The Mystery of Orcival by Emile Gaboriau (the snowy day read aloud TXT) 📖

going into the country, I put on my country face and clothes. I arrive here and everybody, on seeing me, says to himself, 'Here's a curious bumpkin, but not a bad fellow.' Then I slip about, listen, talk, make the rest talk! I ask this question and that, and am answered frankly; I inform myself, gather hints, no one troubles himself about me. These Orcival folks are positively charming; why, I've already made several friends, and am invited to dine this very evening."

M. Domini did not like the police, and scarcely concealed it. He rather submitted to their co-operation than accepted it, solely because he could not do without them. While listening to M. Lecoq, he could not but approve of what he said; yet he looked at him with an eye by no means friendly.

"Since you know so much about the matter," observed he, dryly, "we will proceed to examine the scene of the crime."

"I am quite at Monsieur the judge's orders," returned the detective, laconically. As everyone was getting up, he took the opportunity to offer M. Plantat his lozenge-box.

"Monsieur perhaps uses them?"

Plantat, unwilling to decline, appropriated a lozenge, and the detective's face became again serene. Public sympathy was necessary to him, as it is to all great comedians.

VI

M. Lecoq was the first to reach the staircase, and the spots of blood at once caught his eye.

"Oh," cried he, at each spot he saw, "oh, oh, the wretches!"

M. Courtois was much moved to find so much sensibility in a detective.
The latter, as he continued to ascend, went on:

"The wretches! They don't often leave traces like this everywhere—or at least they wipe them out."

On gaining the first landing, and the door of the boudoir which led into the chamber, he stopped, eagerly scanning, before he entered, the position of the rooms.

Then he entered the boudoir, saying:

"Come; I don't see my way clear yet."

"But it seems to me," remarked the judge, "that we have already important materials to aid your task. It is clear that Guespin, if he is not an accomplice, at least knew something about the crime."

M. Lecoq had recourse to the portrait in the lozenge-box. It was more than a glance, it was a confidence. He evidently said something to the dear defunct, which he dared not say aloud.

"I see that Guespin is seriously compromised," resumed he. "Why didn't he want to tell where he passed the night? But, then, public opinion is against him, and I naturally distrust that."

The detective stood alone in the middle of the room, the rest, at his request, remained at the threshold, and looking keenly about him, searched for some explanation of the frightful disorder of the apartment.

"Fools!" cried he, in an irritated tone, "double brutes! Because they murder people so as to rob them, is no reason why they should break everything in the house. Sharp folks don't smash up furniture; they carry pretty picklocks, which work well and make no noise. Idiots! one would say—"

He stopped with his mouth wide open.

"Eh! Not so bungling, after all, perhaps."

The witnesses of this scene remained motionless at the door, following, with an interest mingled with surprise, the detective's movements.

Kneeling down, he passed his flat palm over the thick carpet, among the broken porcelain.

"It's damp; very damp. The tea was not all drunk, it seems, when the cups were broken."

"Some tea might have remained in the teapot," suggested Plantat.

"I know it," answered M. Lecoq, "just what I was going to say. So that this dampness cannot tell us the exact moment when the crime was committed."

"But the clock does, and very exactly," interrupted the mayor.

"The mayor," said M. Domini, "in his notes, well explains that the movements of the clock stopped when it fell."

"But see here," said M. Plantat, "it was the odd hour marked by that clock that struck me. The hands point to twenty minutes past three; yet we know that the countess was fully dressed, when she was struck. Was she up taking tea at three in the morning? It's hardly probable."

"I, too, was struck with that circumstance," returned M. Lecoq, "and that's why I said, 'not so stupid!' Well, let's see."

He lifted the clock with great care, and replaced it on the mantel, being cautious to set it exactly upright. The hands continued to point to twenty minutes past three.

"Twenty past three!" muttered he, while slipping a little wedge under the stand. "People don't take tea at that hour. Still less common is it that people are murdered at daylight."

He opened the clock-case with some difficulty, and pushed the longer hand to the figure of half-past three.

The clock struck eleven!

"Good," cried M. Lecoq, triumphantly. "That is the truth!" and drawing the lozenge-box from his pocket, he excitedly crushed a lozenge between his teeth.

The simplicity of this discovery surprised the spectators; the idea of trying the clock in this way had occurred to no one. M. Courtois, especially, was bewildered.

"There's a fellow," whispered he to the doctor, "who knows what he's about."

"Ergo," resumed M. Lecoq (who knew Latin), "we have here, not brutes, as I thought at first, but rascals who looked beyond the end of their knife. They intended to put us off the scent, by deceiving us as to the hour."

"I don't see their object very clearly," said M. Courtois, timidly.

"Yet it is easy to see it," answered M. Domini. "Was it not for their interest to make it appear that the crime was committed after the last train for Paris had left? Guespin, leaving his companions at the Lyons station at nine, might have reached here at ten, murdered the count and countess, seized the money which he knew to be in the count's possession, and returned to Paris by the last train."

"These conjectures are very shrewd," interposed M. Plantat; "but how is it that Guespin did not rejoin his comrades in the Batignolles? For in that way, to a certain degree, he might have provided a kind of alibi."

