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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » Little Dorrit by Charles Dickens (best books to read for students TXT) 📖

Book online «Little Dorrit by Charles Dickens (best books to read for students TXT) 📖». Author Charles Dickens



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moored above it, to show where it was sunk. His head was awry, and he had a one-sided, crab-like way with him, as if his foundations had yielded at about the same time as those of the house, and he ought to have been propped up in a similar manner.

‘How weak am I,’ said Arthur Clennam, when he was gone, ‘that I could shed tears at this reception! I, who have never experienced anything else; who have never expected anything else.’ He not only could, but did. It was the momentary yielding of a nature that had been disappointed from the dawn of its perceptions, but had not quite given up all its hopeful yearnings yet. He subdued it, took up the candle, and examined the room. The old articles of furniture were in their old places; the Plagues of Egypt, much the dimmer for the fly and smoke plagues of London, were framed and glazed upon the walls. There was the old cellaret with nothing in it, lined with lead, like a sort of coffin in compartments; there was the old dark closet, also with nothing in it, of which he had been many a time the sole contents, in days of punishment, when he had regarded it as the veritable entrance to that bourne to which the tract had found him galloping. There was the large, hard-featured clock on the sideboard, which he used to see bending its figured brows upon him with a savage joy when he was behind-hand with his lessons, and which, when it was wound up once a week with an iron handle, used to sound as if it were growling in ferocious anticipation of the miseries into which it would bring him. But here was the old man come back, saying, ‘Arthur, I’ll go before and light you.’

Arthur followed him up the staircase, which was panelled off into spaces like so many mourning tablets, into a dim bedchamber, the floor of which had gradually so sunk and settled, that the fireplace was in a dell. On a black bier-like sofa in this hollow, propped up behind with one great angular black bolster like the block at a state execution in the good old times, sat his mother in a widow’s dress.

She and his father had been at variance from his earliest remembrance. To sit speechless himself in the midst of rigid silence, glancing in dread from the one averted face to the other, had been the peacefullest occupation of his childhood. She gave him one glassy kiss, and four stiff fingers muffled in worsted. This embrace concluded, he sat down on the opposite side of her little table. There was a fire in the grate, as there had been night and day for fifteen years. There was a kettle on the hob, as there had been night and day for fifteen years. There was a little mound of damped ashes on the top of the fire, and another little mound swept together under the grate, as there had been night and day for fifteen years. There was a smell of black dye in the airless room, which the fire had been drawing out of the crape and stuff of the widow’s dress for fifteen months, and out of the bier-like sofa for fifteen years.

‘Mother, this is a change from your old active habits.’

‘The world has narrowed to these dimensions, Arthur,’ she rep lied, glancing round the room. ‘It is well for me that I never set my heart upon its hollow vanities.’

The old influence of her presence and her stern strong voice, so gathered about her son, that he felt conscious of a renewal of the timid chill and reserve of his childhood.

‘Do you never leave your room, mother?’

‘What with my rheumatic affection, and what with its attendant debility or nervous weakness—names are of no matter now—I have lost the use of my limbs. I never leave my room. I have not been outside this door for—tell him for how long,’ she said, speaking over her shoulder.

‘A dozen year next Christmas,’ returned a cracked voice out of the dimness behind.

‘Is that Affery?’ said Arthur, looking towards it.

The cracked voice replied that it was Affery: and an old woman came forward into what doubtful light there was, and kissed her hand once; then subsided again into the dimness.

‘I am able,’ said Mrs Clennam, with a slight motion of her worsted-muffled right hand toward a chair on wheels, standing before a tall writing cabinet close shut up, ‘I am able to attend to my business duties, and I am thankful for the privilege. It is a great privilege. But no more of business on this day. It is a bad night, is it not?’

‘Yes, mother.’

‘Does it snow?’

‘Snow, mother? And we only yet in September?’

‘All seasons are alike to me,’ she returned, with a grim kind of luxuriousness. ‘I know nothing of summer and winter, shut up here.

The Lord has been pleased to put me beyond all that.’ With her cold grey eyes and her cold grey hair, and her immovable face, as stiff as the folds of her stony head-dress,—her being beyond the reach of the seasons seemed but a fit sequence to her being beyond the reach of all changing emotions.

On her little table lay two or three books, her handkerchief, a pair of steel spectacles newly taken off, and an old-fashioned gold watch in a heavy double case. Upon this last object her son’s eyes and her own now rested together.

‘I see that you received the packet I sent you on my father’s death, safely, mother.’

‘You see.’

‘I never knew my father to show so much anxiety on any subject, as that his watch should be sent straight to you.’

‘I keep it here as a remembrance of your father.’

