Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Les Misérables by Victor Hugo (early readers .txt) 📖
- Author: Victor Hugo
- Performer: 0451525264
Book online «Les Misérables by Victor Hugo (early readers .txt) 📖». Author Victor Hugo
CHAPTER VII—CONTINUATION OF THE ENIGMA
The night wind had risen, which indicated that it must be between one and two o’clock in the morning. Poor Cosette said nothing. As she had seated herself beside him and leaned her head against him, Jean Valjean had fancied that she was asleep. He bent down and looked at her. Cosette’s eyes were wide open, and her thoughtful air pained Jean Valjean.
She was still trembling.
“Are you sleepy?” said Jean Valjean.
“I am very cold,” she replied.
A moment later she resumed:—
“Is she still there?”
“Who?” said Jean Valjean.
“Madame Thénardier.”
Jean Valjean had already forgotten the means which he had employed to make Cosette keep silent.
“Ah!” said he, “she is gone. You need fear nothing further.”
The child sighed as though a load had been lifted from her breast.
The ground was damp, the shed open on all sides, the breeze grew more keen every instant. The goodman took off his coat and wrapped it round Cosette.
“Are you less cold now?” said he.
“Oh, yes, father.”
“Well, wait for me a moment. I will soon be back.”
He quitted the ruin and crept along the large building, seeking a better shelter. He came across doors, but they were closed. There were bars at all the windows of the ground floor.
Just after he had turned the inner angle of the edifice, he observed that he was coming to some arched windows, where he perceived a light. He stood on tiptoe and peeped through one of these windows. They all opened on a tolerably vast hall, paved with large flagstones, cut up by arcades and pillars, where only a tiny light and great shadows were visible. The light came from a taper which was burning in one corner. The apartment was deserted, and nothing was stirring in it. Nevertheless, by dint of gazing intently he thought he perceived on the ground something which appeared to be covered with a winding-sheet, and which resembled a human form. This form was lying face downward, flat on the pavement, with the arms extended in the form of a cross, in the immobility of death. One would have said, judging from a sort of serpent which undulated over the floor, that this sinister form had a rope round its neck.
The whole chamber was bathed in that mist of places which are sparely illuminated, which adds to horror.
Jean Valjean often said afterwards, that, although many funereal spectres had crossed his path in life, he had never beheld anything more blood-curdling and terrible than that enigmatical form accomplishing some inexplicable mystery in that gloomy place, and beheld thus at night. It was alarming to suppose that that thing was perhaps dead; and still more alarming to think that it was perhaps alive.
He had the courage to plaster his face to the glass, and to watch whether the thing would move. In spite of his remaining thus what seemed to him a very long time, the outstretched form made no movement. All at once he felt himself overpowered by an inexpressible terror, and he fled. He began to run towards the shed, not daring to look behind him. It seemed to him, that if he turned his head, he should see that form following him with great strides and waving its arms.
He reached the ruin all out of breath. His knees were giving way beneath him; the perspiration was pouring from him.
Where was he? Who could ever have imagined anything like that sort of sepulchre in the midst of Paris! What was this strange house? An edifice full of nocturnal mystery, calling to souls through the darkness with the voice of angels, and when they came, offering them abruptly that terrible vision; promising to open the radiant portals of heaven, and then opening the horrible gates of the tomb! And it actually was an edifice, a house, which bore a number on the street! It was not a dream! He had to touch the stones to convince himself that such was the fact.
Cold, anxiety, uneasiness, the emotions of the night, had given him a genuine fever, and all these ideas were clashing together in his brain.
He stepped up to Cosette. She was asleep.
CHAPTER VIII—THE ENIGMA BECOMES DOUBLY MYSTERIOUS
The child had laid her head on a stone and fallen asleep.
He sat down beside her and began to think. Little by little, as he gazed at her, he grew calm and regained possession of his freedom of mind.
He clearly perceived this truth, the foundation of his life henceforth, that so long as she was there, so long as he had her near him, he should need nothing except for her, he should fear nothing except for her. He was not even conscious that he was very cold, since he had taken off his coat to cover her.
Nevertheless, athwart this reverie into which he had fallen he had heard for some time a peculiar noise. It was like the tinkling of a bell. This sound proceeded from the garden. It could be heard distinctly though faintly. It resembled the faint, vague music produced by the bells of cattle at night in the pastures.
This noise made Valjean turn round.
He looked and saw that there was some one in the garden.
A being resembling a man was walking amid the bell-glasses of the melon beds, rising, stooping, halting, with regular movements, as though he were dragging or spreading out something on the ground. This person appeared to limp.
Jean Valjean shuddered with the continual tremor of the unhappy. For them everything is hostile and suspicious. They distrust the day because it enables people to see them, and the night because it aids in surprising them. A little while before he had shivered because the garden was deserted, and now he shivered because there was some one there.
