well bowled, as we say in cricket."

"Has Mr. Trenton many friends in London?"

"Not a great number. He is a man who sticks rather closely to his work, and, as I said before, he prides himself on telling the truth. That doesn't do in London any more than it does in Boston."

"Well, I honour him for it."

"Oh, certainly; everybody does in the abstract. But it is not a quality that tends to the making or the keeping of friends, you know."

"If you see Mr. Trenton when you return, I wish you would tell him there is a lady in America who is a friend of his; and if he has any pictures the people over there do not appreciate, ask him to send them to Boston, and his friend will buy them."

"Then you must be rich, for his pictures bring very good prices, even in England."

"Yes," said Miss Sommerton, "I am rich."

"Well, I suppose it's very jolly to be rich," replied the artist, with a sigh.

"You are not rich, then, I imagine?"

"No, I am not. That is, not compared with your American fortunes. I have enough of money to let me roam around the world if I wish to, and get half drowned in the St. Maurice River."

"Oh, is it not strange that we have heard nothing from those boatmen? You surely don't imagine they could have been drowned?"

"I hardly think so. Still, it is quite possible."

"Oh, don't say that; it makes me feel like a murderer."

"Well, I think it was a good deal your fault, don't you know." Miss Sommerton looked at him.

"Have I not been punished enough already?" she said.

"For the death of two men--if they are dead? Bless me! no. Do you imagine for a moment there is any relation between the punishment and the fault?"

Miss Sommerton buried her face in her hands.

"Oh, I take that back," said Trenton. "I didn't mean to say such a thing."

"It is the truth--it is the truth!" wailed the young woman. "Do you honestly think they did not reach the shore?"

"Of course they did. If you want to know what has happened, I'll tell you exactly, and back my opinion by a bet if you like. An Englishman is always ready to back his opinion, you know. Those two men swam with the current until they came to some landing-place. They evidently think we are drowned. Nevertheless, they are now making their way through the woods to the settlement. Then comes the hubbub. Mason will stir up the neighbourhood, and the men who are back from the woods with the other canoes will be roused and pressed into service, and some time to-night we will be rescued."

"Oh, I hope that is the case," cried Miss Sommerton, looking brightly at him.

"It is the case. Will you bet about it?"

"I never bet," said Miss Sommerton.

"Ah, well, you miss a good deal of fun then. You see I am a bit of a mind reader. I can tell just about where the men are now."

"I don't believe much in mind reading."

"Don't you? Shall I give you a specimen of it? Take that letter we have spoken so much about. If you think it over in your mind I will read you the letter--not word for word, perhaps, but I shall give you gist of it, at least."

"Oh, impossible!"

"Do you remember it?"

"I have it with me."

"Oh, have you? Then, if you wish to preserve it, you should spread it out upon the ground to dry before the fire."

"There is no need of my producing the letter," replied Miss Sommerton; "I remember every word it."

"Very well, just think it over in your mind, and see if I cannot repeat it. Are you thinking about it?"

"Yes, I am thinking about it."

"Here goes, then. 'Miss Edith Sommerton----'"

"Wrong," said that young lady.

"The Sommerton is right, is it not?"

"Yes, but the first name is not."

"What is it, then?"

"I shall not tell you."

"Oh, very well. Miss Sommerton,--'I have some hesitation in answering your letter.' Oh, by the way, I forgot the address. That is the first sentence of the letter, but the address is some number which I cannot quite see, 'Beacon Street, Boston.' Is there any such street in that city?"

"There is," said Miss Sommerton. "What a question to ask."

"Ah, then Beacon Street is one of the principal streets, is it?"

"One of them? It is _the_ street. It is Boston."

"Very good. I will now proceed with the letter. 'I have some hesitation in answering your letter, because the sketches you send are so bad, that it seems to me no one could seriously forward them to an artist for criticism. However, if you really desire criticism, and if the pictures are sent in good faith, I may say I see in them no merit whatever, not even good drawing; while the colours are put on in a way that would seem to indicate you have not yet learned the fundamental principle of mixing the paints. If you are thinking of earning a livelihood with your pencil, I strongly advise you to abandon the idea. But if you are a lady of leisure and wealth, I suppose there is no harm in your continuing as long as you see fit.--Yours truly, JOHN TRENTON.'"

Miss Sommerton, whose eyes had opened wider and wider as this reading went on, said sharply--

"He has shown you the letter. You have seen it before it was sent."

"I admit that," said the artist.

"Well--I will believe all you like to say about Mr. John Trenton."

"Now, stop a moment; do not be too sweeping in your denunciation of him. I know that Mr. Trenton showed the letter to no one."

"Why, I thought you said a moment ago that he showed it to you."

"He did. Yet no one but himself saw the letter."

The young lady sprang to her feet.

"Are you, then, John Trenton, the artist?"

"Miss Sommerton, I have to plead guilty."


CHAPTER VI.

Miss Eva Sommerton and Mr. John Trenton stood on opposite sides of the blazing fire and looked at each other. A faint smile hovered around the lips of the artist, but Miss Sommerton's face was very serious. She was the first to speak.

"It seems to me," she said, "that there is something about all this that smacks of false pretences."

"On my part, Miss Sommerton?"

"Certainly on your part. You must have known all along that I was the person who had written the letter to you. I think, when you found that out, you should have spoken of it."

"Then you do not give me credit for the honesty of speaking now. You ought to know that I need not have spoken at all, unless I wished to be very honest about the matter."

"Yes, there is that to be said in your favour, of course."

"Well, Miss Sommerton, I hope you will consider anything that happens to be in my favour. You see, we are really old friends, after all."

"Old enemies, you mean."

"Oh, I don't know about that. I would rather look on myself as your friend than your enemy."

"The letter you wrote me was not a very friendly one."

"I am not so sure. We differ on that point, you know."

"I am afraid we differ on almost every point."

"No, I differ with you there again. Still, I must admit I would prefer being your enemy----"

"To being my friend?" said Miss Sommerton, quickly.

"No, to being entirely indifferent to you."

"Really, Mr. Trenton, we are getting along very rapidly, are we not?" said the young lady, without looking up at him.

"Now, I am