Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Old Wives' Tale by Arnold Bennett (english novels to read txt) 📖
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continued to dream, at rare intervals, of the kind of passion that would have satisfied her, glowing but banked down like a fire in some fine chamber of a rich but careful household.
She was speculating upon what her future would be, and whether by inertia she was doomed to stay for ever in the Rue Breda, when the Commune caught her. She was more vexed than frightened by the Commune; vexed that a city so in need of repose and industry should indulge in such antics. For many people the Commune was a worse experience than the siege; but not for Sophia. She was a woman and a foreigner. Niepce was infinitely more disturbed than Sophia; he went in fear of his life. Sophia would go out to market and take her chances. It is true that during one period the whole population of the house went to live in the cellars, and orders to the butcher and other tradesmen were given over the party-wall into the adjoining courtyard, which communicated with an alley. A strange existence, and possibly perilous! But the women who passed through it and had also passed through the siege, were not very much intimidated by it, unless they happened to have husbands or lovers who were active politicians.
Sophia did not cease, during the greater part of the year 1871, to make a living and to save money. She watched every sou, and she developed a tendency to demand from her tenants all that they could pay. She excused this to herself by ostentatiously declaring every detail of her prices in advance. It came to the same thing in the end, with this advantage, that the bills did not lead to unpleasantness. Her difficulties commenced when Paris at last definitely resumed its normal aspect and life, when all the women and children came back to those city termini which they had left in such huddled, hysterical throngs, when flats were re-opened that had long been shut, and men who for a whole year had had the disadvantages and the advantages of being without wife and family, anchored themselves once more to the hearth. Then it was that Sophia failed to keep all her rooms let. She could have let them easily and constantly and at high rents; but not to men without encumbrances. Nearly every day she refused attractive tenants in pretty hats, or agreeable gentlemen who only wanted a room on condition that they might offer hospitality to a dashing petticoat. It was useless to proclaim aloud that her house was 'serious.' The ambition of the majority of these joyous persons was to live in a 'serious' house, because each was sure that at bottom he or she was a 'serious' person, and quite different from the rest of the joyous world. The character of Sophia's flat, instead of repelling the wrong kind of aspirant, infallibly drew just that kind. Hope was inextinguishable in these bosoms. They heard that there would be no chance for them at Sophia's; but they tried nevertheless. And occasionally Sophia would make a mistake, and grave unpleasantness would occur before the mistake could be rectified. The fact was that the street was too much for her. Few people would credit that there was a serious boarding-house in the Rue Breda. The police themselves would not credit it. And Sophia's beauty was against her. At that time the Rue Breda was perhaps the most notorious street in the centre of Paris; at the height of its reputation as a warren of individual improprieties; most busily creating that prejudice against itself which, over thirty years later, forced the authorities to change its name in obedience to the wish of its tradesmen. When Sophia went out at about eleven o'clock in the morning with her reticule to buy, the street was littered with women who had gone out with reticules to buy. But whereas Sophia was fully dressed, and wore headgear, the others were in dressing-gown and slippers, or opera-cloak and slippers, having slid directly out of unspeakable beds and omitted to brush their hair out of their puffy eyes. In the little shops of the Rue Breda, the Rue Notre Dame de Lorette, and the Rue des Martyrs, you were very close indeed to the primitive instincts of human nature. It was wonderful; it was amusing; it was excitingly picturesque; and the universality of the manners rendered moral indignation absurd. But the neighbourhood was certainly not one in which a woman of Sophia's race, training, and character, could comfortably earn a living, or even exist. She could not fight against the entire street. She, and not the street, was out of place and in the wrong. Little wonder that the neighbours lifted their shoulders when they spoke of her! What beautiful woman but a mad Englishwoman would have had the idea of establishing herself in the Rue Breda with the intention of living like a nun and compelling others to do the same?
By dint of continual ingenuity, Sophia contrived to win somewhat more than her expenses, but she was slowly driven to admit to herself that the situation could not last.
