Bleak House by Charles Dickens (the top 100 crime novels of all time .txt) đź“–
- Author: Charles Dickens
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“This is a horrible house,” says Mr. Guppy, shutting down the
window. “Give me some water or I shall cut my hand off.”
He so washes, and rubs, and scrubs, and smells, and washes, that he
has not long restored himself with a glass of brandy and stood
silently before the fire when Saint Paul’s bell strikes twelve and
all those other bells strike twelve from their towers of various
heights in the dark air, and in their many tones. When all is
quiet again, the lodger says, “It’s the appointed time at last.
Shall I go?”
Mr. Guppy nods and gives him a “lucky touch” on the back, but not
with the washed hand, though it is his right hand.
He goes downstairs, and Mr. Guppy tries to compose himself before
the fire for waiting a long time. But in no more than a minute or
two the stairs creak and Tony comes swiftly back.
“Have you got them?”
“Got them! No. The old man’s not there.”
He has been so horribly frightened in the short interval that his
terror seizes the other, who makes a rush at him and asks loudly,
“What’s the matter?”
“I couldn’t make him hear, and I softly opened the door and looked
in. And the burning smell is there—and the soot is there, and the
oil is there—and he is not there!” Tony ends this with a groan.
Mr. Guppy takes the light. They go down, more dead than alive, and
holding one another, push open the door of the back shop. The cat
has retreated close to it and stands snarling, not at them, at
something on the ground before the fire. There is a very little
fire left in the grate, but there is a smouldering, suffocating
vapour in the room and a dark, greasy coating on the walls and
ceiling. The chairs and table, and the bottle so rarely absent
from the table, all stand as usual. On one chair-back hang the old
man’s hairy cap and coat.
“Look!” whispers the lodger, pointing his friend’s attention to
these objects with a trembling finger. “I told you so. When I saw
him last, he took his cap off, took out the little bundle of old
letters, hung his cap on the back of the chair—his coat was there
already, for he had pulled that off before he went to put the
shutters up—and I left him turning the letters over in his hand,
standing just where that crumbled black thing is upon the floor.”
Is he hanging somewhere? They look up. No.
“See!” whispers Tony. “At the foot of the same chair there lies a
dirty bit of thin red cord that they tie up pens with. That went
round the letters. He undid it slowly, leering and laughing at me,
before he began to turn them over, and threw it there. I saw it
fall.”
“What’s the matter with the cat?” says Mr. Guppy. “Look at her!”
“Mad, I think. And no wonder in this evil place.”
They advance slowly, looking at all these things. The cat remains
where they found her, still snarling at the something on the ground
before the fire and between the two chairs. What is it? Hold up
the light.
Here is a small burnt patch of flooring; here is the tinder from a
little bundle of burnt paper, but not so light as usual, seeming to
be steeped in something; and here is—is it the cinder of a small
charred and broken log of wood sprinkled with white ashes, or is it
coal? Oh, horror, he IS here! And this from which we run away,
striking out the light and overturning one another into the street,
is all that represents him.
Help, help, help! Come into this house for heaven’s sake! Plenty
will come in, but none can help. The Lord Chancellor of that
court, true to his title in his last act, has died the death of all
lord chancellors in all courts and of all authorities in all places
under all names soever, where false pretences are made, and where
injustice is done. Call the death by any name your Highness will,
attribute it to whom you will, or say it might have been prevented
how you will, it is the same death eternally—inborn, inbred,
engendered in the corrupted humours of the vicious body itself, and
that only—spontaneous combustion, and none other of all the deaths
that can be died.
Interlopers
Now do those two gentlemen not very neat about the cuffs and
buttons who attended the last coroner’s inquest at the Sol’s Arms
reappear in the precincts with surprising swiftness (being, in
fact, breathlessly fetched by the active and intelligent beadle),
and institute perquisitions through the court, and dive into the
Sol’s parlour, and write with ravenous little pens on tissue-paper.
Now do they note down, in the watches of the night, how the
neighbourhood of Chancery Lane was yesterday, at about midnight,
thrown into a state of the most intense agitation and excitement by
the following alarming and horrible discovery. Now do they set
forth how it will doubtless be remembered that some time back a
painful sensation was created in the public mind by a case of
mysterious death from opium occurring in the first floor of the
house occupied as a rag, bottle, and general marine store shop, by
an eccentric individual of intemperate habits, far advanced in
life, named Krook; and how, by a remarkable coincidence, Krook was
examined at the inquest, which it may be recollected was held on
that occasion at the Sol’s Arms, a well-conducted tavern
immediately adjoining the premises in question on the west side and
licensed to a highly respectable landlord, Mr. James George Bogsby.
