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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » Sketches by Boz, illustrative of everyday life and every-day people by Charles Dickens (books to get back into reading txt) 📖

Book online «Sketches by Boz, illustrative of everyday life and every-day people by Charles Dickens (books to get back into reading txt) 📖». Author Charles Dickens



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tenanted by the uncle of Mr. Timson.

‘Is Mr. Charles Timson at home?’ inquired Mr. Watkins Tottle of Mr. Charles Timson’s uncle’s man.

‘Mr. Charles _is_ at home,’ replied the man, stammering; ‘but he desired me to say he couldn’t be interrupted, sir, by any of the parishioners.’

‘_I_ am not a parishioner,’ replied Watkins.

‘Is Mr. Charles writing a sermon, Tom?’ inquired Parsons, thrusting himself forward.

‘No, Mr. Parsons, sir; he’s not exactly writing a sermon, but he is practising the violoncello in his own bedroom, and gave strict orders not to be disturbed.’

‘Say I’m here,’ replied Gabriel, leading the way across the garden; ‘Mr. Parsons and Mr. Tottle, on private and particular business.’

They were shown into the parlour, and the servant departed to deliver his message. The distant groaning of the violoncello ceased; footsteps were heard on the stairs; and Mr. Timson presented himself, and shook hands with Parsons with the utmost cordiality.

‘Game!’ exclaimed Ikey, who had been altering the position of a green-handled knife and fork at least a dozen times, in order that he might remain in the room under the pretext of having something to do. ‘He’s game enough ven there’s anything to be fierce about; but who could be game as you call it, Mr. Walker, with a pale young creetur like that, hanging about him?—It’s enough to drive any man’s heart into his boots to see ’em together—and no mistake at all about it. I never shall forget her first comin’ here; he wrote to her on the Thursday to come—I know he did, ’cos I took the letter. Uncommon fidgety he was all day to be sure, and in the evening he goes down into the office, and he says to Jacobs, says he, “Sir, can I have the loan of a private room for a few minutes this evening, without incurring any additional expense—just to see my wife in?” says he. Jacobs looked as much as to say—“Strike me bountiful if you ain’t one of the modest sort!” but as the gen’lm’n who had been in the back parlour had just gone out, and had paid for it for that day, he says—werry grave—“Sir,” says he, “it’s agin our rules to let private rooms to our lodgers on gratis terms, but,” says he, “for a gentleman, I don’t mind breaking through them for once.” So then he turns found to me, and says, “Ikey, put two mould candles in the back parlour, and charge ’em to this gen’lm’n’s account,” vich I did. Vell, by-and-by a hackney-coach comes up to the door, and there, sure enough, was the young lady, wrapped up in a hopera-cloak, as it might be, and all alone. I opened the gate that night, so I went up when the coach come, and he vos a waitin’ at the parlour door—and wasn’t he a trembling, neither? The poor creetur see him, and could hardly walk to meet him. “Oh, Harry!” she says, “that it should have come to this; and all for my sake,” says she, putting her hand upon his shoulder. So he puts his arm round her pretty little waist, and leading her gently a little way into the room, so that he might be able to shut the door, he says, so kind and soft-like—“Why, Kate,” says he—’

‘Here’s the gentleman you want,’ said Ikey, abruptly breaking off in his story, and introducing Mr. Gabriel Parsons to the crest-fallen Watkins Tottle, who at that moment entered the room. Watkins advanced with a wooden expression of passive endurance, and accepted the hand which Mr. Gabriel Parsons held out.

‘I want to speak to you,’ said Gabriel, with a look strongly expressive of his dislike of the company.

‘This way,’ replied the imprisoned one, leading the way to the front drawing-room, where rich debtors did the luxurious at the rate of a couple of guineas a day.

‘Well, here I am,’ said Mr. Watkins, as he sat down on the sofa; and placing the palms of his hands on his knees, anxiously glanced at his friend’s countenance.

‘Yes; and here you’re likely to be,’ said Gabriel, coolly, as he rattled the money in his unmentionable pockets, and looked out of the window.

‘What’s the amount with the costs?’ inquired Parsons, after an awkward pause.

‘Have you any money?’

‘Nine and sixpence halfpenny.’

Mr. Gabriel Parsons walked up and down the room for a few seconds, before he could make up his mind to disclose the plan he had formed; he was accustomed to drive hard bargains, but was always most anxious to conceal his avarice. At length he stopped short, and said, ‘Tottle, you owe me fifty pounds.’

‘I do.’

‘And from all I see, I infer that you are likely to owe it to me.’

‘I fear I am.’

‘Though you have every disposition to pay me if you could?’

‘Certainly.’

‘Then,’ said Mr. Gabriel Parsons, ‘listen: here’s my proposition. You know my way of old. Accept it—yes or no—I will or I won’t. I’ll pay the debt and costs, and I’ll lend you 10_l._ more (which, added to your annuity, will enable you to carry on the war well) if you’ll give me your note of hand to pay me one hundred and fifty pounds within six months after you are married to Miss Lillerton.’

‘My dear—’

‘Stop a minute—on one condition; and that is, that you propose to Miss Lillerton at once.’

‘At once! My dear Parsons, consider.’

‘It’s for you to consider, not me. She knows you well from reputation, though she did not know you personally until lately. Notwithstanding all her maiden modesty, I think she’d be devilish glad to get married out of hand with as little delay as possible. My wife has sounded her on the subject, and she has confessed.’