Then one day she saw in Galignani's Messenger an advertisement of an English pension for sale in the Rue Lord Byron, in the Champs Elysees quarter. It belonged to some people named Frensham, and had enjoyed a certain popularity before the war. The proprietor and his wife, however, had not sufficiently allowed for the vicissitudes of politics in Paris. Instead of saving money during their popularity they had put it on the back and on the fingers of Mrs. Frensham. The siege and the Commune had almost ruined them. With capital they might have restored themselves to their former pride; but their capital was exhausted. Sophia answered the advertisement. She impressed the Frenshams, who were delighted with the prospect of dealing in business with an honest English face. Like many English people abroad they were most strangely obsessed by the notion that they had quitted an island of honest men to live among thieves and robbers. They always implied that dishonesty was unknown in Britain. They offered, if she would take over the lease, to sell all their furniture and their renown for ten thousand francs. She declined, the price seeming absurd to her. When they asked her to name a price, she said that she preferred not to do so. Upon entreaty, she said four thousand francs. They then allowed her to see that they considered her to have been quite right in hesitating to name a price so ridiculous. And their confidence in the honest English face seemed to have been shocked. Sophia left. When she got back to the Rue Breda she was relieved that the matter had come to nothing. She did not precisely foresee what her future was to be, but at any rate she knew she shrank from the responsibility of the Pension Frensham. The next morning she received a letter offering to accept six thousand. She wrote and declined. She was indifferent and she would not budge from four thousand. The Frenshams gave way. They were pained, but they gave way. The glitter of four thousand francs in cash, and freedom, was too tempting.
Thus Sophia became the proprietress of the Pension Frensham in the cold and correct Rue Lord Byron. She made room in it for nearly all her other furniture, so that instead of being under-furnished, as pensions usually are, it was over-furnished. She was extremely timid at first, for the rent alone was four thousand francs a year; and the prices of the quarter were alarmingly different from those of the Rue Breda. She lost a lot of sleep. For some nights, after she had been installed in the Rue Lord Byron about a fortnight, she scarcely slept at all, and she ate no more than she slept. She cut down expenditure to the very lowest, and frequently walked over to the Rue Breda to do her marketing. With the aid of a charwoman at six sous an hour she accomplished everything. And though clients were few, the feat was in the nature of a miracle; for Sophia had to cook.
The articles which George Augustus Sala wrote under the title "Paris herself again" ought to have been paid for in gold by the hotel and pension-keepers of Paris. They awakened English curiosity and the desire to witness the scene of terrible events. Their effect was immediately noticeable. In less than a year after her adventurous purchase, Sophia had acquired confidence, and she was employing two servants, working them very hard at low wages. She had also acquired the landlady's manner. She was known as Mrs. Frensham. Across the balconies of two windows the Frenshams had left a gilded sign, "Pension Frensham," and Sophia had not removed it. She often explained that her name was not Frensham; but in vain. Every visitor inevitably and persistently addressed her according to the sign. It was past the general comprehension that the proprietress of the Pension Frensham might bear another name than Frensham. But later there came into being a class of persons, habitues of the Pension Frensham, who knew the real name of the proprietress and were proud of knowing it, and by this knowledge were distinguished from the herd. What struck Sophia was the astounding similarity of her guests. They all asked the same questions, made the same exclamations, went out on the same excursions, returned with the same judgments, and exhibited the same unimpaired assurance that foreigners were really very peculiar people. They never seemed to advance in knowledge. There was a constant stream of explorers from England who had to be set on their way to the Louvre or the Bon Marche.
Sophia's sole interest was in her profits. The excellence of her house was firmly established. She kept it up, and she kept the modest prices up. Often she had to refuse guests. She naturally did so with a certain distant condescension. Her manner to guests increased in stiff formality; and she was excessively firm with undesirables. She grew to be seriously convinced that no pension as good as hers existed in the world, or ever had existed, or ever could exist. Hers was the acme of niceness and respectability. Her preference for the respectable rose to a passion. And there were no faults in her establishment. Even the once despised showy furniture of Madame Foucault had mysteriously changed into the best conceivable furniture; and its cracks were hallowed.
She never heard a word of Gerald nor of her family. In the thousands of people who stayed under her perfect roof, not one mentioned Bursley nor disclosed a knowledge of anybody that Sophia had known. Several men had the wit to propose marriage to her with more or less skilfulness, but none of them was skilful enough to perturb her heart. She had forgotten the face of love. She was a landlady. She was THE landlady: efficient, stylish, diplomatic, and tremendously experienced. There was no trickery, no baseness of Parisian life that she was not acquainted with and armed against. She could not be startled and she could not be swindled.
Years passed, until there was a vista of years behind her. Sometimes she would think, in an unoccupied moment, "How strange it is that I should be here, doing what I am doing!" But the regular ordinariness of her existence would instantly seize her again. At the end of 1878, the Exhibition Year, her Pension consisted of two floors instead of one, and she had turned the two hundred pounds stolen from Gerald into over two thousand.
