Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Life and Death of Richard Yea-and-Nay by Maurice Hewlett (best e book reader android txt) 📖
- Author: Maurice Hewlett
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'Come in, come in, Richard,' said Bertran de Born.
For a day or two Richard was bathed in golden calm, hugging his darling thought, full of Jehane, fearful to share her. Often he remembered it in later life; it held a place and commanded a mood which no hour of his wildest possession could outvie. The mountain air, still, but latently nimble, the great mountains themselves dreaming in the sunlight, the sailing birds, hinted a peace to his soul whither his last conquest of his baser part assured him he might soar. Now he could guess (thought he) that quality in love which it borrows from God and shares with the angels, ministers of God, the steady burning of a flame keen and hard. So on an afternoon of weather serene beyond all belief of the North, mild, tired, softly radiant, still as a summer noon; as he sat with Bertran in a courtyard where were lemon-trees and a fountain, and above the old white walls, and above the strutting pigeons, a square of blue, he began to speak of his affairs, of what he had done and of what was to do.
Bertran's was a grudging spirit: you shall hear the Abbot Milo upon that matter anon, than whom there are few better qualified to speak. He grudged Richard everything—his beauty, his knit and graceful body, his brain like a sword, his past exploits, his present content. What it was contented him he knew not altogether, though a letter from Saint-Pol had in part advised him; but he was sure he had wherewithal to discontent him. 'Foh! a juicy orange indeed,' he said to himself, 'but I can wring him dry.' If Richard hugged one thought, Bertran hugged another, and took it to bed with him o' nights. Now, therefore, when Richard spoke of Jehane, Bertran said nothing, waiting his time; but when he went on to Madame Alois and his duty (which really coloured all the former thought) Bertran made a grimace.
'Rascal,' says Richard, shamming rough, 'why do you make faces at me?'
Bertran began jerking about like the lid of a boiling pot, and presently sends a boy for his viol. At this, when it came, he snatched, and set to plucking a chord here and a chord there, grinning fearfully all the time.
'A tenzon! A tenzon! beau sire!' cries he. 'Now a tenzon between you and me!'
'Let it be so,' says Richard; 'have at you. I sing of the calm day, of the sweets of true love.'
'Accorded,' says the other. 'And I sing of the sours of false love. Do you set the mode, prince of blood royal as you are.'
Richard took the viol without after-thought and struck a few chords. A great tenderness was in his heart; he saw Duty and himself hand in hand walking a long road by night; two large stars beaconed the way; these were Jehane's eyes. A watcher or two stole into the upper gallery, leaned on the parapet and listened, for both men were renowned singers. Richard began to sing of green-eyed Jehane, who wore the gold girdle, whose hair was red gold. His song was—
Quem don' Amors soven—
but I English it thus—
'That gentle thought which love will give sometimes is like a plait of silk and gold, and so is this song of mine to be; wherein you shall find a red deep cry which cometh from the heart, and a thin blue cry which is the cry of what is virgin in my soul, and a golden long cry, the cry of the King, and a cry clear as crystal and colder than a white moon: and that is the cry of Jehane.'
Bertran, trembling, snatched at the viol. 'Mine to sing, Richard, mine to sing! Ha, love me no more!'
he began—
'Your strands are warped and will not accord, for love will warp any song. It turneth the heart of a man black, and the soul it eateth up. At fourteen goes the virgin first a-wallowing; and soon the King croaks like a hog. A plait! Love is a fetter of hot iron; so my song shall be iron-cruel like the bidding of Jehane. Say now, shall I set the song? The love-cry is the cry of a man who drags his way with his side torn; and the colour of it is dry red, like old blood; and the sound thereof maketh the hearers ache, so it quavers and shrills. For it cries only two things: sorrow and shame.'
He misconceived his adversary who thought to quell him by such vapours. Richard took the viol.
'Bertran, it is well seen that thou art pinched and have a torn side; but ask of thy itching fingers who graved the wound. Dry thou art, Bertran, for thy trough is dry; the husks prick thy gums, but there is no other meat. Well may the hearers' ears go aching; for thy cry, man, proceedeth from thy aching belly. But now I will set the song again, and tell thee of a lady girdled with fine gold. Beneath the girdle beats a red heart; but her spirit is like a spire of blue smoke, that comes from a fire, indeed, but strains up to heaven. Warmed by that fire, like that smoke I fly up; and so I lie among the stars with Jehane.'
Bertran's jaw was at work, mashing his tongue. 'Ah, Richard, is it so with thee? Wait now while I strike a blow.' He made the viol scream.
'What if I twist the song awry, and give thee good cause to limp the sorrowful way? What if for my aching belly I give thee an aching heart? Eh, if my fingers scratch my side, there are worse talons at thine. Watch for the Lion's claw, Richard, which tears not flesh but honour, and gives more pain than any knife. Pain! He is King of Pain! Mend that, then face sorrow and shame.'
Ending with a snap, he grinned more knowledge out of his red eyes than he pronounced with his mouth. His terrible excitement, the labour and sweat of it, set Richard's brows knitting. He stretched out his hand for the viol slowly; and his eyes were cold on Bertran, and never off him for a moment as he sang to this enemy, and judged him while he sang. The note was changed.