Dr. Gendron had been sitting on the only unbroken chair in the chamber, reflecting on Plantat's sudden embarrassment, when he had spoken of Robelot the bone-setter. The remarks of the judge drew him from his revery; he got up, and said:

"There is another point; putting forward the time was perhaps useful to
Guespin, but it would greatly damage Bertaud, his accomplice."

"But," answered M. Domini, "it might be that Bertaud was not consulted. As to Guespin, he had no doubt good reasons for not returning to the wedding. His restlessness, after such a deed, would possibly have betrayed him."

M. Lecoq had not thought fit to speak as yet. Like a doctor at a sick bedside, he wanted to be sure of his diagnosis. He had returned to the mantel, and again pushed forward the hands of the clock. It sounded, successively, half-past eleven, then twelve, then half-past twelve, then one.

As he moved the hands, he kept muttering:

"Apprentices—chance brigands! You are malicious, parbleu, but you don't think of everything. You give a push to the hands, but don't remember to put the striking in harmony with them. Then comes along a detective, an old rat who knows things, and the dodge is discovered."

M. Domini and Plantat held their tongues. M. Lecoq walked up to them.

"Monsieur the Judge," said he, "is perhaps now convinced that the deed was done at half-past ten."

"Unless," interrupted M. Plantat, "the machinery of the clock has been out of order."

"That often happens," added M. Courtois. "The clock in my drawing-room is in such a state that I never know the time of day."

M. Lecoq reflected.

"It is possible," said he, "that Monsieur Plantat is right. The probability is in favor of my theory; but probability, in such an affair, is not sufficient; we must have certainty. There happily remains a mode of testing the matter—the bed; I'll wager it is rumpled up." Then addressing the mayor, "I shall need a servant to lend me a hand."

"I'll help you," said Plantat, "that will be a quicker way."

They lifted the top of the bed and set it on the floor, at the same time raising the curtains.

"Hum!" cried M. Lecoq, "was I right?"

"True," said M. Domini, surprised, "the bed is rumpled."

"Yes; and yet no one has lain in it."

"But—" objected M. Courtois.

"I am sure of what I say," interrupted the detective. "The sheets, it is true, have been thrown back, perhaps someone has rolled about in the bed; the pillows have been tumbled, the quilts and curtains ruffled, but this bed has not the appearance of having been slept in. It is, perhaps, more difficult to rumple up a bed than to put it in order again. To make it up, the coverings must be taken off, and the mattresses turned. To disarrange it, one must actually lie down in it, and warm it with the body. A bed is one of those terrible witnesses which never misguide, and against which no counter testimony can be given. Nobody has gone to bed in this—"

"The countess," remarked Plantat, "was dressed; but the count might have gone to bed first."

"No," answered M. Lecoq, "I'll prove to the contrary. The proof is easy, indeed, and a child of ten, having heard it, wouldn't think of being deceived by this intentional disorder of the bedclothes."

M. Lecoq's auditors drew up to him. He put the coverings back upon the middle of the bed, and went on:

"Both of the pillows are much rumpled, are they not? But look under the bolster—it is all smooth, and you find none of those wrinkles which are made by the weight of the head and the moving about of the arms. That's not all; look at the bed from the middle to the foot. The sheets being laid carefully, the upper and under lie close together everywhere. Slip your hand underneath—there—you see there is a resistance to your hand which would not occur if the legs had been stretched in that place. Now Monsieur de Tremorel was tall enough to extend the full length of the bed."

This demonstration was so clear, its proof so palpable, that it could not be gainsaid.

"This is nothing," continued M. Lecoq. "Let us examine the second mattress. When a person purposely disarranges a bed, he does not think of the second mattress."

He lifted up the upper mattress, and observed that the covering of the under one was perfectly even.

"H'm, the second mattress," muttered M. Lecoq, as if some memory crossed his mind.

"It appears to be proved," observed the judge, "that Monsieur de
Tremorel had not gone to bed."

"Besides," added the doctor, "if he had been murdered in his bed, his clothes would be lying here somewhere."

"Without considering," suggested M. Lecoq, "that some blood must have been found on the sheets. Decidedly, these criminals were not shrewd."

"What seems to me surprising," M. Plantat observed to the judge, "is that anybody would succeed in killing, except in his sleep, a young man so vigorous as Count Hector."

"And in a house full of weapons," added Dr. Gendron; "for the count's cabinet is full of guns, swords and hunting knives; it's a perfect arsenal."

"Alas!" sighed M. Courtois, "we know of worse catastrophes. There is not a week that the papers don't—"

He stopped, chagrined, for nobody was listening to him. Plantat claimed the general attention, and continued:

"The confusion in the house seems to you surprising; well now, I'm surprised that it is not worse than it is. I am, so to speak, an old man; I haven't the energy of a young man of thirty-five; yet it seems to me that if assassins should get into my house, when I was there, and up, it would go hard with them. I don't know what I would do; probably I should be killed; but surely I would give the alarm. I would defend myself, and cry out, and open the windows, and set the house afire."

"Let us add," insisted the doctor, "that it is not easy to surprise a man who is awake. There is always an unexpected noise which puts one on his guard. Perhaps it is a creaking door, or a cracking stair. However cautious the murderer, he does not surprise his victim."

"They may have used fire-arms;" struck in the worthy mayor, "that has been done. You are quietly sitting in your chamber; it is summer, and your