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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » The Girl with the Golden Eyes by Honoré de Balzac (best novels for students txt) 📖

Book online «The Girl with the Golden Eyes by Honoré de Balzac (best novels for students txt) 📖». Author Honoré de Balzac



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have chilled love to death had not Paquita been there, upon an ottoman, in a loose voluptuous wrapper, free to scatter her gaze of gold and flame, free to show her arched foot, free of her luminous movements. This first interview was what every _rendezvous_ must be between persons of passionate disposition, who have stepped over a wide distance quickly, who desire each other ardently, and who, nevertheless, do not know each other. It is impossible that at first there should not occur certain discordant notes in the situation, which is embarrassing until the moment when two souls find themselves in unison.

If desire gives a man boldness and disposes him to lay restraint aside, the mistress, under pain of ceasing to be woman, however great may be her love, is afraid of arriving at the end so promptly, and face to face with the necessity of giving herself, which to many women is equivalent to a fall into an abyss, at the bottom of which they know not what they shall find. The involuntary coldness of the woman contrasts with her confessed passion, and necessarily reacts upon the most passionate lover. Thus ideas, which often float around souls like vapors, determine in them a sort of temporary malady. In the sweet journey which two beings undertake through the fair domains of love, this moment is like a waste land to be traversed, a land without a tree, alternatively damp and warm, full of scorching sand, traversed by marshes, which leads to smiling groves clad with roses, where Love and his retinue of pleasures disport themselves on carpets of soft verdure. Often the witty man finds himself afflicted with a foolish laugh which is his only answer to everything; his wit is, as it were, suffocated beneath the icy pressure of his desires. It would not be impossible for two beings of equal beauty, intelligence, and passion to utter at first nothing but the most silly commonplaces, until chance, a word, the tremor of a certain glance, the communication of a spark, should have brought them to the happy transition which leads to that flowery way in which one does not walk, but where one sways and at the same time does not lapse.

Such a state of mind is always in proportion with the violence of the feeling. Two creatures who love one another weakly feel nothing similar. The effect of this crisis can even be compared with that which is produced by the glow of a clear sky. Nature, at the first view, appears to be covered with a gauze veil, the azure of the firmament seems black, the intensity of light is like darkness. With Henri, as with the Spanish girl, there was an equal intensity of feeling; and that law of statics, in virtue of which two identical forces cancel each other, might have been true also in the moral order. And the embarrassment of the moment was singularly increased by the presence of the old hag. Love takes pleasure or fright at all, all has meaning for it, everything is an omen of happiness or sorrow for it.

This decrepit woman was there like a suggestion of catastrophe, and represented the horrid fish's tail with which the allegorical geniuses of Greece have terminated their chimeras and sirens, whose figures, like all passions, are so seductive, so deceptive.

Although Henri was not a free-thinker--the phrase is always a mockery--but a man of extraordinary power, a man as great as a man can be without faith, the conjunction struck him. Moreover, the strongest men are naturally the most impressionable, and consequently the most superstitious, if, indeed, one may call superstition the prejudice of the first thoughts, which, without doubt, is the appreciation of the result in causes hidden to other eyes but perceptible to their own.

The Spanish girl profited by this moment of stupefaction to let herself fall into the ecstasy of that infinite adoration which seizes the heart of a woman, when she truly loves and finds herself in the presence of an idol for whom she has vainly longed. Her eyes were all joy, all happiness, and sparks flew from them. She was under the charm, and fearlessly intoxicated herself with a felicity of which she had dreamed long. She seemed then so marvelously beautiful to Henri, that all this phantasmagoria of rags and old age, of worn red drapery and of the green mats in front of the armchairs, the ill-washed red tiles, all this sick and dilapidated luxury, disappeared.

The room seemed lit up; and it was only through a cloud that one could see the fearful harpy fixed and dumb on her red sofa, her yellow eyes betraying the servile sentiments, inspired by misfortune, or caused by some vice beneath whose servitude one has fallen as beneath a tyrant who brutalizes one with the flagellations of his despotism. Her eyes had the cold glitter of a caged tiger, knowing his impotence and being compelled to swallow his rage of destruction.

"Who is that woman?" said Henri to Paquita.

But Paquita did not answer. She made a sign that she understood no French, and asked Henri if he spoke English.

De Marsay repeated his question in English.

"She is the only woman in whom I can confide, although she has sold me already," said Paquita, tranquilly. "My dear Adolphe, she is my mother, a slave bought in Georgia for her rare beauty, little enough of which remains to-day. She only speaks her native tongue."

The attitude of this woman and her eagerness to guess from the gestures of her daughter and Henri what was passing between them, were suddenly explained to the young man; and this explanation put him at his ease.

