Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Down and Out in the Magic Kingdom by Cory Doctorow (book series for 12 year olds .txt) 📖
- Author: Cory Doctorow
Book online «Down and Out in the Magic Kingdom by Cory Doctorow (book series for 12 year olds .txt) 📖». Author Cory Doctorow
“Eight a.m. shift? No problem—I’ll be right here when it starts. I’ll just grab a shower at the Contemporary in the morning and catch the monorail back in time to change. All right?”
Dan tried. “But Jules, we were going to grab some dinner at Cinderella’s Royal Table, remember? I made reservations.”
“Aw, we can eat any time,” I said. “This is a hell of an opportunity.”
“It sure is,” Dan said, giving up. “Mind if I come along?”
He and Lil traded meaningful looks that I interpreted to mean, If he’s going to be a nut, one of us really should stay with him. I was past caring—I was going to beard the lion in his den!
Tim was apparently oblivious to all of this. “Then it’s settled! Let’s go.”
On the walk to the Hall, Dan kept ringing my cochlea and I kept sending him straight to voicemail. All the while, I kept up a patter of small-talk with him and Tim. I was determined to make up for my debacle in the Mansion with Tim, win him over.
Debra’s people were sitting around in the armchairs onstage, the animatronic presidents stacked in neat piles in the wings. Debra was sprawled in Lincoln’s armchair, her head cocked lazily, her legs extended before her. The Hall’s normal smells of ozone and cleanliness were overridden by sweat and machine-oil, the stink of an ad-hoc pulling an all-nighter. The Hall took fifteen years to research and execute, and a couple of days to tear down.
She was au-naturel, still wearing the face she’d been born with, albeit one that had been regenerated dozens of times after her deaths. It was patrician, waxy, long, with a nose that was made for staring down. She was at least as old as I was, though she was only apparent 22. I got the sense that she picked this age because it was one that afforded boundless reserves of energy.
She didn’t deign to rise as I approached, but she did nod languorously at me. The other ad-hocs had been split into little clusters, hunched over terminals. They all had the raccoon-eyed, sleep-deprived look of fanatics, even Debra, who managed to look lazy and excited simultaneously.
Did you have me killed? I wondered, staring at Debra. After all, she’d been killed dozens, if not hundreds of times. It might not be such a big deal for her.
“Hi there,” I said, brightly. “Tim offered to show us around! You know Dan, right?”
Debra nodded at him. “Oh, sure. Dan and I are pals, right?”
Dan’s poker face didn’t twitch a muscle. “Hello, Debra,” he said. He’d been hanging out with them since Lil had briefed him on the peril to the Mansion, trying to gather some intelligence for us to use. They knew what he was up to, of course, but Dan was a fairly charming guy and he worked like a mule, so they tolerated him. But it seemed like he’d violated a boundary by accompanying me, as though the polite fiction that he was more a part of Debra’s ad-hoc than Lil’s was shattered by my presence.
Tim said, “Can I show them the demo, Debra?”
Debra quirked an eyebrow, then said, “Sure, why not. You’ll like this, guys.”
Tim hustled us backstage, where Lil and I used to sweat over the animatronics and cop surreptitious feels. Everything had been torn loose, packed up, stacked. They hadn’t wasted a moment—they’d spent a week tearing down a show that had run for more than a century. The scrim that the projected portions of the show normally screened on was ground into the floor, spotted with grime, footprints and oil.
Tim showed me to a half-assembled backup terminal. Its housing was off, and any number of wireless keyboards, pointers and gloves lay strewn about it. It had the look of a prototype.
“This is it—our uplink. So far, we’ve got a demo app running on it: Lincoln’s old speech, along with the civil-war montage. Just switch on guest access and I’ll core-dump it to you. It’s wild.”
I pulled up my HUD and switched on guest access. Tim pointed a finger at the terminal and my brain was suffused with the essence of Lincoln: every nuance of his speech, the painstakingly researched movement tics, his warts and beard and topcoat. It almost felt like I was Lincoln, for a moment, and then it passed. But I could still taste the lingering coppery flavor of cannon-fire and chewing tobacco.
I staggered backwards. My head swam with flash-baked sense-impressions, rich and detailed. I knew on the spot that Debra’s Hall of the Presidents was going to be a hit.
Dan took a shot off the uplink, too. Tim and I watched him as his expression shifted from skepticism to delight. Tim looked expectantly at me.
“That’s really fine,” I said. “Really, really fine. Moving.”
Tim blushed. “Thanks! I did the gestalt programming—it’s my specialty.”
Debra spoke up from behind him—she’d sauntered over while Dan was getting his jolt. “I got the idea in Beijing, when I was dying a lot. There’s something wonderful about having memories implanted, like you’re really working your brain. I love the synthetic clarity of it all.”
Tim sniffed. “Not synthetic at all,” he said, turning to me. “It’s nice and soft, right?”
I sensed deep political shoals and was composing my reply when Debra said: “Tim keeps trying to make it all more impressionistic, less computer-y. He’s wrong, of course. We don’t want to simulate the experience of watching the show—we want to transcend it.”