BOOK IV
WHAT LIFE IS
She was speculating upon what her future would be, and whether by inertia she was doomed to stay for ever in the Rue Breda, when the Commune caught her. She was more vexed than frightened by the Commune; vexed that a city so in need of repose and industry should indulge in such antics. For many people the Commune was a worse experience than the siege; but not for Sophia. She was a woman and a foreigner. Niepce was infinitely more disturbed than Sophia; he went in fear of his life. Sophia would go out to market and take her chances. It is true that during one period the whole population of the house went to live in the cellars, and orders to the butcher and other tradesmen were given over the party-wall into the adjoining courtyard, which communicated with an alley. A strange existence, and possibly perilous! But the women who passed through it and had also passed through the siege, were not very much intimidated by it, unless they happened to have husbands or lovers who were active politicians.
Sophia did not cease, during the greater part of the year 1871, to make a living and to save money. She watched every sou, and she developed a tendency to demand from her tenants all that they could pay. She excused this to herself by ostentatiously declaring every detail of her prices in advance. It came to the same thing in the end, with this advantage, that the bills did not lead to unpleasantness. Her difficulties commenced when Paris at last definitely resumed its normal aspect and life, when all the women and children came back to those city termini which they had left in such huddled, hysterical throngs, when flats were re-opened that had long been shut, and men who for a whole year had had the disadvantages and the advantages of being without wife and family, anchored themselves once more to the hearth. Then it was that Sophia failed to keep all her rooms let. She could have let them easily and constantly and at high rents; but not to men without encumbrances. Nearly every day she refused attractive tenants in pretty hats, or agreeable gentlemen who only wanted a room on condition that they might offer hospitality to a dashing petticoat. It was useless to proclaim aloud that her house was 'serious.' The ambition of the majority of these joyous persons was to live in a 'serious' house, because each was sure that at bottom he or she was a 'serious' person, and quite different from the rest of the joyous world. The character of Sophia's flat, instead of repelling the wrong kind of aspirant, infallibly drew just that kind. Hope was inextinguishable in these bosoms. They heard that there would be no chance for them at Sophia's; but they tried nevertheless. And occasionally Sophia would make a mistake, and grave unpleasantness would occur before the mistake could be rectified. The fact was that the street was too much for her. Few people would credit that there was a serious boarding-house in the Rue Breda. The police themselves would not credit it. And Sophia's beauty was against her. At that time the Rue Breda was perhaps the most notorious street in the centre of Paris; at the height of its reputation as a warren of individual improprieties; most busily creating that prejudice against itself which, over thirty years later, forced the authorities to change its name in obedience to the wish of its tradesmen. When Sophia went out at about eleven o'clock in the morning with her reticule to buy, the street was littered with women who had gone out with reticules to buy. But whereas Sophia was fully dressed, and wore headgear, the others were in dressing-gown and slippers, or opera-cloak and slippers, having slid directly out of unspeakable beds and omitted to brush their hair out of their puffy eyes. In the little shops of the Rue Breda, the Rue Notre Dame de Lorette, and the Rue des Martyrs, you were very close indeed to the primitive instincts of human nature. It was wonderful; it was amusing; it was excitingly picturesque; and the universality of the manners rendered moral indignation absurd. But the neighbourhood was certainly not one in which a woman of Sophia's race, training, and character, could comfortably earn a living, or even exist. She could not fight against the entire street. She, and not the street, was out of place and in the wrong. Little wonder that the neighbours lifted their shoulders when they spoke of her! What beautiful woman but a mad Englishwoman would have had the idea of establishing herself in the Rue Breda with the intention of living like a nun and compelling others to do the same?
By dint of continual ingenuity, Sophia contrived to win somewhat more than her expenses, but she was slowly driven to admit to herself that the situation could not last.