‘It was not until the last, that he expressed the wish; when he could only put his hand upon it, and very indistinctly say to me “your mother.” A moment before, I thought him wandering in his mind, as he had been for many hours—I think he had no consciousness of pain in his short illness—when I saw him turn himself in his bed and try to open it.’

‘Was your father, then, not wandering in his mind when he tried to open it?’

‘No. He was quite sensible at that time.’

Mrs Clennam shook her head; whether in dismissal of the deceased or opposing herself to her son’s opinion, was not clearly expressed.

‘After my father’s death I opened it myself, thinking there might be, for anything I knew, some memorandum there. However, as I need not tell you, mother, there was nothing but the old silk watch-paper worked in beads, which you found (no doubt) in its place between the cases, where I found and left it.’

Mrs Clennam signified assent; then added, ‘No more of business on this day,’ and then added, ‘Affery, it is nine o’clock.’

Upon this, the old woman cleared the little table, went out of the room, and quickly returned with a tray on which was a dish of little rusks and a small precise pat of butter, cool, symmetrical, white, and plump. The old man who had been standing by the door in one attitude during the whole interview, looking at the mother upstairs as he had looked at the son downstairs, went out at the same time, and, after a longer absence, returned with another tray on which was the greater part of a bottle of port wine (which, to judge by his panting, he had brought from the cellar), a lemon, a sugar-basin, and a spice box. With these materials and the aid of the kettle, he filled a tumbler with a hot and odorous mixture, measured out and compounded with as much nicety as a physician’s prescription. Into this mixture Mrs Clennam dipped certain of the rusks, and ate them; while the old woman buttered certain other of the rusks, which were to be eaten alone. When the invalid had eaten all the rusks and drunk all the mixture, the two trays were removed; and the books and the candle, watch, handkerchief, and spectacles were replaced upon the table. She then put on the spectacles and read certain passages aloud from a book—sternly, fiercely, wrathfully—praying that her enemies (she made them by her tone and manner expressly hers) might be put to the edge of the sword, consumed by fire, smitten by plagues and leprosy, that their bones might be ground to dust, and that they might be utterly exterminated. As she read on, years seemed to fall away from her son like the imaginings of a dream, and all the old dark horrors of his usual preparation for the sleep of an innocent child to overshadow him.

She shut the book and remained for a little time with her face shaded by her hand. So did the old man, otherwise still unchanged

in attitude; so, probably, did the old woman in her dimmer part of the room. Then the sick woman was ready for bed.

‘Good night, Arthur. Affery will see to your accommodation. Only touch me, for my hand is tender.’ He touched the worsted muffling of her hand—that was nothing; if his mother had been sheathed in brass there would have been no new barrier between them—and followed the old man and woman downstairs.

The latter asked him, when they were alone together among the heavy shadows of the dining-room, would he have some supper?

‘No, Affery, no supper.’

‘You shall if you like,’ said Affery. ‘There’s her tomorrow’s partridge in the larder—her first this year; say the word and I’ll cook it.’

No, he had not long dined, and could eat nothing.

‘Have something to drink, then,’ said Affery; ‘you shall have some of her bottle of port, if you like. I’ll tell Jeremiah that you ordered me to bring it you.’

No; nor would he have that, either.

‘It’s no reason, Arthur,’ said the old woman, bending over him to whisper, ‘that because I am afeared of my life of ‘em, you should be. You’ve got half the property, haven’t you?’

‘Yes, yes.’

‘Well then, don’t you be cowed. You’re clever, Arthur, an’t you?

He nodded, as she seemed to expect an answer in the affirmative. ‘Then stand up against them! She’s awful clever, and none but a clever one durst say a word to her. HE’S a clever one—oh, he’s a clever one!—and he gives it her when he has a mind to’t, he does!’

‘Your husband does?’

‘Does? It makes me shake from head to foot, to hear him give it her. My husband, Jeremiah Flintwinch, can conquer even your mother. What can he be but a clever one to do that!’

His shuffling footstep coming towards them caused her to retreat to the other end of the room. Though a tall, hard-favoured, sinewy old woman, who in her youth might have enlisted in the Foot Guards without much fear of discovery, she collapsed before the little keen-eyed crab-like old man.

‘Now, Affery,’ said he, ‘now, woman, what are you doing? Can’t you find Master Arthur something or another to pick at?’

Master Arthur repeated his recent refusal to pick at anything.

‘Very well, then,’ said the old man; ‘make his bed. Stir yourself.’ His neck was so twisted that the knotted ends of his white cravat usually dangled under one ear; his natural acerbity and energy, always contending with a second nature of habitual repression, gave his features a swollen and suffused look; and altogether, he had a weird appearance of having hanged himself at one time or other, and of having gone about ever since, halter and all, exactly as some timely hand had cut him down.

‘You’ll have bitter words together tomorrow, Arthur; you and your mother,’ said Jeremiah. ‘Your having

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