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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » The Octopus by Frank Norris (best e reader for academics TXT) 📖

Book online «The Octopus by Frank Norris (best e reader for academics TXT) 📖». Author Frank Norris



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is only another head of the same Hydra. Is not our death struggle typical? Is it not one of many, is it not symbolical of the great and terrible conflict that is going on everywhere in these United States? Ah, you people, blind, bound, tricked, betrayed, can you not see it? Can you not see how the monsters have plundered your treasures and holding them in the grip of their iron claws, dole them out to you only at the price of your blood, at the price of the lives of your wives and your little children? You give your babies to Moloch for the loaf of bread you have kneaded yourselves. You offer your starved wives to Juggernaut for the iron nail you have yourselves compounded.”

He spent the night over his journal, writing down such thoughts as these or walking the floor from wall to wall, or, seized at times with unreasoning horror and blind rage, flinging himself face downward upon his bed, vowing with inarticulate cries that neither S. Behrman nor Shelgrim should ever live to consummate their triumph.

Morning came and with it the daily papers and news. Presley did not even glance at the “Mercury.” Bonneville published two other daily journals that professed to voice the will and reflect the temper of the people and these he read eagerly.

Osterman was yet alive and there were chances of his recovery. The League—some three hundred of its members had gathered at Bonneville over night and were patrolling the streets and, still resolved to keep the peace, were even guarding the railroad shops and buildings. Furthermore, the Leaguers had issued manifestoes, urging all citizens to preserve law and order, yet summoning an indignation meeting to be convened that afternoon at the City Opera House.

It appeared from the newspapers that those who obstructed the marshal in the discharge of his duty could be proceeded against by the District Attorney on information or by bringing the matter before the Grand Jury. But the Grand Jury was not at that time in session, and it was known that there were no funds in the marshal’s office to pay expenses for the summoning of jurors or the serving of processes. S. Behrman and Ruggles in interviews stated that the Railroad withdrew entirely from the fight; the matter now, according to them, was between the Leaguers and the United States Government; they washed their hands of the whole business. The ranchers could settle with Washington. But it seemed that Congress had recently forbade the use of troops for civil purposes; the whole matter of the League-Railroad contest was evidently for the moment to be left in status quo.

But to Presley’s mind the most important piece of news that morning was the report of the action of the Railroad upon hearing of the battle.

Instantly Bonneville had been isolated. Not a single local train was running, not one of the through trains made any halt at the station. The mails were not moved. Further than this, by some arrangement difficult to understand, the telegraph operators at Bonneville and Guadalajara, acting under orders, refused to receive any telegrams except those emanating from railway officials. The story of the fight, the story creating the first impression, was to be told to San Francisco and the outside world by S. Behrman, Ruggles, and the local P. and S. W. agents.

An hour before breakfast, the undertakers arrived and took charge of the bodies of Harran and Annixter. Presley saw neither Hilma, Magnus, nor Mrs. Derrick. The doctor came to look after Hilma. He breakfasted with Mrs. Dyke and Presley, and from him Presley learned that Hilma would recover both from the shock of her husband’s death and from her miscarriage of the previous night.

“She ought to have her mother with her,” said the physician. “She does nothing but call for her or beg to be allowed to go to her. I have tried to get a wire through to Mrs. Tree, but the company will not take it, and even if I could get word to her, how could she get down here? There are no trains.”

But Presley found that it was impossible for him to stay at Los Muertos that day. Gloom and the shadow of tragedy brooded heavy over the place. A great silence pervaded everything, a silence broken only by the subdued coming and going of the undertaker and his assistants. When Presley, having resolved to go into Bonneville, came out through the doorway of the house, he found the undertaker tying a long strip of crape to the bell-handle.

Presley saddled his pony and rode into town. By this time, after long hours of continued reflection upon one subject, a sombre brooding malevolence, a deep-seated desire of revenge, had grown big within his mind. The first numbness had passed off; familiarity with what had been done had blunted the edge of horror, and now the impulse of retaliation prevailed. At first, the sullen anger of defeat, the sense of outrage, had only smouldered, but the more he brooded, the fiercer flamed his rage. Sudden paroxysms of wrath gripped him by the throat; abrupt outbursts of fury injected his eyes with blood. He ground his teeth, his mouth filled with curses, his hands clenched till they grew white and bloodless. Was the Railroad to triumph then in the end? After all those months of preparation, after all those grandiloquent resolutions, after all the arrogant presumption of the League! The League! what a farce; what had it amounted to when the crisis came? Was the Trust to crush them all so easily? Was S. Behrman to swallow Los Muertos? S. Behrman! Presley saw him plainly, huge, rotund, white; saw his jowl tremulous and obese, the roll of fat over his collar sprinkled with sparse hairs, the great stomach with its brown linen vest and heavy watch chain of hollow links, clinking against the buttons of imitation pearl. And this man was to crush Magnus Derrick—had already stamped the life from such men as Harran and Annixter. This man, in the name of the Trust, was to grab Los Muertos as he had grabbed Quien Sabe, and after Los Muertos, Broderson’s ranch, then Osterman’s, then others, and still others, the whole valley, the whole State.