‘What—what?’ eagerly interrupted the enamoured Watkins.

‘Why,’ replied Parsons, ‘to say exactly what she has confessed, would be rather difficult, because they only spoke in hints, and so forth; but my wife, who is no bad judge in these cases, declared to me that what she had confessed was as good as to say that she was not insensible of your merits—in fact, that no other man should have her.’

Mr. Watkins Tottle rose hastily from his seat, and rang the bell.

‘What’s that for?’ inquired Parsons.

‘I want to send the man for the bill stamp,’ replied Mr. Watkins Tottle.

‘Then you’ve made up your mind?’

‘I have,’—and they shook hands most cordially. The note of hand was given—the debt and costs were paid—Ikey was satisfied for his trouble, and the two friends soon found themselves on that side of Mr. Solomon Jacobs’s establishment, on which most of his visitors were very happy when they found themselves once again—to wit, the outside.

‘Now,’ said Mr. Gabriel Parsons, as they drove to Norwood together—‘you shall have an opportunity to make the disclosure to-night, and mind you speak out, Tottle.’

‘I will—I will!’ replied Watkins, valorously.

‘How I should like to see you together,’ ejaculated Mr. Gabriel Parsons.—‘What fun!’ and he laughed so long and so loudly, that he disconcerted Mr. Watkins Tottle, and frightened the horse.

‘There’s Fanny and your intended walking about on the lawn,’ said Gabriel, as they approached the house. ‘Mind your eye, Tottle.’

‘Never fear,’ replied Watkins, resolutely, as he made his way to the spot where the ladies were walking.

‘Here’s Mr. Tottle, my dear,’ said Mrs. Parsons, addressing Miss Lillerton. The lady turned quickly round, and acknowledged his courteous salute with the same sort of confusion that Watkins had noticed on their first interview, but with something like a slight expression of disappointment or carelessness.

‘Did you see how glad she was to see you?’ whispered Parsons to his friend.

‘Why, I really thought she looked as if she would rather have seen somebody else,’ replied Tottle.

‘Pooh, nonsense!’ whispered Parsons again—‘it’s always the way with the women, young or old. They never show how delighted they are to see those whose presence makes their hearts beat. It’s the way with the whole sex, and no man should have lived to your time of life without knowing it. Fanny confessed it to me, when we were first married, over and over again—see what it is to have a wife.’

‘Certainly,’ whispered Tottle, whose courage was vanishing fast.

‘Well, now, you’d better begin to pave the way,’ said Parsons, who, having invested some money in the speculation, assumed the office of director.

‘Yes, yes, I will—presently,’ replied Tottle, greatly flurried.

‘Say something to her, man,’ urged Parsons again. ‘Confound it! pay her a compliment, can’t you?’

‘No! not till after dinner,’ replied the bashful Tottle, anxious to postpone the evil moment.

‘Well, gentlemen,’ said Mrs. Parsons, ‘you are really very polite; you stay away the whole morning, after promising to take us out, and when you do come home, you stand whispering together and take no notice of us.’

‘We were talking of the _business_, my dear, which detained us this morning,’ replied Parsons, looking significantly at Tottle.

‘Dear me! how very quickly the morning has gone,’ said Miss Lillerton, referring to the gold watch, which was wound up on state occasions, whether it required it or not.

‘I think it has passed very slowly,’ mildly suggested Tottle.

(‘That’s right—bravo!’) whispered Parsons.

‘Indeed!’ said Miss Lillerton, with an air of majestic surprise.

‘I can only impute it to my unavoidable absence from your society, madam,’ said Watkins, ‘and that of Mrs. Parsons.’

During this short dialogue, the ladies had been leading the way to the house.

‘What the deuce did you stick Fanny into that last compliment for?’ inquired Parsons, as they followed together; ‘it quite spoilt the effect.’

‘Oh! it really would have been too broad without,’ replied Watkins Tottle, ‘much too broad!’

‘He’s mad!’ Parsons whispered his wife, as they entered the drawing-room, ‘mad from modesty.’

‘Dear me!’ ejaculated the lady, ‘I never heard of such a thing.’

‘You’ll find we have quite a family dinner, Mr. Tottle,’ said Mrs. Parsons, when they sat down to table: ‘Miss Lillerton is one of us, and, of course, we make no stranger of you.’

Mr. Watkins Tottle expressed a hope that the Parsons family never would make a stranger of him; and wished internally that his bashfulness would allow him to feel a little less like a stranger himself.

‘Take off the covers, Martha,’ said Mrs. Parsons, directing the shifting of the scenery with great anxiety. The order was obeyed, and a pair of boiled fowls, with tongue and et ceteras, were displayed at the top, and a fillet of veal at the bottom. On one side of the table two green sauce-tureens, with ladles of the same, were setting to each other in a green dish; and on the other was a curried rabbit, in a brown suit, turned up with lemon.

‘Miss Lillerton, my dear,’ said Mrs. Parsons, ‘shall I assist you?’

‘Thank you, no; I think I’ll trouble Mr. Tottle.’

Watkins started—trembled—helped the rabbit—and broke a tumbler. The countenance of the lady of the house, which had been all smiles previously, underwent an awful change.

‘Extremely sorry,’ stammered Watkins, assisting himself to currie and parsley and butter, in the extremity of his confusion.

‘Not the least consequence,’ replied Mrs. Parsons, in a tone which implied that it was of the greatest consequence
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