Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Adam Bede by George Eliot (latest books to read .txt) 📖
- Author: George Eliot
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Book online «Adam Bede by George Eliot (latest books to read .txt) 📖». Author George Eliot
Hetty obeyed her, like a little child.
“Adam...I'm very sorry...I behaved very wrong to you...will you forgive me...before I die?”
Adam answered with a half-sob, “Yes, I forgive thee Hetty. I forgave thee long ago.”
It had seemed to Adam as if his brain would burst with the anguish of meeting Hetty's eyes in the first moments, but the sound of her voice uttering these penitent words touched a chord which had been less strained. There was a sense of relief from what was becoming unbearable, and the rare tears came—they had never come before, since he had hung on Seth's neck in the beginning of his sorrow.
Hetty made an involuntary movement towards him, some of the love that she had once lived in the midst of was come near her again. She kept hold of Dinah's hand, but she went up to Adam and said timidly, “Will you kiss me again, Adam, for all I've been so wicked?”
Adam took the blanched wasted hand she put out to him, and they gave each other the solemn unspeakable kiss of a lifelong parting.
“And tell him,” Hetty said, in rather a stronger voice, “tell him...for there's nobody else to tell him...as I went after him and couldn't find him...and I hated him and cursed him once...but Dinah says I should forgive him...and I try...for else God won't forgive me.”
There was a noise at the door of the cell now—the key was being turned in the lock, and when the door opened, Adam saw indistinctly that there were several faces there. He was too agitated to see more—even to see that Mr. Irwine's face was one of them. He felt that the last preparations were beginning, and he could stay no longer. Room was silently made for him to depart, and he went to his chamber in loneliness, leaving Bartle Massey to watch and see the end.
Chapter XLVII The Last Moment
IT was a sight that some people remembered better even than their own sorrows—the sight in that grey clear morning, when the fatal cart with the two young women in it was descried by the waiting watching multitude, cleaving its way towards the hideous symbol of a deliberately inflicted sudden death.
All Stoniton had heard of Dinah Morris, the young Methodist woman who had brought the obstinate criminal to confess, and there was as much eagerness to see her as to see the wretched Hetty.
But Dinah was hardly conscious of the multitude. When Hetty had caught sight of the vast crowd in the distance, she had clutched Dinah convulsively.
“Close your eyes, Hetty,” Dinah said, “and let us pray without ceasing to God.”
And in a low voice, as the cart went slowly along through the midst of the gazing crowd, she poured forth her soul with the wrestling intensity of a last pleading, for the trembling creature that clung to her and clutched her as the only visible sign of love and pity.
Dinah did not know that the crowd was silent, gazing at her with a sort of awe—she did not even know how near they were to the fatal spot, when the cart stopped, and she shrank appalled at a loud shout hideous to her ear, like a vast yell of demons. Hetty's shriek mingled with the sound, and they clasped each other in mutual horror.
But it was not a shout of execration—not a yell of exultant cruelty.
It was a shout of sudden excitement at the appearance of a horseman cleaving the crowd at full gallop. The horse is hot and distressed, but answers to the desperate spurring; the rider looks as if his eyes were glazed by madness, and he saw nothing but what was unseen by others. See, he has something in his hand—he is holding it up as if it were a signal.
The Sheriff knows him: it is Arthur Donnithorne, carrying in his hand a hard-won release from death.
Chapter XLVIII Another Meeting in the Wood
THE next day, at evening, two men were walking from opposite points towards the same scene, drawn thither by a common memory. The scene was the Grove by Donnithorne Chase: you know who the men were.
The old squire's funeral had taken place that morning, the will had been read, and now in the first breathing-space, Arthur Donnithorne had come out for a lonely walk, that he might look fixedly at the new future before him and confirm himself in a sad resolution. He thought he could do that best in the Grove.
Adam too had come from Stontion on Monday evening, and to-day he had not left home, except to go to the family at the Hall Farm and tell them everything that Mr. Irwine had left untold. He had agreed with the Poysers that he would follow them to their new neighbourhood, wherever that might be, for he meant to give up the management of the woods, and, as soon as it was practicable, he would wind up his business with Jonathan Burge and settle with his mother and Seth in a home within reach of the friends to whom he felt bound by a mutual sorrow.
“Seth and me are sure to find work,” he said. “A man that's got our trade at his finger-ends is at home everywhere; and we must make a new start. My mother won't stand in the way, for she's told me, since I came home, she'd made up her mind to being buried in another parish, if I wished it, and if I'd be more comfortable elsewhere. It's wonderful how quiet she's been ever since I came back. It seems as if the very greatness o' the trouble had quieted and calmed her. We shall all be better in a new country, though there's some I shall be loath to leave behind. But I won't part from you and yours, if I can help it, Mr. Poyser. Trouble's made us kin.”
