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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » Wife in Name Only by Charlotte Mary Brame (best color ebook reader .txt) 📖

Book online «Wife in Name Only by Charlotte Mary Brame (best color ebook reader .txt) 📖». Author Charlotte Mary Brame



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enough, the papers had disappeared; both the earl and the rector were puzzled.

"They can be of no possible use to any one but myself," said Lord Mountdean. "Now that my poor father is dead and cannot be distressed about it, I shall tell the whole world--if it cares to listen--the story of my marriage. If I had wanted to keep that or the birth of my child a secret, I could have understood the papers being stolen by one wishing to trade with them. As it is, I cannot see that they are of the least use to any one except myself."

They gave up the search at last, and then Lord Mountdean devoted himself to the object--the finding of his child.

In a few days the story of his marriage was told by every newspaper in the land; also the history of the strange disappearance of his child. Large rewards were offered to any one who could bring the least information. Not content with employing the best detective skill in England, he conducted the search himself. He worked unwearyingly.

"A man, woman, and child could not possibly disappear from the face of the earth without leaving some trace behind," he would say.

One little gleam of light came, which filled him with hope--they found that Margaret Dornham had sold all her furniture to a broker living at a town called Wrentford. She had sent for him herself, and had asked him to purchase it, saying that she, with her husband, was going to live at a distance, and that they did not care about taking it with them. He remembered having asked her where she was going, but she evaded any reply. He could tell no more. He showed what he had left of the furniture and tears filled Lord Mountdean's eyes as he saw among it a child's crib. He liberally rewarded the man, and then set to work with renewed vigor to endeavor to find out Margaret Dornham's destination.

He went to the railway stations; and, though the only clew he succeeded in obtaining was a very faint one, he had some reason for believing that Margaret Dornham had gone to London.

In that vast city he continued the search, until it really seemed that every inch of ground had been examined. It was all without result--Margaret Dornham and her little foster-child seemed to have vanished.

"What can be the woman's motive?" the earl would cry, in despair. "Why has she taken the child? What does she intend to do with it?"

It never occurred to him that her great, passionate love for the little one was the sole motive for the deed she had done.

The papers were filled with appeals to Margaret Dornham to return to Castledene, or to give some intelligence of her foster-child. The events of the story were talked about everywhere; but, in spite of all that was done and said, Lord Mountdean's heiress remained undiscovered. Months grew into years, and the same mystery prevailed. The earl was desperate at first--his anguish and sorrow were pitiful to witness; but after a time he grew passive in his despair. He never relaxed in his efforts. Every six months the advertisements with the offers of reward were renewed; every six months the story was retold in the papers. It had become one of the common topics of the day. People talked of the Earl of Mountdean's daughter, of her strange disappearance, of the mysterious silence that had fallen over her. Then, as the years passed on, it was agreed that she would never be found, that she must be dead. The earl's truest friends advised him to marry again. After years of bitter disappointment, of anguish and suspense, of unutterable sorrow and despair, he resigned himself to the entire loss of Madaline's child.

* * * * *


Nature had made Philippa L'Estrange beautiful, circumstances had helped to make her proud. Her father, Lord L'Estrange, died when she was quite a child, leaving her an enormous fortune that was quite under her own control. Her mother, Lady L'Estrange, had but one idea in life, and that was indulging her beautiful daughter in her every caprice. Proud, beautiful, and wealthy, when she most needed her mother's care that mother died, leaving her sole mistress of herself. She was but seventeen then, and was known as one of the wealthiest heiresses and loveliest girls of the day. Her first step was, in the opinion of the world, a wise one; she sent for a widowed cousin, Lady Peters, to live with her as chaperon. For the first year after her mother's death she remained at Verdun Royal, the family estate. After one year given to retirement, Philippa L'Estrange thought she had mourned for her mother after the most exemplary fashion She was just nineteen when she took her place again in the great world, one of its brightest ornaments.

An afternoon in London in May. The air was clear and fresh; there was in it a faint breath of the budding chestnuts, the hawthorn and lilac; the sun shone clear and bright, yet not too warmly.

On this afternoon Miss L'Estrange sat in the drawing-room of the magnificent family mansion in Hyde Park. The whole world could not have produced a more marvelous picture. The room itself was large, lofty, well proportioned, and superbly furnished; the hangings were of pale-rose silk and white lace the pictures and statues were gems of art, a superb copy of the Venus of Milo gleaming white and shapely from between the folds of rose silk, also a marble Flora, whose basket was filled with purple heliotropes, and a Psyche that was in itself a dream of beauty; the vases were filled with fairest and most fragrant flowers. Nothing that art, taste, or luxury could suggest was wanting--the eye reveled in beauty. Miss L'Estrange had refurnished the room in accordance with her own ideas of the beautiful and artistic.