Now do they show (in as many words as possible) how during some
hours of yesterday evening a very peculiar smell was observed by
the inhabitants of the court, in which the tragical occurrence
which forms the subject of that present account transpired; and
which odour was at one time so powerful that Mr. Swills, a comic
vocalist professionally engaged by Mr. J. G. Bogsby, has himself
stated to our reporter that he mentioned to Miss M. Melvilleson, a
lady of some pretensions to musical ability, likewise engaged by
Mr. J. G. Bogsby to sing at a series of concerts called Harmonic
Assemblies, or Meetings, which it would appear are held at the
Sol’s Arms under Mr. Bogsby’s direction pursuant to the Act of
George the Second, that he (Mr. Swills) found his voice seriously
affected by the impure state of the atmosphere, his jocose
expression at the time being that he was like an empty post-office,
for he hadn’t a single note in him. How this account of Mr. Swills
is entirely corroborated by two intelligent married females
residing in the same court and known respectively by the names of
Mrs. Piper and Mrs. Perkins, both of whom observed the foetid
effluvia and regarded them as being emitted from the premises in
the occupation of Krook, the unfortunate deceased. All this and a
great deal more the two gentlemen who have formed an amicable
partnership in the melancholy catastrophe write down on the spot;
and the boy population of the court (out of bed in a moment) swarm
up the shutters of the Sol’s Arms parlour, to behold the tops of
their heads while they are about it.
The whole court, adult as well as boy, is sleepless for that night,
and can do nothing but wrap up its many heads, and talk of the ill-fated house, and look at it. Miss Flite has been bravely rescued
from her chamber, as if it were in flames, and accommodated with a
bed at the Sol’s Arms. The Sol neither turns off its gas nor shuts
its door all night, for any kind of public excitement makes good
for the Sol and causes the court to stand in need of comfort. The
house has not done so much in the stomachic article of cloves or in
brandy-and-water warm since the inquest. The moment the pot-boy
heard what had happened, he rolled up his shirt-sleeves tight to
his shoulders and said, “There’ll be a run upon us!” In the first
outcry, young Piper dashed off for the fire-engines and returned in
triumph at a jolting gallop perched up aloft on the Phoenix and
holding on to that fabulous creature with all his might in the
midst of helmets and torches. One helmet remains behind after
careful investigation of all chinks and crannies and slowly paces
up and down before the house in company with one of the two
policemen who have likewise been left in charge thereof. To this
trio everybody in the court possessed of sixpence has an insatiate
desire to exhibit hospitality in a liquid form.
Mr. Weevle and his friend Mr. Guppy are within the bar at the Sol
and are worth anything to the Sol that the bar contains if they
will only stay there. “This is not a time,” says Mr. Bogsby, “to
haggle about money,” though he looks something sharply after it,
over the counter; “give your orders, you two gentlemen, and you’re
welcome to whatever you put a name to.”
Thus entreated, the two gentlemen (Mr. Weevle especially) put names
to so many things that in course of time they find it difficult to
put a name to anything quite distinctly, though they still relate
to all new-comers some version of the night they have had of it,
and of what they said, and what they thought, and what they saw.
Meanwhile, one or other of the policemen often flits about the
door, and pushing it open a little way at the full length of his
arm, looks in from outer gloom. Not that he has any suspicions,
but that he may as well know what they are up to in there.
Thus night pursues its leaden course, finding the court still out
of bed through the unwonted hours, still treating and being
treated, still conducting itself similarly to a court that has had
a little money left it unexpectedly. Thus night at length with
slow-retreating steps departs, and the lamplighter going his
rounds, like an executioner to a despotic king, strikes off the
little heads of fire that have aspired to lessen the darkness.
Thus the day cometh, whether or no.
And the day may discern, even with its dim London eye, that the
court has been up all night. Over and above the faces that have
fallen drowsily on tables and the heels that lie prone on hard
floors instead of beds, the brick and mortar physiognomy of the
very court itself looks worn and jaded. And now the neighbourhood,
waking up and beginning to hear of what has happened, comes
streaming in, half dressed, to ask questions; and the two policemen
and the helmet (who are far less impressible externally than the
court) have enough to do to keep the door.
“Good gracious, gentlemen!” says Mr. Snagsby, coming up. “What’s
this I hear!”
“Why, it’s true,” returns one of the policemen. “That’s what it
is. Now move on here, come!”
“Why, good gracious, gentlemen,” says Mr. Snagsby, somewhat
promptly backed away, “I was at this door last night betwixt ten
and eleven o’clock in conversation with the young man who lodges
here.”
“Indeed?” returns the policeman. “You will find the young man next
door then. Now move on here, some of you,”
“Not hurt, I hope?” says Mr. Snagsby.
“Hurt? No. What’s to hurt him!”
Mr. Snagsby, wholly unable to answer this or any question in his
troubled mind, repairs to the Sol’s Arms and finds Mr. Weevle
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