“Aye, lad,” said Martin. “We'll go out o' hearing o' that man's name. But I doubt we shall ne'er go far enough for folks not to find out as we've got them belonging to us as are transported o'er the seas, and were like to be hanged. We shall have that flyin' up in our faces, and our children's after us.”
That was a long visit to the Hall Farm, and drew too strongly on Adam's energies for him to think of seeing others, or re-entering on his old occupations till the morrow. “But to-morrow,” he said to himself, “I'll go to work again. I shall learn to like it again some time, maybe; and it's right whether I like it or not.”
This evening was the last he would allow to be absorbed by sorrow: suspense was gone now, and he must bear the unalterable. He was resolved not to see Arthur Donnithorne again, if it were possible to avoid him. He had no message to deliver from Hetty now, for Hetty had seen Arthur. And Adam distrusted himself—he had learned to dread the violence of his own feeling. That word of Mr. Irwine's—that he must remember what he had felt after giving the last blow to Arthur in the Grove—had remained with him.
These thoughts about Arthur, like all thoughts that are charged with strong feeling, were continually recurring, and they always called up the image of the Grove—of that spot under the overarching boughs where he had caught sight of the two bending figures, and had been possessed by sudden rage.
“I'll go and see it again to-night for the last time,” he said; “it'll do me good; it'll make me feel over again what I felt when I'd knocked him down. I felt what poor empty work it was, as soon as I'd done it, before I began to think he might be dead.”
In this way it happened that Arthur and Adam were walking towards the same spot at the same time.
Adam had on his working-dress again, now, for he had thrown off the other with a sense of relief as soon as he came home; and if he had had the basket of tools over his shoulder, he might have been taken, with his pale wasted face, for the spectre of the Adam Bede who entered the Grove on that August evening eight months ago. But he had no basket of tools, and he was not walking with the old erectness, looking keenly round him; his hands were thrust in his side pockets, and his eyes rested chiefly on the ground. He had not long entered the Grove, and now he paused before a beech. He knew that tree well; it was the boundary mark of his youth—the sign, to him, of the time when some of his earliest, strongest feelings had left him. He felt sure they would never return. And yet, at this moment, there was a stirring of affection at the remembrance of that Arthur Donnithorne whom he had believed in before he had come up to this beech eight months ago. It was affection for the dead: THAT Arthur existed no longer.
He was disturbed by the sound of approaching footsteps, but the beech stood at a turning in the road, and he could not see who was coming until the tall slim figure in deep mourning suddenly stood before him at only two yards' distance. They both started, and looked at each other in silence. Often, in the last fortnight, Adam had imagined himself as close to Arthur as this, assailing him with words that should be as harrowing as the voice of remorse, forcing upon him a just share in the misery he had caused; and often, too, he had told himself that such a meeting had better not be. But in imagining the meeting he had always seen Arthur, as he had met him on that evening in the Grove, florid, careless, light of speech; and the figure before him touched him with the signs of suffering. Adam knew what suffering was—he could not lay a cruel finger on a bruised man. He felt no impulse that he needed to resist. Silence was more just than reproach. Arthur was the first to speak.
“Adam,” he said, quietly, “it may be a good thing that we have met here, for I wished to see you. I should have asked to see you to-morrow.”
He paused, but Adam said nothing.
“I know it is painful to you to meet me,” Arthur went on, “but it is not likely to happen again for years to come.”
“No, sir,” said Adam, coldly, “that was what I meant to write to you to-morrow, as it would be better all dealings should be at an end between us, and somebody else put in my place.”
Arthur felt the answer keenly, and it was not without an effort that he spoke again.
“It was partly on that subject I wished to speak to you. I don't want to lessen your indignation against me, or ask you to do anything for my sake. I only wish to ask you if you will help me to lessen the evil consequences of the past, which is unchangeable. I don't mean consequences to myself, but to others. It is but little I can do, I know. I know the worst consequences will remain; but something may be done, and you can help me. Will you listen to me patiently?”
“Yes, sir,” said Adam, after some hesitation; “I'll hear what it is. If I can help to mend anything, I will. Anger 'ull mend nothing, I know. We've had enough o' that.”
“I was going to the Hermitage,” said Arthur. “Will you go there with me and sit down? We can talk better there.”
The Hermitage had never been entered since they left it together, for Arthur had locked up the key in his desk. And now, when he opened the door, there was the candle burnt out in the socket; there was the chair in the same place
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