Then one day she saw in Galignani's Messenger an advertisement of an English pension for sale in the Rue Lord Byron, in the Champs Elysees quarter. It belonged to some people named Frensham, and had enjoyed a certain popularity before the war. The proprietor and his wife, however, had not sufficiently allowed for the vicissitudes of politics in Paris. Instead of saving money during their popularity they had put it on the back and on the fingers of Mrs. Frensham. The siege and the Commune had almost ruined them. With capital they might have restored themselves to their former pride; but their capital was exhausted. Sophia answered the advertisement. She impressed the Frenshams, who were delighted with the prospect of dealing in business with an honest English face. Like many English people abroad they were most strangely obsessed by the notion that they had quitted an island of honest men to live among thieves and robbers. They always implied that dishonesty was unknown in Britain. They offered, if she would take over the lease, to sell all their furniture and their renown for ten thousand francs. She declined, the price seeming absurd to her. When they asked her to name a price, she said that she preferred not to do so. Upon entreaty, she said four thousand francs. They then allowed her to see that they considered her to have been quite right in hesitating to name a price so ridiculous. And their confidence in the honest English face seemed to have been shocked. Sophia left. When she got back to the Rue Breda she was relieved that the matter had come to nothing. She did not precisely foresee what her future was to be, but at any rate she knew she shrank from the responsibility of the Pension Frensham. The next morning she received a letter offering to accept six thousand. She wrote and declined. She was indifferent and she would not budge from four thousand. The Frenshams gave way. They were pained, but they gave way. The glitter of four thousand francs in cash, and freedom, was too tempting.
Thus Sophia became the proprietress of the Pension Frensham in the cold and correct Rue Lord Byron. She made room in it for nearly all her other furniture, so that instead of being under-furnished, as pensions usually are, it was over-furnished. She was extremely timid at first, for the rent alone was four thousand francs a year; and the prices of the quarter were alarmingly different from those of the Rue Breda. She lost a lot of sleep. For some nights, after she had been installed in the Rue Lord Byron about a fortnight, she scarcely slept at all, and she ate no more than she slept. She cut down expenditure to the very lowest, and frequently walked over to the Rue Breda to do her marketing. With the aid of a charwoman at six sous an hour she accomplished everything. And though clients were few, the feat was in the nature of a miracle; for Sophia had to cook.
The articles which George Augustus Sala wrote under the title "Paris herself again" ought to have been paid for in gold by the hotel and pension-keepers of Paris. They awakened English curiosity and the desire to witness the scene of terrible events. Their effect was immediately noticeable. In less than a year after her adventurous purchase, Sophia had acquired confidence, and she was employing two servants, working them very hard at low wages. She had also acquired the landlady's manner. She was known as Mrs. Frensham. Across the balconies of two windows the Frenshams had left a gilded sign, "Pension Frensham," and Sophia had not removed it. She often explained that her name was not Frensham; but in vain. Every visitor inevitably and persistently addressed her according to the sign. It was past the general comprehension that the proprietress of the Pension Frensham might bear another name than Frensham. But later there came into being a class of persons, habitues of the Pension Frensham, who knew the real name of the proprietress and were proud of knowing it, and by this knowledge were distinguished from the herd. What struck Sophia was the astounding similarity of her guests. They all asked the same questions, made the same exclamations, went out on the same excursions, returned with the same judgments, and exhibited the same unimpaired assurance that foreigners were really very peculiar people. They never seemed to advance in knowledge. There was a constant stream of explorers from England who had to be set on their way to the Louvre or the Bon Marche.
Sophia's sole interest was in her profits. The excellence of her house was firmly established. She kept it up, and she kept the modest prices up. Often she had to refuse guests. She naturally did so with a certain distant condescension. Her manner to guests increased in stiff formality; and she was excessively firm with undesirables. She grew to be seriously convinced that no pension as good as hers existed in the world, or ever had existed, or ever could exist. Hers was the acme of niceness and respectability. Her preference for the respectable rose to a passion. And there were no faults in her establishment. Even the once despised showy furniture of Madame Foucault had mysteriously changed into the best conceivable furniture; and its cracks were hallowed.
She never heard a word of Gerald nor of her family. In the thousands of people who stayed under her perfect roof, not one mentioned Bursley nor disclosed a knowledge of anybody that Sophia had known. Several men had the wit to propose marriage to her with more or less skilfulness, but none of them was skilful enough to perturb her heart. She had forgotten the face of love. She was a landlady. She was THE landlady: efficient, stylish, diplomatic, and tremendously experienced. There was no trickery, no baseness of Parisian life that she was not acquainted with and armed against. She could not be startled and she could not be swindled.
Years passed, until there was a vista of years behind her. Sometimes she would think, in an unoccupied moment, "How strange it is that I should be here, doing what I am doing!" But the regular ordinariness of her existence would instantly seize her again. At the end of 1878, the Exhibition Year, her Pension consisted of two floors instead of one, and she had turned the two hundred pounds stolen from Gerald into over two thousand.
BOOK IV
WHAT LIFE IS
CHAPTER I
FRENSHAM'S
I
Matthew Peel-Swynnerton sat in the long dining-room of the Pension Frensham, Rue Lord Byron, Paris; and he
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