He fell back from chimerical terrors to real terrors. He said to himself that Javert and the spies had, perhaps, not taken their departure; that they had, no doubt, left people on the watch in the street; that if this man should discover him in the garden, he would cry out for help against thieves and deliver him up. He took the sleeping Cosette gently in his arms and carried her behind a heap of old furniture, which was out of use, in the most remote corner of the shed. Cosette did not stir.
From that point he scrutinized the appearance of the being in the melon patch. The strange thing about it was, that the sound of the bell followed each of this man’s movements. When the man approached, the sound approached; when the man retreated, the sound retreated; if he made any hasty gesture, a tremolo accompanied the gesture; when he halted, the sound ceased. It appeared evident that the bell was attached to that man; but what could that signify? Who was this man who had a bell suspended about him like a ram or an ox?
As he put these questions to himself, he touched Cosette’s hands. They were icy cold.
“Ah! good God!” he cried.
He spoke to her in a low voice:—
“Cosette!”
She did not open her eyes.
He shook her vigorously.
She did not wake.
“Is she dead?” he said to himself, and sprang to his feet, quivering from head to foot.
The most frightful thoughts rushed pell-mell through his mind. There are moments when hideous surmises assail us like a cohort of furies, and violently force the partitions of our brains. When those we love are in question, our prudence invents every sort of madness. He remembered that sleep in the open air on a cold night may be fatal.
Cosette was pale, and had fallen at full length on the ground at his feet, without a movement.
He listened to her breathing: she still breathed, but with a respiration which seemed to him weak and on the point of extinction.
How was he to warm her back to life? How was he to rouse her? All that was not connected with this vanished from his thoughts. He rushed wildly from the ruin.
It was absolutely necessary that Cosette should be in bed and beside a fire in less than a quarter of an hour.
CHAPTER IX—THE MAN WITH THE BELL
He walked straight up to the man whom he saw in the garden. He had taken in his hand the roll of silver which was in the pocket of his waistcoat.
The man’s head was bent down, and he did not see him approaching. In a few strides Jean Valjean stood beside him.
Jean Valjean accosted him with the cry:—
“One hundred francs!”
The man gave a start and raised his eyes.
“You can earn a hundred francs,” went on Jean Valjean, “if you will grant me shelter for this night.”
The moon shone full upon Jean Valjean’s terrified countenance.
“What! so it is you, Father Madeleine!” said the man.
That name, thus pronounced, at that obscure hour, in that unknown spot, by that strange man, made Jean Valjean start back.
He had expected anything but that. The person who thus addressed him was a bent and lame old man, dressed almost like a peasant, who wore on his left knee a leather knee-cap, whence hung a moderately large bell. His face, which was in the shadow, was not distinguishable.
However, the goodman had removed his cap, and exclaimed, trembling all over:—
“Ah, good God! How come you here, Father Madeleine? Where did you enter? Dieu-Jésus! Did you fall from heaven? There is no trouble about that: if ever you do fall, it will be from there. And what a state you are in! You have no cravat; you have no hat; you have no coat! Do you know, you would have frightened any one who did not know you? No coat! Lord God! Are the saints going mad nowadays? But how did you get in here?”
His words tumbled over each other. The goodman talked with a rustic volubility, in which there was nothing alarming. All this was uttered with a mixture of stupefaction and naïve kindliness.
“Who are you? and what house is this?” demanded Jean Valjean.
“Ah! pardieu, this is too much!” exclaimed the old man. “I am the person for whom you got the place here, and this house is the one where you had me placed. What! You don’t recognize me?”
“No,” said Jean Valjean; “and how happens it that you know me?”
“You saved my life,” said the man.
He turned. A ray of moonlight outlined his profile, and Jean Valjean recognized old Fauchelevent.
“Ah!” said Jean Valjean, “so it is you? Yes, I recollect you.”
“That is very lucky,” said the old man, in a reproachful tone.
“And what are you doing here?” resumed Jean Valjean.
“Why, I am covering my melons, of course!”
In fact, at the moment when Jean Valjean accosted him, old Fauchelevent held in his hand the end of a straw mat which he was occupied in spreading over the melon bed. During the hour or thereabouts that he had been in the garden he had already spread out a number of them. It was this operation which had caused him to execute the peculiar movements observed from the shed by Jean Valjean.
He continued:—
“I said to myself, ‘The moon is bright: it is going to freeze. What if I were to put my melons into their greatcoats?’ And,” he added, looking at Jean Valjean with a broad smile,—“pardieu! you ought to have done the same! But how do you come here?”
Jean Valjean, finding himself known to this man, at least only under the name of Madeleine, thenceforth advanced only with caution. He multiplied his questions. Strange to say, their rôles seemed to be reversed. It was he, the intruder, who interrogated.
“And what is this bell which you wear on your knee?”
“This,” replied Fauchelevent, “is so that I may be avoided.”
“What! so that you may be avoided?”
Old Fauchelevent winked with an indescribable air.
“Ah, goodness! there are only women in this house—many young girls. It appears that I should be a dangerous person to meet. The bell gives them warning. When I come, they go.”
“What house
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