Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Parisians — Complete by Baron Edward Bulwer Lytton Lytton (beautiful books to read TXT) 📖
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On her side, brought so frequently into communication with the young conductor of the journal in which she wrote, Isaura entertained for him a friendly, almost sister-like affection.
I do not think that, even if she had never known the Englishman, she would have really become in love with Rameau, despite the picturesque beauty of his countenance and the congeniality of literary pursuits; but perhaps she might have fancied herself in love with him. And till one, whether man or woman, has known real love, fancy is readily mistaken for it. But little as she had seen of Graham, and that little not in itself wholly favourable to him, she knew in her heart of hearts that his image would never be replaced by one equally dear. Perhaps in those qualities that placed him in opposition to her she felt his attractions. The poetical in woman exaggerates the worth of the practical in man. Still for Rameau her exquisitely kind and sympathizing nature conceived one of those sentiments which in woman are almost angel-like. We have seen in her letters to Madame de Grantmesnil that from the first he inspired her with a compassionate interest; then the compassion was checked by her perception of his more unamiable and envious attributes. But now those attributes, if still existent, had ceased to be apparent to her, and the compassion became unalloyed. Indeed, it was thus so far increased that it was impossible for any friendly observer to look at the beautiful face of this youth, prematurely wasted and worn, without the kindliness of pity. His prosperity had brightened and sweetened the expression of that face, but it had not effaced the vestiges of decay; rather perhaps deepened them, for the duties of his post necessitated a regular labour, to which he had been unaccustomed, and the regular labour necessitated, or seemed to him to necessitate, an increase of fatal stimulants. He imbibed absinthe with everything he drank, and to absinthe he united opium. This, of course, Isaura knew not, any more than she knew of his liaison with the “Ondine” of his muse; she saw only the increasing delicacy of his face and form, contrasted by his increased geniality and liveliness of spirits, and the contrast saddened her. Intellectually, too, she felt for him compassion. She recognized and respected in him the yearnings of a genius too weak to perform a tithe of what, in the arrogance of youth, it promised to its ambition. She saw, too, those struggles between a higher and a lower self, to which a weak degree of genius united with a strong degree of arrogance is so often subjected. Perhaps she overestimated the degree of genius, and what, if rightly guided, it could do; but she did, in the desire of her own heavenlier instinct, aspire to guide it heavenward. And as if she were twenty years older than himself, she obeyed that desire in remonstrating and warning and urging, and the young man took all these “preachments” with a pleased submissive patience. Such, as the new year dawned upon the grave of the old one, was the position between these two. And nothing more was heard from Graham Vane.
CHAPTER VI.
It has now become due to Graham Vane, and to his place in the estimation of my readers, to explain somewhat more distinctly the nature of the quest in prosecution of which he had sought the aid of the Parisian police, and under an assumed name made the acquaintance of M. Lebeau.
The best way of discharging this duty will perhaps be to place before the reader the contents of the letter which passed under Graham’s eyes on the day in which the heart of the writer ceased to beat.
(Confidential. To be opened immediately after my death, and before the perusal of my will.—Richard King.)
TO GRAHAM VANE, Esq.
My DEAR GRAHAM,—By the direction on the envelope of this letter, “Before the perusal of my will,” I have wished to save you from the disappointment you would naturally experience if you learned my bequest without being prevised of the conditions which I am about to impose upon your honour. You will see ere you conclude this letter that you are the only man living to whom I could intrust the secret it contains and the task it enjoins.
You are aware that I was not born to the fortune that passed to me by the death of a distant relation, who had, in my earlier youth, children of his own. I was an only son, left an orphan at the age of sixteen with a very slender pittance. My guardians designed me for the medical profession. I began my studies at Edinburgh, and was sent to Paris to complete them, It so chanced that there I lodged in the same house with an artist named Auguste Duval, who, failing to gain his livelihood as a painter, in what—for his style was ambitious—is termed the Historical School, had accepted the humbler calling of a drawing-master. He had practised in that branch of the profession for several years at Tours, having a good clientele among English families settled there. This clientele, as he frankly confessed, he had lost from some irregularities of conduct. He was not a bad man, but of convivial temper, and easily led into temptation. He had removed to Paris a few months before I made his acquaintance. He obtained a few pupils, and often lost them as soon as gained. He was unpunctual and addicted to drink. But he had a small pension, accorded to him, he was wont to say mysteriously, by some high-born kinsfolk, too proud to own connection with a drawing-master, and on the condition that he should never name them. He never did name them to me, and I do not know to this day whether the story of this noble relationship was true or false. A pension, however, he did receive quarterly from some person or other, and it was an unhappy provision for him. It tended to make him an idler in his proper calling; and whenever he received the payment he spent it in debauch, to the neglect, while it lasted, of his pupils. This man had residing with him a young daughter, singularly beautiful. You may divine the rest. I fell in love with her,—a love deepened by the compassion with which she inspired me. Her father left her so frequently that, living on the same floor, we saw much of each other. Parent and child were often in great need,—lacking even fuel or food. Of course I assisted them to the utmost of my scanty means Much as I was fascinated by Louise Duval, I was not blind to great defects in her character. She was capricious, vain, aware of her beauty, and sighing for the pleasures or the gauds beyond her reach. I knew that she did not love me,—there was little, indeed, to captivate her fancy in a poor, thread-bare medical student,—and yet I fondly imagined that my own persevering devotion would at length win her affections, I spoke to her father more than once of my hope some day to make Louise my wife. This hope, I must frankly acknowledge, he never encouraged. On the contrary, he treated it with scorn,—“His child with her beauty would look much higher;” but be continued all the same to accept my assistance, and to sanction my visits. At length my slender purse was pretty well exhausted, and the luckless
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