'The Lion is a royal beast, a king, whose son am I. We maul not each other in Anjou, save when the jackal from the South cometh snarling between. Then, when we see the unclean beast, saith one, "Faugh! is this your friend?" and the other, "Thou dost ill to say so." Then the blood may flow and the jackal get a meal. But here there is none to come licking blood. The prize is the White Roe of France, fed on the French lilies, and now in safe harbour. She shall lie by the Leopard, and the Lion rule the forest in peace because of the peace about him; and like a harvest moon above us, clear of the trees, will be Jehane.'
'Listen, Richard, I will be clearer yet,' came from between Bertran's teeth. He fairly ground them together. Having the viol, he struck but one note upon it, with such rudeness that the string broke. He threw the thing away and sang without it, leaning his hands on his knees, and craning forward that he might spit the words.
'This is the bite of the song: she is forsworn. Harbour? She kept harbour too long; she is mangled, she is torn. Touch not the Lion's prey, Leopard. You go hunting too late—for all but sorrow and shame.'
Richard stretched not his hand again; his jaw dropped and most of the strong colour died down in his face. Turned to stone, stiff and immovable, he sat staring at the singer, while Bertran, biting his lip, still grinning and twitching with his late effort, watched him.
'Give me the truth, thou.' His voice was like an old man's, hollow.
'As God is in heaven that is the truth, Richard,' said Bertran de Born.
The Count's head went up, as when a hound yelps to the sky: laughter ensued, barking laughter—not mirth, not grief disguised, but mockery, the worst of all. One on the gallery nudged his fellow; that other shrugged him off. Richard stretched his long arms, his clenched fists to the dumb sky. 'Have I bent the knee to good issues or not? Have I abased my head? O clement prince! O judge in Israel! O father of kings! Hear now a parable of the Prodigal: Father, I have sinned against heaven and before thee, and thou art no more worthy to be called my father. O glutton! O filching dog!'
'By the torch of the Gospel, Count Richard, what I sang is true,' said Bertran, still tensely grinning, and now also wringing at his hang-nails. Richard, checked by the voice, turned blazing upon him.
'Why, thou school-boy rhymester, that is the only merit thou hast, and that not thine own! Thy japes are nought, thy tragics the mewing of cats; but thy news, fellow, thy news is too rich matter for thy sewer of a throat. Tragic? No, it is worse: it is comic, O heaven! Heed you now—' In his bitter shame he began pantomiming with his fingers:—'Here are two persons, father by the Grace of God, son by the grace of the father. Saith father, "Son, thou art sprung from kings; take this woman that is sprung from kings, for I have no further use for her." Anon cometh a white rag thinly from the inner tent—mark her provenance. Son kneeleth down. "Wilt thou have my son, cony?" saith father. "Yea, dear heart," saith she. "'Tis my counterpart, mark you," saith father. "Better than nothing at all," saith she. Benevolent father, supple-kneed son, convenient lady. Here is agreement. And thus it ends.' Again he laughed outright at the steel-blue face of the sky, then jumped in a flash from his seat to the throat of Bertran. Bertran tumbled backwards with a strangled cry, and Richard pegged him to the ground.
'Thou yapping cur, Bertran,' he grated, 'thou sick dog of my kennel, if this snarl of thine goes true thou hast done a service to me and mine thou knowest not of. There is little to do before I am the richest man in Christendom. Why, dull rogue, thou hast set me free!' He looked up exulting from his work at the man's throat to shout this word. 'But if it is not true, Bertran'—he shook him like a rat—'if it is not true, I return, O Bertran, and tear this false gullet out of its case, and with thy speckled heart feed the crows of Périgord.' Bertran had foam on his lips, but Richard showed him no mercy. 'As it is, Bertran,' he went on with his teeth on edge, 'I am minded to finish thee. But that I need something from thee I think I should do it. Tell me now whence came thy news. Tell me, Bertran, or thou art in hell in a moment.'
He had to let him up to win from him after a time that his informant was the Count of Saint-Pol. Little matter that this was untrue, the bringing in of his name set wild alarums clanging in Richard's head. It was only too likely to have been Saint-Pol's doing; there was obvious reason; but by the same token Saint-Pol might be a liar. He saw that he must by all means find Saint-Pol, and find him at once. He began to shout for Gaston. 'To horse, to horse, Gaston!' The court rang with his voice; to the clamour he made, which might betoken murder, arson, pillage, or the sin against the Holy Ghost, out came the vassals in a swarm. 'To horse, to horse, Béarnais! Where out of hell is Gaston of Béarn?' The devil of Anjou was loose in Autafort that day.
Gaston came delicately last, drawing his beard through his fist, to see Bertran de Born lie helpless in a lemon-bush hard by the wall. Richard, quite beyond himself, exploded with his story, and so was sobered. While Gaston made his comments, he, instead of listening, made comments of his own.
'Dear Lord Richard,' said Gaston reasonably, 'if you do not know Bertran by this time it is a strange thing and a pitiful thing. For it shows you without any wit. He was appointed, it would seem, to be the thorn in your
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