"Paquita," he said, "are we never to be free then?"

"Never," she said, with an air of sadness. "Even now we have but a few days before us."

She lowered her eyes, looked at and counted with her right hand on the fingers of her left, revealing so the most beautiful hands which Henri had ever seen.

"One, two, three----"

She counted up to twelve.

"Yes," she said, "we have twelve days."

"And after?"

"After," she said, showing the absorption of a weak woman before the executioner's axe, and slain in advance, as it were, by a fear which stripped her of that magnificent energy which Nature seemed to have bestowed upon her only to aggrandize pleasure and convert the most vulgar delights into endless poems. "After----" she repeated. Her eyes took a fixed stare; she seemed to contemplate a threatening object far away.

"I do not know," she said.

"This girl is mad," said Henri to himself, falling into strange reflections.

Paquita appeared to him occupied by something which was not himself, like a woman constrained equally by remorse and passion. Perhaps she had in her heart another love which she alternately remembered and forgot. In a moment Henri was assailed by a thousand contradictory thoughts. This girl became a mystery for him; but as he contemplated her with the scientific attention of the _blase_ man, famished for new pleasures, like that Eastern king who asked that a pleasure should be created for him,--a horrible thirst with which great souls are seized,--Henri recognized in Paquita the richest organization that Nature had ever deigned to compose for love. The presumptive play of this machinery, setting aside the soul, would have frightened any other man than Henri; but he was fascinated by that rich harvest of promised pleasures, by that constant variety in happiness, the dream of every man, and the desire of every loving woman too. He was infuriated by the infinite rendered palpable, and transported into the most excessive raptures of which the creature is capable. All that he saw in this girl more distinctly than he had yet seen it, for she let herself be viewed complacently, happy to be admired. The admiration of De Marsay became a secret fury, and he unveiled her completely, throwing a glance at her which the Spaniard understood as though she had been used to receive such.

"If you are not to be mine, mine only, I will kill you!" he cried.

Hearing this speech, Paquita covered her face in her hands, and cried naively:

"Holy Virgin! What have I brought upon myself?"

She rose, flung herself down upon the red sofa, and buried her head in the rags which covered the bosom of her mother, and wept there. The old woman received her daughter without issuing from her state of immobility, or displaying any emotion. The mother possessed in the highest degree that gravity of savage races, the impassiveness of a statue upon which all remarks are lost. Did she or did she not love her daughter? Beneath that mask every human emotion might brood--good and evil; and from this creature all might be expected. Her gaze passed slowly from her daughter's beautiful hair, which covered her like a mantle, to the face of Henri, which she considered with an indescribable curiosity.

She seemed to ask by what fatality he was there, from what caprice Nature had made so seductive a man.

"These women are making sport of me," said Henri to himself.

At that moment Paquita raised her head, cast at him one of those looks which reach the very soul and consume it. So beautiful seemed she that he swore he would possess such a treasure of beauty.

"My Paquita! Be mine!"

"Wouldst thou kill me?" she said fearfully, palpitating and anxious, but drawn towards him by an inexplicable force.

"Kill thee--I!" he said, smiling.

Paquita uttered a cry of alarm, said a word to the old woman, who authoritatively seized Henri's hand and that of her daughter. She gazed at them for a long time, and then released them, wagging her head in a fashion horribly significant.

"Be mine--this evening, this moment; follow me, do not leave me! It must be, Paquita! Dost thou love me? Come!"

In a moment he had poured out a thousand foolish words to her, with the rapidity of a torrent coursing between the rocks, and repeating the same sound in a thousand different forms.

"It is the same voice!" said Paquita, in a melancholy voice, which De Marsay could not overhear, "and the same ardor," she added. "So be it--yes," she said, with an abandonment of passion which no words can describe. "Yes; but not to-night. To-night Adolphe, I gave too little opium to La Concha. She might wake up, and I should be lost. At this moment the whole household believes me to be asleep in my room. In two days be at the same spot, say the same word to the same man. That man is my foster-father. Cristemio worships me, and would die in torments for me before they could extract one word against me from him. Farewell," she said seizing Henri by the waist and twining round him like a serpent.

She pressed him on every side at once, lifted her head to his, and offered him her lips, then snatched a kiss which filled them both with such a dizziness that it seemed to Henri as though the earth opened; and Paquita cried: "Enough, depart!" in a voice which told how little she was mistress of herself. But she clung to him still, still crying "Depart!" and brought him slowly to the staircase. There the mulatto, whose white eyes lit up at the sight of Paquita, took the torch from the hands of his idol, and conducted Henri to the street. He left the light under the arch, opened the door, put Henri into the carriage, and set him down on the Boulevard des Italiens with marvelous rapidity. It was
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