Presley beat his forehead with his clenched fist as he rode on.

“No,” he cried, “no, kill him, kill him, kill him with my hands.”

The idea of it put him beside himself. Oh, to sink his fingers deep into the white, fat throat of the man, to clutch like iron into the great puffed jowl of him, to wrench out the life, to batter it out, strangle it out, to pay him back for the long years of extortion and oppression, to square accounts for bribed jurors, bought judges, corrupted legislatures, to have justice for the trick of the Ranchers’ Railroad Commission, the charlatanism of the “ten per cent. cut,” the ruin of Dyke, the seizure of Quien Sabe, the murder of Harran, the assassination of Annixter!

It was in such mood that he reached Caraher’s. The saloonkeeper had just opened his place and was standing in his doorway, smoking his pipe. Presley dismounted and went in and the two had a long talk.

When, three hours later, Presley came out of the saloon and rode on towards Bonneville, his face was very pale, his lips shut tight, resolute, determined. His manner was that of a man whose mind is made up. The hour for the mass meeting at the Opera House had been set for one o’clock, but long before noon the street in front of the building and, in fact, all the streets in its vicinity, were packed from side to side with a shifting, struggling, surging, and excited multitude. There were few women in the throng, but hardly a single male inhabitant of either Bonneville or Guadalajara was absent. Men had even come from Visalia and Pixley. It was no longer the crowd of curiosity seekers that had thronged around Hooven’s place by the irrigating ditch; the People were no longer confused, bewildered. A full realisation of just what had been done the day before was clear now in the minds of all. Business was suspended; nearly all the stores were closed. Since early morning the members of the League had put in an appearance and rode from point to point, their rifles across their saddle pommels. Then, by ten o’clock, the streets had begun to fill up, the groups on the corners grew and merged into one another; pedestrians, unable to find room on the sidewalks, took to the streets. Hourly the crowd increased till shoulders touched and elbows, till free circulation became impeded, then congested, then impossible. The crowd, a solid mass, was wedged tight from store front to store front. And from all this throng, this single unit, this living, breathing organism—the People— there rose a droning, terrible note. It was not yet the wild, fierce clamour of riot and insurrection, shrill, high pitched; but it was a beginning, the growl of the awakened brute, feeling the iron in its flank, heaving up its head with bared teeth, the throat vibrating to the long, indrawn snarl of wrath.

Thus the forenoon passed, while the people, their bulk growing hourly vaster, kept to the streets, moving slowly backward and forward, oscillating in the grooves of the thoroughfares, the steady, low-pitched growl rising continually into the hot, still air.

Then, at length, about twelve o’clock, the movement of the throng assumed definite direction. It set towards the Opera House. Presley, who had left his pony at the City livery stable, found himself caught in the current and carried slowly forward in its direction. His arms were pinioned to his sides by the press, the crush against his body was all but rib-cracking, he could hardly draw his breath. All around him rose and fell wave after wave of faces, hundreds upon hundreds, thousands upon thousands, red, lowering, sullen. All were set in one direction and slowly, slowly they advanced, crowding closer, till they almost touched one another. For reasons that were inexplicable, great, tumultuous heavings, like ground-swells of an incoming tide, surged over and through the multitude. At times, Presley, lifted from his feet, was swept back, back, back, with the crowd, till the entrance of the Opera House was half a block away; then, the returning billow beat back again and swung him along, gasping, staggering, clutching, till he was landed once more in the vortex of frantic action in front of the foyer. Here the waves were shorter, quicker, the crushing pressure on all sides of his body left him without strength to utter the cry that rose to his lips; then, suddenly the whole mass of struggling, stamping, fighting, writhing men about him seemed, as it were, to rise, to lift, multitudinous, swelling, gigantic. A mighty rush dashed Presley forward in its leap. There was a moment’s whirl of confused sights, congested faces, opened mouths, bloodshot eyes, clutching hands; a moment’s outburst of furious sound, shouts, cheers, oaths; a moment’s jam wherein Presley veritably believed his ribs must snap like pipestems and he was carried, dazed, breathless, helpless, an atom on the crest of a storm-driven wave, up the steps of the Opera House, on into the vestibule, through the doors, and at last into the auditorium of the house itself.

There was a mad rush for places; men disdaining the aisle, stepped from one orchestra chair to another, striding over the backs of seats, leaving the print of dusty feet upon the red plush cushions. In a twinkling the house was filled from stage to topmost gallery. The aisles were packed solid, even on the edge of the stage itself men were sitting, a black fringe on either side of the footlights.

The curtain was up, disclosing a half-set scene,—the flats, leaning at perilous angles,—that represented some

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