Tim nodded reluctantly. “Sure, transcend it. But the way we do that is by making the experience human, a mile in the presidents’ shoes. Empathy-driven. What’s the point of flash-baking a bunch of dry facts on someone’s brain?”
One night in the Hall of Presidents convinced me of three things:
That Debra’s people had had me killed, and screw their alibis, That they would kill me again, when the time came for them to make a play for the Haunted Mansion, That our only hope for saving the Mansion was a preemptive strike against them: we had to hit them hard, where it hurt.Dan and I had been treated to eight hours of insectile precision in the Hall of Presidents, Debra’s people working with effortless cooperation born of the adversity they’d faced in Beijing. Debra moved from team to team, making suggestions with body language as much as with words, leaving bursts of inspired activity in her wake.
It was that precision that convinced me of point one. Any ad-hoc this tight could pull off anything if it advanced their agenda. Ad-hoc? Hell, call them what they were: an army.
Point two came to me when I sampled the Lincoln build that Tim finished at about three in the morning, after intensive consultation with Debra. The mark of a great ride is that it gets better the second time around, as the detail and flourishes start to impinge on your consciousness. The Mansion was full of little gimcracks and sly nods that snuck into your experience on each successive ride.
Tim shuffled his feet nervously, bursting with barely restrained pride as I switched on public access. He dumped the app to my public directory, and, gingerly, I executed it.
God! God and Lincoln and cannon-fire and oratory and ploughs and mules and greatcoats! It rolled over me, it punched through me, it crashed against the inside of my skull and rebounded. The first pass through, there had been a sense of order, of narrative, but this, this was gestalt, the whole thing in one undifferentiated ball, filling me and spilling over. It was panicky for a moment, as the essence of Lincolness seemed to threaten my own personality, and, just as it was about to overwhelm me, it receded, leaving behind a rush of endorphin and adrenaline that made me want to jump.
“Tim,” I gasped. “Tim! That was …” Words failed me. I wanted to hug him. What we could do for the Mansion with this! What elegance! Directly imprinting the experience, without recourse to the stupid, blind eyes; the thick, deaf ears.
Tim beamed and basked, and Debra nodded solemnly from her throne. “You liked it?” Tim said. I nodded, and staggered back to the theatre seat where Dan slept, head thrown back, snores softly rattling in his throat.
Incrementally, reason trickled back into my mind, and with it came ire. How dare they? The wonderful compromises of technology and expense that had given us the Disney rides—rides that had entertained the world for two centuries and more—could never compete head to head with what they were working on.
My hands knotted into fists in my lap. Why the fuck couldn’t they do this somewhere else? Why did they have to destroy everything I loved to realize this? They could build this tech anywhere—they could distribute it online and people could access it from their living rooms!
But that would never do. Doing it here was better for the old Whuffie—they’d make over Disney World and hold it, a single ad-hoc where three hundred had flourished before, smoothly operating a park twice the size of Manhattan.
I stood and stalked out of the theater, out into Liberty Square and the Park. It had cooled down without drying out, and there was a damp chill that crawled up my back and made my breath stick in my throat. I turned to contemplate the Hall of Presidents, staid and solid as it had been since my boyhood and before, a monument to the Imagineers who anticipated the Bitchun Society, inspired it.
I called Dan, still snoring back in the theater, and woke him. He grunted unintelligibly in my cochlea.
“They did it—they killed me.” I knew they had, and I was glad. It made what I had to do next easier.
“Oh, Jesus. They didn’t kill you—they offered their backups, remember? They couldn’t have done it.”
“Bullshit!” I shouted into the empty night. “Bullshit! They did it, and they fucked with their backups somehow. They must have. It’s all too neat and tidy. How else could they have gotten so far with the Hall so fast? They knew it was coming, they planned a disruption, and they moved in. Tell me that you think they just had these plans lying around and moved on them when they could.”
Dan groaned, and I heard his joints popping. He must have been stretching. The Park breathed around me, the sounds of maintenance crews scurrying in the night. “I do believe that. Clearly, you don’t. It’s not the first time we’ve disagreed. So now what?”
“Now we save the Mansion,” I said. “Now we fight back.”
“Oh, shit,” Dan said.
I have to admit, there was a part of me that concurred.
My opportunity came later that week. Debra’s ad-hocs were showboating, announcing a special preview of the new Hall to the other ad-hocs that worked in the Park. It was classic chutzpah, letting the key influencers in the Park in long before the bugs were hammered out. A smooth run would garner the kind of impressed reaction that guaranteed continued support while they finished up; a failed demo could doom them. There were plenty of people in the Park who had a sentimental attachment to the Hall of Presidents, and whatever Debra’s people came up with would have to answer their longing.
“I’m going to do it during the demo,” I told Dan, while I piloted the runabout from home to the castmember parking. I snuck a look at him to gauge his reaction. He had his poker face on.
“I’m not going to tell Lil,” I continued. “It’s better that she doesn’t know—plausible deniability.”
“And me?” he said. “Don’t I need plausible deniability?”
“No,” I said. “No, you don’t. You’re an outsider. You can make the case that you were working on your own—gone rogue.” I knew it wasn’t fair. Dan was here to
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