The long windows were opened, and through them one saw the rippling of the rich green foliage in the park; the large iron balconies were filled with flowers, fragrant mignonette, lemon-scented verbenas, purple heliotropes, all growing in rich profusion. The spray of the little scented fountain sparkled in the sun. Every one agreed that there was no other room in London like the grand drawing-room at Verdun House.

There was something on that bright May afternoon more beautiful even than the flowers, the fountains, the bright-plumaged birds in their handsome cages, the white statues, or the pictures; that was the mistress and queen of all this magnificence, Philippa L'Estrange. She was reclining on a couch that had been sent from Paris--a couch made of finest ebony, and covered with pale, rose-colored velvet. If Titian or Velasquez had seen her as she lay there, the world would have been the richer by an immortal work of art; Titian alone could have reproduced those rich, marvelous colors; that perfect, queenly beauty. He would have painted the picture, and the world would have raved about its beauty. The dark masses of waving hair; the lovely face with its warm Southern tints; the dark eyes lighted with fire and passion; the perfect mouth with its proud, sweet, imperial, yet tender lips; the white, dimpled chin; the head and face unrivaled in their glorious contour; the straight, dark brows that could frown and yet soften as few other brows could; the white neck, half hidden, half revealed by the coquettish dress; the white rounded arms and beautiful hands--all would have struck the master. Her dress fell round her in folds that would have charmed an artist. It was of some rich, transparent material, the pale amber hue of which enhanced her dark loveliness. The white arms were half shown, half covered by rich lace--in the waves of her dark hair lay a yellow rose. She looked like a woman whose smile could be fatal and dangerous as that of a siren, who could be madly loved or madly hated, yet to whom no man living could be indifferent.

She played for some few minutes with the rings on her fingers, smiling to herself a soft, dreamy smile, as though her thoughts were very pleasant ones; then she took up a volume of poems, read a few lines, and then laid the book down again. The dark eyes, with a gleam of impatience in them, wandered to the clock.

"How slowly those hands move!" she said.

"You are restless," observed a calm, low voice; "watching a clock always makes time seem long."

"Ah, Lady Peters," said the rich, musical tones, "when I cease to be young, I shall cease to be impatient."

Lady Peters, the chosen confidante and chaperon of the brilliant heiress, was an elderly lady whose most striking characteristic appeared to be calmness and repose. She was richly dressed in a robe of black _moire_, and she wore a cap of point lace; her snowy hair was braided back from a broad white brow; her face was kindly, patient, cheerful; her manner, though somewhat stately, the same. She evidently deeply loved the beautiful girl whose bright face was turned to hers.

"He said three in his note, did he not, Lady Peters?"

"Yes, my dear, but it is impossible for any one to be always strictly punctual; a hundred different things may have detained him."

"But if he were really anxious to see me, he would not let anything detain him," she said.

"Your anxiety about him would be very flattering to him if he knew it," remarked the elder lady.

"Why should I not be anxious? I have always loved him better than the whole world. I have had reason to be anxious."

"Philippa, my dear Philippa, I would not say such things if I were you, unless I had heard something really definite from himself."

The beautiful young heiress laughed a bright, triumphant laugh.

"Something definite from himself! Why, you do not think it likely that he will long remain indifferent to me, even if he be so now--which I do not believe."

"I have had so many disappointments in life that I am afraid of being sanguine," said Lady Peters; and again the young beauty laughed.

"It will seem so strange to see him again. I remember his going away so well. I was very young then--I am young now, but I feel years older. He came down to Verdun Royal to bid us good-by, and I was in the grounds. He had but half an hour to stay, and mamma sent him out to me,"

The color deepened in her face as she spoke, and the light shone in her splendid eyes--there was a kind of wild, restless passion in her words.

"I remember it all so well! There had been a heavy shower of rain in the early morning, that had cleared away, leaving the skies blue, the sunshine golden, while the rain-drops still glistened on the trees and the grass. I love the sweet smell of the green leaves and the moist earth after rain. I was there enjoying it when he came to say good-by to me--mamma came with him. 'Philippa,' she said, 'Norman is going; he wants to say good-by to his little wife.' He always calls me his little wife. I saw him look very grave. She went away and left us together. 'You are growing too tall to be called my little wife, Philippa,' she said, and I laughed at his gravity. We were standing underneath a great flowering lilac-tree--the
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